Inspiration and knowledge to help architects build better cities
Inspiration and knowledge to help architects build better cities
Founded in 2008, ArchDaily was established with a clear mission: to become an online platform providing design inspiration and knowledge to architects worldwide—transcending geography, race, and gender to exchange methodologies, spark inspiration, explore theory, and showcase practice. In 2020, as COVID-19 impacted the world and transformed the architectural landscape, we updated our mission:

Tools, inspiration, and knowledge to help create better cities
Tools, inspiration, and knowledge to help create better cities
"Tools" has been added. Over 13 years of dedication, our database has grown to include over 27,000 design firms from around the world. Serving a vast community of designers, we believe we should share more than just designs; we should also share "tools"—such as productivity-boosting workflows, cost-effective building materials, high-quality design competitions, and like-minded design communities. "Architects" has been removed, and "build" has become "create." ArchDaily currently operates websites in 5 languages, 2 WeChat public accounts, and 3 social media platforms, reaching 480,000 daily visits and ranking at the top of Alexa's global architecture and design website list. Our readership extends beyond architects to include designers from other fields and design enthusiasts. Consequently, our content should expand beyond construction to encompass more planning, cross-disciplinary, and diverse design. The goal of "better cities" remains unchanged. ArchDaily receives over 100 project submissions and more than 15 advertising inquiries daily. Guided by our high standards of curating content "for better cities," we consistently deliver high-quality articles, bringing the best content to readers, the most international platform to creators, and the most comprehensive exposure to developers.

2021 marks the fifth anniversary of ArchDaily China. Over the past five years, numerous Chinese architects have reached international audiences and gained global recognition through our platform. Meanwhile, China's diverse market has attracted global designers, fostering cultural exchange as the Chinese architectural design industry matures. To support this growth, we are launching services such as Job Postings and Brand Promotion, aiming to offer a more comprehensive suite of solutions that help architects recruit top talent and secure new projects.

Following an exciting week of nominations, ArchDaily’s readers have evaluated over 675 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.

The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

As we successfully launched our 12th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world.

Now, we are proud to announce the 5th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.

The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Smart campuses represent a unique architectural typology of our time. They not only showcase a brand's core technology and identity, but their vast footprint and significant investment also capture public interest, raising expectations for an innovative, interactive destination. In January of this year, construction began on the Midea Shanghai Global Innovation Park. Designed by the Beijing Institute of Architectural Design (BIAD), the campus spans a gross floor area of nearly 400,000 square meters with a total investment of over 6 billion RMB. It is scheduled for completion in 2024.

Located in the Hongqiao Business District of Shanghai, near the National Exhibition and Convention Center, the campus spans two urban plots. It is bordered by a natural waterway to the east and an urban green belt and the Shenhai Expressway to the west. BIAD conceived a "floating square ring" architectural form that hovers above the site. Both the building's roof and the landscape below are covered in "forests," seamlessly integrating the built volume with the environment. Equipped with Midea Group's proprietary smart building management systems and intelligent products, the campus aims to become a world-class green technology park.

The primary responsibility of media is to convey valuable information and knowledge; its secondary duty is to champion social values. Yet its most crucial role remains presenting comprehensive, multi-layered content that directs public attention toward critical issues, ultimately driving incremental social progress.

Over the past year, we found ourselves confined, interacting with the world solely through the narrow windows of our phones and computers. While online meetings saved us time, an overabundance of digital content quickly devolved into a fast-food culture—most of it reduced to floating windows on our screens, where "save for later" essentially meant "never look at again." This rapid consumption has eroded our patience; we no longer wish to wait for the slow shifts in climate, light, shadow, and human activity within a space, craving instead only the immediate satisfaction of perfectly staged "glamour shots." At the same time, the lack of physical contact has gradually locked us into localized echo chambers, siloing architectural design within domestic boundaries. As a result, the unified value community built on social consensus is dissolving, and personal opinions of individual architects are replacing objective standards for evaluating architectural design.

