As part of International Habitat and Architect Week in Mozambique, the exhibition opened and the winners of the First Architecture Photography Competition - Perspectivas were announced on October 1 in Maputo, during the event A Cidade Desejada, organized by the Association of Architects of Mozambique - ARCHIMOZ.
A federal building abandoned for decades may soon be rehabilitated to provide quality housing for socially vulnerable families in downtown Porto Alegre. This is the proposal of a project selected in the funding call for Technical Assistance for Social Interest Housing (ATHIS) programs by the Council of Architecture and Urbanism (CAU/RS). Made possible by the Architects' Union of the State of Rio Grande do Sul, the project aims to turn the building in the Floresta neighborhood into a decent home for approximately 40 low-income families.
Following last year's designation of the Gimnasio Maravillas, designed by Alejandro de la Sota, the Community of Madrid has declared the Capitol Building an Asset of Cultural Interest (BIC) under the Monument category. This designation continues the region's initiative to protect and promote 20th-century Spanish modern architecture.
Also known as the Carrión Building, the Capitol Building was designed by architects Vicente Eced and Luis Martínez Feduchi. Construction began on April 21, 1931, and the building officially opened on October 15, 1933.
The Instituto Tomie Ohtake AkzoNobel Architecture Prize, aimed at professionals up to 45 years old, shows that Brazilian architectural production is not currently experiencing a good moment. The responsibility, certainly, does not lie with our architects and urban planners, but with the lack of importance that public administrators, in general, have given to urban interventions and high-quality design.
One could argue, given the few outstanding proposals, that this is the result of the current economic crisis and the standstill in the real estate sector and public policies linked to the built environment, such as urban design, housing, mobility, social infrastructure, and the environment.
As part of the 30th National Meeting of Architecture Students (ENEA), the Association of Architecture Teaching Institutions (ASINEA) invited the country's most prestigious architecture schools to participate in this event organized by Universidad de La Salle México. The meeting took place at La Salle Cuernavaca in March 2018, bringing together the highest-performing students.
The exercises focused on the theme proposed by La Salle México, "Architecture and Design for Urban Emergencies," which arose from the events of September 19, 2017, and the urgent need to raise awareness within the profession about the importance of preparing for social disasters caused by natural phenomena.
A bridge approximately 1.5 kilometers long collapsed this morning in Genoa, Italy. The Morandi Bridge, built in the 1960s, crosses the Polcevera River in the western part of the Port of Genoa, connecting the city center with the regional airport. Authorities attribute the disaster to structural failure combined with a severe storm occurring at the time of the collapse.
New residential developments in the country must incorporate accessibility features in all common areas, while individual housing units must be adapted according to buyer demand. Developments will have an 18-month deadline to adapt to the new rules established by Decree 9,451, whose guidelines regulate the Brazilian Inclusion Law.
Lola Barcia Albacar and Marinela Forcadell Breva, known as Fotolateras, are two Spanish photographers who describe themselves as tireless travelers passionate about pinhole photography. This technique, one of the oldest in the world of photography, involves capturing images with almost no conventional photographic equipment.
This technique requires expertise, as each can captures only a single photograph and exposure times can exceed a full minute. However, the results are well worth the effort: images imbued with a captivating beauty. In the case of Fotolateras, Lola and Marinela use cameras built from cans, where the lens is simply a tiny hole drilled into the surface.
Westbank is a developer of high-end luxury residential properties and Canada's premier hotel developer—its portfolio includes Vancouver House, designed by BIG, which has become one of the world's most high-profile urban developments. The Avior is situated in Minami-Aoyama, a prestigious neighborhood near Tokyo’s renowned Omotesando shopping district. The area is a hub of architectural landmarks, home to Jun Aoki's Louis Vuitton Maison, Toyo Ito's Tod’s, Kengo Kuma’s LVMH Japan headquarters, and Tadao Ando's Omotesando Hills, among others.
