
“Nothing, and Everything Else” aims to locate architecture’s general position between nothing and something. Nothing is temporary, easily intimated, fleeing whenever something comes to take its place. At one point obsessed with space, architecture as a discipline has become occupied by a diffuse range of topics and fields which poses the question - is everything now architecture, or alternatively, is architecture now nothing? Is there a middle ground between the two? And is nothing residual - does it last or linger, smell stinky or pleasant, is it strong or subtle?






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