ArchDaily In-Depth Profile  is an interview series featuring designers with long-term practice in specific architectural typologies. To qualify, featured firms must have been established for over a decade, or possess a substantial portfolio of completed and ongoing projects within a specialized architectural field, having developed a cohesive theoretical framework. Recently, the opening of the East Coast of OH Bay in Bao'an, Shenzhen—with its urban-terrace-like architectural form and cascading landscape design—rapidly became a highly popular landmark. This drew our attention to the planning and design team, Laguarda.Low Architects (LLA). A 20-year-old firm headquartered in New York, with offices in Tokyo and Beijing, they apply their core design philosophy—"building the fundamental concept of every master plan and architectural design on an understanding and development of its role in urban design"—to projects in cities across the globe. This edition of the In-Depth Profile dives into their two decades of achievements and insights.

Fucheng Guanlan Industrial Land Development Overall Interest Coordination Project of Meiguan Innovative Industry Corridor (Plots 01, 02 and 03) is the first land development overall interest coordination project of Longhua District, which has a total land area of about 102,400m2. The project is located at the core zone at the northeast segment of Jiulongshan Intelligent Technology City, one of the 18 municipal-level key areas of Shenzhen, being an important engine to push forward the development of Jiulongshan Intelligent Technology City. The project plans to fully integrate the diverse programs of residence, office, industry and retail, construct the community public supporting services at high standard, build the diverse urban comprehensive service cluster, develop the smart residential community, shape the regional landmark, create the benchmark project for city industry integration, and become the role model for land development overall interest coordination projects of Shenzhen City.

Design Scope: 1. Architectural design of the General Hospital of the Yangtze River Delta International Medical Center (approximately 294.49 mu) ; 2. Detailed urban design of the Yangtze River Delta International Medical Center (approximately 1,000 mu); 3. Research on areas around the Yangtze River Delta International Medical Center (covering an area of about 4,718 mu)

ARIZON Design was founded in Shanghai in 2008 by Junwei Shen. The firm specializes in providing master planning, design, and consulting services for boutique shopping centers, commercial complexes, and other architectural spaces. Its completed projects have won numerous international professional awards, positioning the firm as one of the most forward-thinking and specialized design agencies in the commercial retail sector. The name ARIZON is inspired by a passage from the I Ching (Book of Changes): “Great indeed is the generating power of Qian, to which all things owe their beginning,” symbolizing the use of boundless creativity to breathe endless life into architectural spaces. Championing an “ECO-FASHION” aesthetic and driven by the mission of “designing the future of business,” ARIZON strives to create greater commercial value for its clients. 

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Construction recently commenced on a prominent internet company's industrial park in Hangzhou. Serving as a central hub in the enterprise’s digital ecosystem, the project will offer a one-stop office and commercial park experience for its network partners. Guided by a deep understanding of the client's vision, the design team took the corporate spirit of "shared connectivity" as their starting point, reflecting seamless partnership and brand identity through a unique master plan and architectural form.

Archdaily had the chance to speak to SOM regarding the Transit-oriented development (TOD) projects. SOM has extensive engagement in planning, design and engineering on various means of conveyance, and TOD is definitely one of the speciality the SOM team has to offer. Through the interview, we will walk through the design strategies and their changes over the years of TOD Development, the challenges and new area of focus of TOD development, and most importantly, the interview will focus on the design strategy in developing TOD in China, where SOM has participated in many TOD projects, including the South Gateway of Guangzhou Central Axis, Guangzhou Nansha Pearl Bay and Xiong'an District Planing.

In April 2021, the A8 Design Center at Luxe Lakes in Chengdu presented the exhibition "2 Kilometers of Lakeshore: Southwest Independent Architects 2021 Luxe Lakes Cross-Disciplinary Joint Exhibition." **Thirty-one independent architects** were invited to create installations along the Luxe Lakes waterfront. Working within a **budget of 30,000 RMB**, and drawing on self-reflection and their understanding of public space, they built **experimental, interactive, and experiential micro-spaces, presenting 31 unique perspectives on the world.** Through dialogue among the architects and with the public, the exhibition sought to further stimulate public engagement in design.

Following the exhibition visit, the A8 Design Center organized a hotpot gathering under a bridge with Chengdu's independent architects, sparking this dialogue. **We wanted to delve deeper into what this new generation of independent firms in non-first-tier cities is doing, how they are growing, and what they are thinking.**

Interviewer: Shuangyu Han
Part 1 Interviewees: Yun Lu (MUDA Architects), Youcai Pan (Wray Architecture), Hongduo Jin (Xd-Architects)
Part 2 Interviewees: Kefei Cai (Menkou Architects), Xiang Wang (TeKtonn Architecture), Yuejiu Li (a9a rchitects), Tang Zhang (YI JIE Atelier)

In April 2021, the A8 Design Center in Chengdu presented "2-Kilometer Lakeshore: 2021 Luxelakes Cross-disciplinary Exhibition of Independent Architects from Southwest China." The exhibition invited 31 independent architects to build experimental, interactive, and experiential micro-spaces along the Luxelakes waterfront, offering 31 distinct perspectives on the world. Operating under a tight budget of 30,000 RMB, the architects infused their creations with self-reflection and their own understanding of publicness. By facilitating dialogue among the architects and between the architects and the public, the exhibition sought to further stimulate public engagement with design.