After 70 years of setbacks, the Bogotá Metro is finally beginning to take shape. Last September, it secured partial state funding for its construction, and in April, the 16 stations of the first line were presented. Consequently, building a new transit system for a city of 8 million people has sparked widespread debate, capturing the attention of residents who long for a project that would solve one of the major mobility crises currently facing the Colombian capital.
Darío Hidalgo, director of integrated transport at the WRI Ross Center for Sustainable Cities, and Carlos Carrillo, an industrial designer from the National University of Colombia, recently participated in the Observatorio de Gobierno Urbano program on UN Radio, where they compared the routes and costs of an elevated metro versus an underground one.
Around 19,000 architects and urban planners from Rio de Janeiro state now have access to a shared office space in downtown Rio de Janeiro. Featuring 20 workstations and two meeting rooms, the space allows professionals to work and host client meetings.
The Council's goal is to bring greater vitality to the use of its headquarters—located at Av. República do Chile, 230, 23rd floor—while strengthening ties with professionals and providing access to an infrastructure that architects and urban planners help maintain. By the end of this year, CAU/RJ expects to increase the number of available workstations and meeting rooms.
Human beings are “seeing machines.” Except for those who lack this faculty, our eyes are our greatest generator of information. The brain then interprets these images accordingly… We must not confuse "looking" with the act of "seeing" something. Looking, an automatic and passive response, must become the act of seeing—of processing all those bits of information into something concrete and tangible. Sherlock Holmes observed an earlobe to deduce kinship; Proust, the hem of a dress or the nape of a neck to understand a woman profoundly… Where is the sign hidden? How do we know, in any image—whether verbal, visual, or auditory—which is the signifying part and which is the neutral, empty background, the noise to be discarded?
While our eyes capture and absorb this information, and our brain processes and translates it, it is photography—more specifically, our camera—that manages to retain it, freezing it in a photograph so that once our eyes have stopped looking, they can begin to see. As Le Corbusier simply put it, “one must see what one looks at.”
Dérive LAB is a multidisciplinary laboratory based in Santiago de Querétaro, Mexico, that seeks to explore, understand, and inspire alternative (new) ways of living and thinking about urban life. Through research, design, and action, they focus on developing art, architecture, urban design, and other disciplinary projects that impact three specific scales: public life, the built environment, and everyday objects.
After establishing itself—with ten editions already—as a key reference event for understanding the current and future state of architecture and urbanism in the Ibero-American community, the XI BIAU will take place for the first time in the city of Asunción in October 2019. The program of activities will include the presentation of selected works, keynote lectures, specialized presentations, and panel discussions organized around the central theme: aĩ paragua y (I inhabit - water).
As the year comes to a close, we look back... what captivated us most? After presenting the best architecture of the year, we now focus on identifying representative projects. Among the wide range of Peruvian works published in 2018, those that had the greatest impact on our platform span various scales and typologies. Below, you will find everything from a private house to a public library, by both established and emerging architects—reflecting architecture for everyone.
May the work continue.
What is it about the work of Joaquín Vaquero Palacios that still surprises us after all this time, making it worthy of an exhibition at the Museo ICO and so many visits by specialists? I have often been called upon—a role I gladly accept—as the local point of contact for those coming to Asturias to see Vaquero's work. The willingness of Hidrocantábrico, and now EDP (I still speak with the same people; many thanks to Nicanor Fernández and his team), is always absolute, stoically accommodating last-minute adjustments. After all, outsiders often fail to realize, for instance, that traveling to Grandas de Salime remains a major trek that takes up—and fills with joy—an entire day, and that security protocols are paramount.
On one occasion, we brought a busload of students from the Universidad Internacional Menéndez Pelayo, and by the end of the day, they were applauding on the bus as if they had just witnessed an opera. And indeed they had: Vaquero's grand formal opera. This year, in fact, I served as a guide for the Master of Advanced Architecture program at the Universidad Politécnica de Madrid, directed by Juan Herreros—a passionate admirer of Vaquero who has joined us on many occasions—with students from five different countries who were left awestruck upon seeing the power plants. We also crossed paths in Proaza, in the offices, and in Veriña with the young team of architects designing this exhibition, who were meticulously reviewing every element and archive they found in the buildings.
