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The Westminster City Council has granted planning permission to Sheppard Robson for a “dramatic” rooftop extension to London’s Aldwych House. The £15m project - situated within the Westminster Conservation Area - will add 8,500 square feet of high-quality office and reception space by installing a series of geometrical-folded forms on top of the landmark Midtown office building.
A proposal to create a floating swimming pool in the Thames river will step up a gear tomorrow, as Studio Octopi will present their design for the Thames Baths at the Guardian's World Cities Day Challenge. Originally created as part of the Architecture Foundation's competition to design ways to reconnect Londoners with the river, the Thames Baths design has gained momentum over the last year, with a recent iteration of the design proposed for London's Victoria Embankment.
More on the design after the break
As part of the launch of his latest book, Food City, Professor CJ Lim of the Bartlett School of Architecture will present a lecture at Ravensbourne in Greenwich, London. Food City follows on from professor Lim's previous book, Smartcities and Eco-Warriors, exploring the role that food production and distribution has historically played in day-to-day life, and how we might once again reinstate it as an integral part of our cities through essays on 25 cities around the globe.
As part of the Dylan Thomas in Fitzrovia festival, The Building Centre is examining the space Dylan Thomas and other writers depend on to create their work. A Shed of One's Own is a photographic exploration of unique sheds with architectural significance and literary connections. From award-winning studios in Central London to weathered bothies in Scotland, this exhibition explores the importance of space for creativity and inspiration.
Pier Vittorio Aureli's collection of thirty 'non-compositional' drawings, exhibited as part of a series entitled The Marriage of Reason and Squalor, will open at London's Betts Project architecture gallery tomorrow (8th October 2014). The drawings, in development since 2001, are part of an ongoing investigation into "what, in the absence of a better definition, Aureli has described as ‘non-compositional architecture’." This term, referring to the work of art historian Yve-Alain Bois who was himself prompted by the ambitions of the constructivist artist Alexander Rodchenko, is used to describe works that "aspire to the abandonment of composition and even the self of the artist." This will be Aureli's second recent exhibition in London following Dogma: 11 Projects, which was presented at London's Architectural Association in 2013.
The soaring glass roofs of London's Alexandra Palace are about to receive a major overhaul thanks to a £23.8m ($38.6m USD) fundraising project focused on the revitalization of the 139 year old palace. Images of Feilden Clegg Bradley Studios 2014 revitalization are on display for the first time in an exhibition showcasing the upcoming changes to the public palace, including extensive renovations to reopen derelict sections of the building. Find out more about the exhibition after the break.
Text description provided by the architects. What happens when a designer decides to turn a classic Herzog & de Meuron masterpiece into a carnival space? That's precisely what happened when architect Gia Wolff was asked to create an installation - part of which doubled as a performance piece - for the show Up Hill Down Hall: An Indoor Carnival in the Tate Modern's Turbine Hall. How did she approach transforming such a cultural icon? Three words: red-pink rope.
