Multiple-airport cities present new challenges for passengers and urban dwellers who often struggle to navigate their aerial infrastructure. The fragmentation of airports in a single city, frequently owned and operated by different governing bodies, can lead to unpredictable and even confusing experiences. With seven airports in its metro area, New York City offers a perfect case study to reimagine airports as a choreographed urban ecosystem, which relies as much on architecture and urban planning as it does on technology and data-driven design. A panel of experts will discuss challenges and opportunities for the future of New York City’s aerial infrastructure, drawing from the think tank’s focus on urban design and digital interfaces.
New York’s most highly anticipated cultural venue, The Shed, is giving visitors the chance to preview some of their innovative programming a year before its planned opening at a temporary pavilion designed by architect Kunlé Adeyemi of NLÉ and artist Tino Sehgal.
To be located at the corner of Tenth Avenue and 30th Street in Manhattan – across the street from the rising Hudson Yards development and future home of the Shed – the pavilion has been designed to accommodate a variety of program types with its reconfigurable structure. Events will include concerts, dance battles, discussion panels and more.
Videos
Sex and the So-Called City. Office for Political Innovation. Storefront for Art and Architecture, 2018.. Image Courtesy of Imagen Subliminal
Storefront for Art and Architecture in 97 Kenmare St, New York, opened yesterday “Sex and the So-Called City,” an alternative version of Sex and the City (SATC) made by the architect Andrés Jaque / Office for Political Innovation with Miguel de Guzmán (Imagen Subliminal) on occasion of the show’s 20th anniversary.
Miodrag Živković, Monument to the Battle of Sutjeska, 1965-71, Tjentište, Bosnia and Herzegovina. View of the western exposure. Photo: Valentin Jeck, commissioned by The Museum of Modern Art, New York, 2017.
The Museum of Modern Art will explore the architecture of the former Yugoslavia with Toward a Concrete Utopia: Architecture in Yugoslavia, 1948–1980, the first major US exhibition to study the remarkable body of work that sparked international interest during the 45 years of the country’s existence. The exhibition will include more than 400 drawings, models, photographs, and film reels culled from an array of municipal archives, family-held collections, and museums across the region, introducing the exceptional built work of socialist Yugoslavia’s leading architects to an international audience for the first time.
Jenny Chen performing under Domo at the Tippet Rise Art Center, 2016. Design by Ensamble Studio (Anton Garcia-Abril and Debora Mesa). Photograph by Iwan Baan.
With Argeo Ascani, Anne Guthrie, Zev Greenfield, Margaret Anne Schedel, Elaine Sisman, Emily Thompson, and Peter Zuspan
Manufacturers: Artisan Signcorp, Axiom, Color X, Kam Tang, Lit, +6Micah, Miniwiz, Mistral Architectural Metal + Glass, More and More, Pink Sparrow, Uhuru-6
New York City’s latest full-floor luxury apartments are officially for sale in Morris Adjmi Architects’ first ever residential tower, 30 E 31. At 500 feet tall and 40 stories, this building will feature 42 one- and two-bedroom homes with a duplex penthouse—with prices ranging anywhere from $1.65 to $12 mil. Located in Manhattan’s NoMad neighborhood, the building's design draws from its Gothic context. On the facade, 6 columns emphasize the skyscraper's verticality and at the top of the building turn into a diagrid pattern reminiscent of a barrel-vaulted ceiling.