The lives of 32 families took a turn —quite literally— when the homes they occupied in the 1980s became a designated tourist attraction in 2009. Some of the residents decided to capitalize on this by offering small tours of their homes. Yet, despite the crowds of tourists that have flocked here since, the community remains as tightly knit as the cubes themselves.
As the urban planning debate in Buenos Aires over the reform of the planning code unfolds, one only needs to look at the new issue of the online magazine Notas CPAU 'Código Urbanístico' to realize that it is no minor issue.
Consequently, attention is turning to the city's historic grid. If you have already heard of superblocks—a system bounded on its periphery by arterial roads and public transit networks, with an interior designed to prioritize cyclists and pedestrians—pay attention, because Salvador Rueda was recently in the city, and this concept could soon become a reality.
The results of the 24th competition organized by the Projetar.org portal have just been released. The challenge proposed to students was to design a portable individual shelter for unhoused individuals, receiving 142 proposals submitted by teams of students from various Brazilian states and other countries. Given the difficulty of addressing the housing deficit, the fact that the global population is projected to increase by 50% by 2050, and the severity of the situation faced by unhoused people, it is both necessary and urgent to consider emergency solutions that can at least alleviate suffering and improve their basic living conditions.
See the competition results below:
Concéntrico is an International Architecture and Design Festival that invites reflection on the city of Logroño (Spain) by revitalizing undervalued public spaces. Its latest edition, Concéntrico 04, takes place between April 27 and May 1, 2018, in the historic center of Logroño. The festival invites visitors to explore the city through installations, exhibitions, meetings, activities, and performances that connect venues, plazas, streets, courtyards, and hidden spaces that typically go unnoticed in daily life. Lucas Seré Paltzer and Sebastián Andrés Podestá explore the connection between space and people through reflection at Plaza de San Bartolomé.
For the third time this year, ARCHIVO opens its doors to host the third installment of the series belonging to the México Ciudad de Diseño project. This project was divided into three exhibitions exploring Mexican design production across three distinct timelines. This edition explores objects belonging to the collective imagination of the future of design in Mexico through a speculative diagnostic of the challenges and opportunities ahead for design and its relationship with this city.
Mexico City's Chinatown originated in the 1960s near Alameda Central, forming around Chinese, Korean, Indonesian, and Filipino immigrants who established an increasingly strong presence in the city. The ephemeral and vibrant nature of this enclave has led to various design interventions, including the most recent one inaugurated in early 2018 by the Public Space Authority (Autoridad del Espacio Público), featuring urban furniture designed by the Mexican firm Obiect.
The social housing model currently seems like a utopia in Spain—ruled by developers and real estate firms, and mired in national policies that fail—and have always failed—to address the housing problem.
Over the years, the idea has been promoted that renting a home is almost a crime, throwing away money that could otherwise go toward purchasing property. Welcome to the wonderful world of real estate speculation. Driven by exorbitant rents set by real estate agencies or landlords with absolutely no state or provincial regulation to control them, the system itself pushes the population to take out mortgages and participate in private development. While over 50% of housing in Spain was rented back in the 1950s, those figures are a far cry from the progressive decline that brings us to the present day: nearly 80% of current housing is owner-occupied, while rentals have shrunk to just 20%.
Ever since we announced the results of the competition for the "New Bío Bío Regional Theater," promoted by the Regional Government and the Architecture Area of the National Council of Culture and the Arts, we had been eagerly awaiting the completion of the winning proposal.
._1-1935__n.º_1_(2).jpg?1523174035 "via Arquitectura (Madrid. 1918). 1-1935, No. 1")
._1-1935__n.º_1_(3).jpg?1523174046 "via Arquitectura (Madrid. 1918). 1-1935, No. 1")
