On September 28, 2019, the Shanghai Urban Space Art Season (SUSAS) opened along the 5.5-kilometer southern section of the Yangpu Waterfront and the former site of the Shanghai Shipyard (including the shipyards and the Wool and Jute Warehouse). Under the theme of "Encounter," this year's art season unfolded across two main sections: "Space Art" and "Planning and Architecture." In this interview, Zhang Ming, Chief Architect of SUSAS and Principal Architect of Original Design Studio, elaborates on the design of the shipyards and the 5.5-kilometer waterfront public space while sharing his broader reflections on the overall design of Shanghai's waterfront.

Hello, ArchDaily readers.
Happy New Year as we enter a new decade. This year marks our 12th anniversary. Thank you for accompanying us throughout the 2010s and growing alongside us to contribute to the architectural community. At our founding, we pledged to “provide inspiration and knowledge to help architects build better cities.” In this new decade, we embrace an expanded mission: “to provide inspiration and tools to improve the quality of life for city dwellers.” Everyone is an independent creator, and we are here to serve each and every one of you.

Spring’s fallen blossoms, summer’s thunderstorms, autumn’s mountain mists, and winter’s drifting snow. Once again, our annual **yearbook** arrives as promised, and we thank you for accompanying us through another year. Time flew by: only yesterday we were talking about buildings on the verge of completion, yet construction has been delayed until next year—as if this year was stolen from us. Fortunately, we have left behind space. While we may forget the viral gossip of the internet, architecture stands as a constant reminder of the stories of our era.

Throughout December, we have been compiling our year-end reviews, selecting the Building of the Year, the Most Inspiring Architectural Photographs of the Year, the Best Drawings of the Year, the Best Houses of the Year, and Holiday Cards from One Hundred Architecture Offices Worldwide. In this article, we present ArchDaily's own Architectural Yearbook. Below, you will find the major events that ArchDaily witnessed, followed, and documented over the past year.

In 2019, ArchDaily published more than 5,000 architectural projects, including hundreds of residential designs. Based on their popularity, we have curated 56 residential projects that stand out for their innovation, technical execution, and design ingenuity. Located across the globe—in cities, countryside, mountains, and coastal areas—they employ a wide range of structural systems and materials, from traditional masonry to cutting-edge prefabricated systems. Most of these designs share a common thread: fostering a powerful dialogue between the home and nature, whether by directly engaging with the surrounding landscape or bringing greenery into dense urban environments. The collection is divided into two sections: Collective Housing, represented by apartment buildings, and Single-Family Homes, represented by private villas and residential renovations.

Dear readers, with your invaluable companionship, 2019 has flown by here at ArchDaily. Throughout the year, we have continued our daily mission of sharing and celebrating global architecture; along the way, we have grown, earned the recognition of architects, and enjoyed the unwavering support of our readers. Having received heartwarming holiday wishes from hundreds of design practices around the globe, we are excited to share their creative holiday cards with you here!

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Organized by the Shanghai Municipal Bureau of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People's Government, this year’s edition continues to explore urban spatial themes against the backdrop of Shanghai’s ongoing urban renewal and development. The event is led by Chief Curator Fram Kitagawa, the founder and artistic director of Japan’s "Echigo-Tsumari Art Field" and "Setouchi Triennale." Yoshiyuki Kawazoe, an associate professor and architect at the University of Tokyo, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean and doctoral supervisor at the Shanghai Jiao Tong University School of Design, serves as the curator for the Planning and Architecture section. Zhang Ming, professor, doctoral supervisor, and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the Chief Architect of the Art Season.

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Co-hosted by the Shanghai Municipal Administration of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People’s Government, this year’s edition continues to explore urban space themes against the backdrop of Shanghai’s ongoing urban renewal. The event is curated by Fram Kitagawa, the founder and artistic director of Japan’s Echigo-Tsumari Art Field and the Setouchi Triennale. Yoshiyuki Kawazoe, an associate professor at the University of Tokyo and an architect, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean of the School of Design at Shanghai Jiao Tong University, serves as the curator for the Planning and Architecture section. Zhang Ming, professor and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the chief architect for the Art Season.

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Co-organized by the Shanghai Municipal Bureau of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People’s Government, this year’s edition continues to explore urban spatial themes against the backdrop of Shanghai’s ongoing urban renewal. The event is curated by Fram Kitagawa, the initiator and artistic director of Japan’s Echigo-Tsumari Art Field and Setouchi Triennale. Yoshiyuki Kawai, an architect and associate professor at the University of Tokyo, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean and doctoral supervisor at the Shanghai Jiao Tong University School of Design, leads the Planning and Architecture section. Zhang Ming, professor, doctoral supervisor, and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the chief architect for the art season.

Videos

maison h has just completed the design for the world’s first Winter Olympics Museum for the Beijing 2022 Winter Olympics. This pivotal museum will extend the legacy of the 2008 Beijing Olympics into an enduring strategy for the Olympics to become a catalyst for sustainable social and economic development.

Preservation and renewal are constantly unfolding in our cities. Against the backdrop of rapidly evolving lifestyles and the transition of China's economic development to a "new normal," urban renewal and regeneration are gradually superseding new construction as crucial aspects of Chinese urban development. This exhibition focuses on the theme of urban renewal, gathering outstanding projects from home and abroad to comprehensively review successful experiences across various regions, scales, typologies, and stakeholders. In doing so, it showcases the achievements, dilemmas, reflections, practices, current conditions, and futures within the urban development process, contributing diverse voices to the ongoing discourse on China's urban renewal.