As an international architectural media platform, ArchDaily is raising its editorial standards once again. Our 22 editors worldwide will deliver global, multi-dimensional, open, thematic, and socially conscious architectural content. Through the 2019 and 2020 ArchDaily Topics, we have proven that we offer not just the most comprehensive architectural news, but also a clear perspective. This year, our theme is the "Unity of Knowledge and Action"—a commitment to reality over illusion, rejecting deceptive renderings and hyperbolic puff pieces.

Congratulations, you made it through 2020!

This year was filled with far too many "unexpected" and "unforeseen" events. The pandemic transformed our external environment, shifting our psychological landscapes and behaviors in tandem. As an architectural observer and critic, I have found that the most profound change the pandemic brought to the profession is in our very way of seeing. "Lockdowns" have increasingly forced us to experience culture and space through images. This mode of observation traps us within digital platforms—relying on translated texts, edited photographs, and curated videos. Consequently, our sensory understanding of space (encompassing sight, hearing, smell, and touch) has been reduced to sight alone, leaving our critique of the built environment as a mere synthesis of fragmented impressions.

When the channels of intellectual nourishment shift, the evaluation systems of space inevitably change as well. But how does this affect design? Physicist Carlo Rovelli once noted, "Sometimes, a crazy perspective sees further than our usual blurry vision." Through the lens of the COVID-19 pandemic, I hope to expose issues and provoke collective reflection rather than mere complacency. In this year-end review, we attempt to respond to these shifts. Below are the ten most-discussed articles of the year, categorized into ten themes, offered in the hope of sparking further response and dialogue.

01.Social Distancing:Human——1.5m——Human
02. Female Architects:2020 Pritzker Prize Laureates: Yvonne Farrell and Shelley McNamara
03. Representatives of the Client:Shenzhen Opera House Competition Selects 20 Design Teams in a Clash of Titans
04. Contextual Disconnect:An Open Letter to Zumthor: "Architecture Should Not Be an Island"
05. Scale:Portzamparc Responds to the "Steel Ribbon" of the Suzhou Bay Cultural Center: The Coexistence of the Monumental and the Minute
06. Juxtaposition of Tradition and Contemporaneity:Jingdezhen Imperial Kiln Museum / Studio Zhu-Pei
07. Human Habitat:High-Density Hong Kong: Micro-living in 14㎡ Concrete Water Pipes
08. Experimental Exploration:KAIT Plaza, Kanagawa Institute of Technology / Junya Ishigami
09. Architecture for Animals:Kengo Kuma's New 'Casa Wabi Coop': A Grid Built of Charred Wood
10. Young Architects:2020 ArchDaily Best New Practices: 21 Firms from Around the Globe

The Suzhou Bay Cultural Center is part of a series of emblematic projects initiated by the city's Wujiang Lakefront Masterplan. Located on the shores of Lake Tai, the deserted plain was discovered by Christian de Portzamparc in 2013, while rethinking the future city. It was then built so quickly, that the architect never ceased to be amazed after every visit. Alive, it is like a real Manhattan of towers organized through a grid of streets and avenues, bordering a central pedestrian axis that heads towards the lake. It was clear that the meeting of this pedestrian axis and the great lake would generate an exceptional place, and it was on this site, on each side, that the cultural center was to be implanted in the architecture competition.

Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”

MAD’s Beijing office is currently seeking talented professionals to fill several open positions.

Senior Architect | Design Direction

Source: Engineering Design Management Center, Bureau of Public Works of Shenzhen Municipality
The design competition for Phase III of Fuwai Hospital Shenzhen, Chinese Academy of Medical Sciences (CAMS), is launching soon. The official tender notice will be released shortly. Global design teams are invited to participate.

Along with Zhongguancun Science City and Future Science City, Huairou Science City has been designated by the State Council as one of the capital's three major science cities dedicated to establishing a national center for scientific and technological innovation. With the official establishment of the Beijing Yanqi Lake Institute for Applied Mathematics in Huairou Science City, the area has become a focal point for domestic and international architectural firms. In the international competition for the conceptual planning and design of the Beijing BBMG Xingfa Cement Factory transformation project (which includes the Institute for Applied Mathematics), HPP, in collaboration with the Beijing Institute of Architectural Design (BIAD), has emerged as the winning team.