Through the works of these 31 local young architects with global perspectives, we witness the diverse values of a new generation and their multi-dimensional thinking on architecture. Limu Architectural Lab deconstructs architecture into columns, plinths, roofs, and envelopes, dissolving pure form; Uyoung Architects boldly deploys pink walls to establish relationships of "seeing and being seen" and "hearing and being heard" with the environment; Bai Yang uses 70 hemlock logs to support an "iron hat"; TEKTONN ARCHITECTS uses 150 bamboo poles to construct an accessible rest area; Fanzhu Design uses iron to create three continuous arched spaces that offer shelter and passage; 00Group creates an enclosed, mirrored space; MUDA-Architects builds a "periscope" by the lake, featuring a bubble wrap facade that invites tactile interaction.

During the week of the final selection of ArchDaily China Building of the Year 2021 Awards, we received a total of 75,000 votes, thanks to our readers from all over the world. ArchDaily China strives to bring more Chinese firms to the wave of global exchanges and introduce Chinese architecture to the world.

This year, CCTN Design, with Shougang NO.3 Blast Furnace Museum, were selected for the first position, adopting the design strategy of “sealing the old, dismantling the surplus, and replenishing the new”, and transforming the industrial remains of Beijing into an inviting urban space. MAD Architects, with YueCheng Courtyard Kindergarten, won second place by dismantling and expanding the traditional courtyard house. gad, with Mountain & Sea Art Museum, won the third position by solving the problem of mountain construction and shaping the sculpture form of the art museum.

Another year, another successful ArchDaily China Building of the Year Awards! With more than 75,000 votes gathered over the past 20 days, the results of the 2021 edition are in! Once more, the award has proved to be the largest architecture prize centered around people’s opinion. Crowdsourced, the most relevant projects of the year were nominated and selected by our readers.

The 2021 China Building of the Year Awards is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Inspiration and knowledge to help architects build better cities
Inspiration and knowledge to help architects build better cities
Founded in 2008, ArchDaily was established with a clear mission: to become an online platform providing design inspiration and knowledge to architects worldwide—transcending geography, race, and gender to exchange methodologies, spark inspiration, explore theory, and showcase practice. In 2020, as COVID-19 impacted the world and transformed the architectural landscape, we updated our mission:

Tools, inspiration, and knowledge to help create better cities
Tools, inspiration, and knowledge to help create better cities
"Tools" has been added. Over 13 years of dedication, our database has grown to include over 27,000 design firms from around the world. Serving a vast community of designers, we believe we should share more than just designs; we should also share "tools"—such as productivity-boosting workflows, cost-effective building materials, high-quality design competitions, and like-minded design communities. "Architects" has been removed, and "build" has become "create." ArchDaily currently operates websites in 5 languages, 2 WeChat public accounts, and 3 social media platforms, reaching 480,000 daily visits and ranking at the top of Alexa's global architecture and design website list. Our readership extends beyond architects to include designers from other fields and design enthusiasts. Consequently, our content should expand beyond construction to encompass more planning, cross-disciplinary, and diverse design. The goal of "better cities" remains unchanged. ArchDaily receives over 100 project submissions and more than 15 advertising inquiries daily. Guided by our high standards of curating content "for better cities," we consistently deliver high-quality articles, bringing the best content to readers, the most international platform to creators, and the most comprehensive exposure to developers.

2021 marks the fifth anniversary of ArchDaily China. Over the past five years, numerous Chinese architects have reached international audiences and gained global recognition through our platform. Meanwhile, China's diverse market has attracted global designers, fostering cultural exchange as the Chinese architectural design industry matures. To support this growth, we are launching services such as Job Postings and Brand Promotion, aiming to offer a more comprehensive suite of solutions that help architects recruit top talent and secure new projects.

Following an exciting week of nominations, ArchDaily’s readers have evaluated over 675 projects and selected 10 finalists for the Building of the Year Award China. Architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most, which also reveal the growing trend of Chinese architecture.

The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

As we successfully launched our 12th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world.

Now, we are proud to announce the 5th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.

The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Smart campuses represent a unique architectural typology of our time. They not only showcase a brand's core technology and identity, but their vast footprint and significant investment also capture public interest, raising expectations for an innovative, interactive destination. In January of this year, construction began on the Midea Shanghai Global Innovation Park. Designed by the Beijing Institute of Architectural Design (BIAD), the campus spans a gross floor area of nearly 400,000 square meters with a total investment of over 6 billion RMB. It is scheduled for completion in 2024.