We interviewed Zhu Xiaodi, co-curator of the exhibition “Born of the Old,” to discuss the significance of the theme, the rationale behind its unique exhibition design, and the stories behind the project.

Yesterday, the Changjiang Art Museum, designed by Vector Architects, opened in Taiyuan, Shanxi Province. Simultaneously, the museum inaugurated three exhibitions: "Backbone: Four Chinese Architects," featuring the work of Dong Gong, Hua Li, Li Xinggang, and Cheng Yanchun; "Reshaping the Block: Qiandu·Dongshanqing Architectural Practice Exhibition"; and "Changjiang Village: A History/Space Exhibition."

Introduction: This interview is part of the “Echoes for the Future” exhibition, which primarily features video interviews with architects. In 2008, architect Che Fei and international curator Yao Jing co-initiated a series of interviews themed “The Beijing Olympics in Architectural Discourse.” In 2018, we revisited the same nine architects, bridging the fields of media, research, and education to illuminate reflections on the built environment and future visions. For this first installment, we delve into the “past, present, and future” of Li Hu, founding partner of OPEN Architecture.

The preliminary qualification review on the bidding of Curator of the Opening Ceremony of Brewery Arts Festival and Architectural Exhibition (Luohu•2021) has been completed. The result is hereby publicized as follows:

In 2018, ArchDaily China’s reach grew stronger than ever. We brought Chinese architecture into the global conversation, introducing Chinese design to the world while delivering global architectural news to our Chinese readers. Remaining true to our founding mission, we strive to be an open platform that benefits the public, fostering a more inclusive and equitable architectural community. This year, we once again invited our Chinese readers to vote for the 2019 ArchDaily China Building of the Year Awards. Through an unbiased, geographically unrestricted voting process, our readers became part of a massive jury to select the most representative architectural projects of our time.

Over the past three weeks, more than 300,000 votes were cast. From over 400 Chinese projects published in 2018, voters selected the top ten nominated projects, and ultimately, the three most representative winners. Because ArchDaily’s readers consist of industry professionals and architecture enthusiasts, this award represents peer-to-peer recognition, carrying immense significance.

The following are this year’s winning projects:

On April 17, 2019, details were announced for the "2019 Shanghai Urban Space Art Season" (SUSAS), hosted by the Shanghai Urban Sculpture Committee and co-organized by the Shanghai Municipal Planning and Natural Resources Bureau, the Shanghai Municipal Culture and Tourism Bureau, and the People's Government of Yangpu District, Shanghai.

Following the successful editions in 2015 and 2017, the 2019 Space Art Season continues to explore urban space topics against the backdrop of Shanghai's current phase of urban regeneration. This year's theme is rooted in the municipal government's "One River, One Creek" public space development strategy. Focusing on the global topic of "waterfront spaces bringing a better life to humanity," the event will span nearly two months. Through themed exhibitions, case studies, joint exhibitions, and various public activities—combined with cultural and tourism initiatives like "One Million Citizens Viewing Shanghai"—it will showcase Shanghai's recent achievements and future vision in connecting and improving waterfront spaces citywide. The main exhibition will open at the Yangpu Waterfront at the end of September.

From Chinese architectural photographer Zheng Shi comes imagery of Kengo Kuma's Yangcheng Lake Tourist Transportation Center in China. Architecture aimed to build a topographic structure as a large hill by randomly placing aluminum extruded materials with single-sized sections. Inside is designed as the assemblage of slanted floors, in order to maintain the same landform both in inside and outside that create some random yet ambiguous state.

* Original Author: Xie Xiaofan, Vice President of the China National Academy of Painting. Xie collaborated with Arata Isozaki to build the Central Academy of Fine Arts (CAFA) Art Museum and has curated a series of large-scale exhibitions. Xie is the author of "Exhibiting the Art Museum" and "Discerning Forms: Walking Between Art and Construction", led the drafting of the state-issued "National Standards for Art Museum Construction," and previously oversaw the construction of the new National Art Museum of China.
*This article is published with the authorization of Xie Xiaofan.

At 23:30 on March 5, upon receiving the first news of Arata Isozaki winning the prize, I immediately sent the following message to Hu Qian: "It would be incredibly badass if Old Iso immediately declined the Pritzker. Tell him my thoughts right away. The Pritzker is about celebrity and fashion; Old Iso is a literati avant-garde." As the person who turned Isozaki’s ideas and drawings into physical architecture, and as someone who has bickered and fought alongside Hu Qian, this was my immediate, gut-reaction response.

WA Awards for Chinese Architecture (WAACA) was established by World Architecture magazine in 2002, and was awarded biennially. The mission of WAACA is to encourage and introduce completed works addressing the national conditions of China with innovative values. It aims at enlivening the academic atmosphere of Chinese architectural community, promoting the prosperity of Chinese architectural design, enhancing the quality of Chinese architecture, contributing to the public understanding and recognition of architectural industry in China, and introducing Chinese architects and architectures to the world.

In 2014, the seventh cycle of WA Awards for Chinese Architecture expanded to a larger range, with increased the categories of the awards, and identifying more clearly the value appeal of each award. By encouraging more types of projects to participate in the selection, WAACA intends to introduce more outstanding Chinese architectural works to the Chinese society and the world.

Oct 12th, 2018, when 2018 WAACA was held in Beidaihe, the jury selected 59 entries in total for Winners, Highly commended and Shortlisted projects of WA Achievement Award, WA Design Experiment Award, WA Social Equality Award, WA Technological Innovation Award, WA City Regeneration Award and WA Housing Award from a total of 354 valid entries on the basis of their independent judgment.