The project covers a total site area of 61.35 hectares, with a total above-ground gross floor area of 182,200 square meters. The landscape surrounding the factory has already undergone initial transformation: the adjacent quarry, retaining its excavated rock formations, has been converted into a mine park; leftover tailings from the factory's closure have been transformed into landscape walls; and a new viewing pavilion built of weathering steel has been added, infusing the mountainous landscape with a strong industrial character. Within the factory grounds, 54 structures have been designated for preservation—including cement silos, elevated pipe galleries, and red-brick workshops—totaling approximately 70,000 square meters.

As a Chinese architectural educator and practicing architect, Zhu Pei has founded Studio Zhu-Pei in 2005. Since then, he has been focusing on cultural architecture in both theoretical and practical ways. Based on the concept of 'natural architecture’, he has designed a series of experimental and artistic buildings.

Power Station of Art (PSA) has announced the curatorial team and theme for the 13th Shanghai Biennale, proposed by its Chief Curator, the architect and writer Andrés Jaque (Office for Political Innovation).

Another year, another successful ArchDaily China Building of the Year Awards! With more than 20,000 votes gathered over the past 20 days, the results of the 2020 edition are in! Once more, the award has proved to be the largest architecture prize centered around people’s opinion. Crowdsourced, the most relevant projects of the year were nominated and selected by our readers.

This year we celebrate three projects -- highlighting a wide range of interventions, typologies, scale, material and locations, the winners are a mere reflection of the vast outreach of the profession. With new names surfacing every year, this edition, as the previous ones did, honors well-established practices and the newcomers. High-profile figures include Atelier FCJZ with its bridge museum in the Chinese countryside, Neri&Hu Design and Research Office and its sculpture art center, and Atelier Lai's Bamboo Bridge.

True to its status, ArchDaily China, the most far-reaching Chinese architectural website, is and will always be a platform for all architecture enthusiasts. Curating the best in the world, thanks to the trust of architectural firms and the devotion of our readers, ArchDaily’s realm keeps expanding exponentially. For that, we are grateful! 

Following an exciting week of nominations, ArchDaily’s readers have evaluated over 800 projects and selected 10 finalists of the Building of the Year Award. Over 20,000 architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most.

As we successfully launched our 12th Building of the Year (BOTY) award earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world.

ArchDaily China is 5 years old this year. We have been introducing Chinese architecture to the world and bringing global architecture to our readers in China. We are an open platform that benefits global audiences, making the industry more inclusive and equal. While our database, mission, and focus develop, some traditions stay with us over the years, such as our flagship award series – the Building of the Year Awards. Now, we are proud to announce that BOTY's 4th Chinese edition celebrating the best architecture in the country, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from large and small countries, and architects of all profiles. Over the coming weeks, your votes will result in 600 Chinese projects filtered down to just 10 best projects in China.

Read below for more details on how to submit, and thank you for helping us continue to democratize architectural excellence across the world.

Since the beginning of modernism, countless architects have expressed their architectural theories and concepts through the design of residential interiors. In Vanna Venturi House, Venturi exaggerated the scale of internal components to create a counterbalance to the small house, expressing complexity and contradiction. In Villa Mairea, Alvar Aalto built an ‘imperfect’ home, as a way of rebelling against the strict aesthetic standards of functionalism. 

Conceptual and theoretical experimentation of housing interiors in China has had a delayed start due to political influences and differing pace of development. While the birth of communism lead to standardisation, rapid urbanisation and economic rebirth has provided the perfect catalyst for architects to challenge the status quo and conceptualise new definitions of interior and living.

In response to China’s State Council’s notice on extending the Lunar New Year holiday to February 2 and Guangdong Province’s notice on returning to work after February 9, we decide to adjust the Timetable of International Architecture Design Competition of Shenzhen Opera House accordingly. The deadline for submitting the Application Documents (including registration documents and early concept proposal in the form of hardcopy and softcopy (U disk)) in open call phase has been adjusted from before 15:00 on February 18, 2020 to before 15:00 on March 10, 2020. For details of the adjusted competition timetable, please refer to the attachment.