Located in the Hongqiao Business District of Shanghai, near the National Exhibition and Convention Center, the campus spans two urban plots. It is bordered by a natural waterway to the east and an urban green belt and the Shenhai Expressway to the west. BIAD conceived a "floating square ring" architectural form that hovers above the site. Both the building's roof and the landscape below are covered in "forests," seamlessly integrating the built volume with the environment. Equipped with Midea Group's proprietary smart building management systems and intelligent products, the campus aims to become a world-class green technology park.

The primary responsibility of media is to convey valuable information and knowledge; its secondary duty is to champion social values. Yet its most crucial role remains presenting comprehensive, multi-layered content that directs public attention toward critical issues, ultimately driving incremental social progress.

Over the past year, we found ourselves confined, interacting with the world solely through the narrow windows of our phones and computers. While online meetings saved us time, an overabundance of digital content quickly devolved into a fast-food culture—most of it reduced to floating windows on our screens, where "save for later" essentially meant "never look at again." This rapid consumption has eroded our patience; we no longer wish to wait for the slow shifts in climate, light, shadow, and human activity within a space, craving instead only the immediate satisfaction of perfectly staged "glamour shots." At the same time, the lack of physical contact has gradually locked us into localized echo chambers, siloing architectural design within domestic boundaries. As a result, the unified value community built on social consensus is dissolving, and personal opinions of individual architects are replacing objective standards for evaluating architectural design.

As an international architectural media platform, ArchDaily is raising its editorial standards once again. Our 22 editors worldwide will deliver global, multi-dimensional, open, thematic, and socially conscious architectural content. Through the 2019 and 2020 ArchDaily Topics, we have proven that we offer not just the most comprehensive architectural news, but also a clear perspective. This year, our theme is the "Unity of Knowledge and Action"—a commitment to reality over illusion, rejecting deceptive renderings and hyperbolic puff pieces.

Congratulations, you made it through 2020!

This year was filled with far too many "unexpected" and "unforeseen" events. The pandemic transformed our external environment, shifting our psychological landscapes and behaviors in tandem. As an architectural observer and critic, I have found that the most profound change the pandemic brought to the profession is in our very way of seeing. "Lockdowns" have increasingly forced us to experience culture and space through images. This mode of observation traps us within digital platforms—relying on translated texts, edited photographs, and curated videos. Consequently, our sensory understanding of space (encompassing sight, hearing, smell, and touch) has been reduced to sight alone, leaving our critique of the built environment as a mere synthesis of fragmented impressions.

When the channels of intellectual nourishment shift, the evaluation systems of space inevitably change as well. But how does this affect design? Physicist Carlo Rovelli once noted, "Sometimes, a crazy perspective sees further than our usual blurry vision." Through the lens of the COVID-19 pandemic, I hope to expose issues and provoke collective reflection rather than mere complacency. In this year-end review, we attempt to respond to these shifts. Below are the ten most-discussed articles of the year, categorized into ten themes, offered in the hope of sparking further response and dialogue.

01.Social Distancing:Human——1.5m——Human
02. Female Architects:2020 Pritzker Prize Laureates: Yvonne Farrell and Shelley McNamara
03. Representatives of the Client:Shenzhen Opera House Competition Selects 20 Design Teams in a Clash of Titans
04. Contextual Disconnect:An Open Letter to Zumthor: "Architecture Should Not Be an Island"
05. Scale:Portzamparc Responds to the "Steel Ribbon" of the Suzhou Bay Cultural Center: The Coexistence of the Monumental and the Minute
06. Juxtaposition of Tradition and Contemporaneity:Jingdezhen Imperial Kiln Museum / Studio Zhu-Pei
07. Human Habitat:High-Density Hong Kong: Micro-living in 14㎡ Concrete Water Pipes
08. Experimental Exploration:KAIT Plaza, Kanagawa Institute of Technology / Junya Ishigami
09. Architecture for Animals:Kengo Kuma's New 'Casa Wabi Coop': A Grid Built of Charred Wood
10. Young Architects:2020 ArchDaily Best New Practices: 21 Firms from Around the Globe

The Suzhou Bay Cultural Center is part of a series of emblematic projects initiated by the city's Wujiang Lakefront Masterplan. Located on the shores of Lake Tai, the deserted plain was discovered by Christian de Portzamparc in 2013, while rethinking the future city. It was then built so quickly, that the architect never ceased to be amazed after every visit. Alive, it is like a real Manhattan of towers organized through a grid of streets and avenues, bordering a central pedestrian axis that heads towards the lake. It was clear that the meeting of this pedestrian axis and the great lake would generate an exceptional place, and it was on this site, on each side, that the cultural center was to be implanted in the architecture competition.

Sigmund Freud, the author of “The Interpretation of Dreams” and the founder of Psychoanalysis, once argued that, “A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfillment in the creative work.”