MAD’s Beijing office is currently seeking talented professionals to fill several open positions.

Senior Architect | Design Direction

Source: Engineering Design Management Center, Bureau of Public Works of Shenzhen Municipality
The design competition for Phase III of Fuwai Hospital Shenzhen, Chinese Academy of Medical Sciences (CAMS), is launching soon. The official tender notice will be released shortly. Global design teams are invited to participate.

Along with Zhongguancun Science City and Future Science City, Huairou Science City has been designated by the State Council as one of the capital's three major science cities dedicated to establishing a national center for scientific and technological innovation. With the official establishment of the Beijing Yanqi Lake Institute for Applied Mathematics in Huairou Science City, the area has become a focal point for domestic and international architectural firms. In the international competition for the conceptual planning and design of the Beijing BBMG Xingfa Cement Factory transformation project (which includes the Institute for Applied Mathematics), HPP, in collaboration with the Beijing Institute of Architectural Design (BIAD), has emerged as the winning team.

The project covers a total site area of 61.35 hectares, with a total above-ground gross floor area of 182,200 square meters. The landscape surrounding the factory has already undergone initial transformation: the adjacent quarry, retaining its excavated rock formations, has been converted into a mine park; leftover tailings from the factory's closure have been transformed into landscape walls; and a new viewing pavilion built of weathering steel has been added, infusing the mountainous landscape with a strong industrial character. Within the factory grounds, 54 structures have been designated for preservation—including cement silos, elevated pipe galleries, and red-brick workshops—totaling approximately 70,000 square meters.

As a Chinese architectural educator and practicing architect, Zhu Pei has founded Studio Zhu-Pei in 2005. Since then, he has been focusing on cultural architecture in both theoretical and practical ways. Based on the concept of 'natural architecture’, he has designed a series of experimental and artistic buildings.

Power Station of Art (PSA) has announced the curatorial team and theme for the 13th Shanghai Biennale, proposed by its Chief Curator, the architect and writer Andrés Jaque (Office for Political Innovation).

Another year, another successful ArchDaily China Building of the Year Awards! With more than 20,000 votes gathered over the past 20 days, the results of the 2020 edition are in! Once more, the award has proved to be the largest architecture prize centered around people’s opinion. Crowdsourced, the most relevant projects of the year were nominated and selected by our readers.

This year we celebrate three projects -- highlighting a wide range of interventions, typologies, scale, material and locations, the winners are a mere reflection of the vast outreach of the profession. With new names surfacing every year, this edition, as the previous ones did, honors well-established practices and the newcomers. High-profile figures include Atelier FCJZ with its bridge museum in the Chinese countryside, Neri&Hu Design and Research Office and its sculpture art center, and Atelier Lai's Bamboo Bridge.

True to its status, ArchDaily China, the most far-reaching Chinese architectural website, is and will always be a platform for all architecture enthusiasts. Curating the best in the world, thanks to the trust of architectural firms and the devotion of our readers, ArchDaily’s realm keeps expanding exponentially. For that, we are grateful! 

Following an exciting week of nominations, ArchDaily’s readers have evaluated over 800 projects and selected 10 finalists of the Building of the Year Award. Over 20,000 architects and enthusiasts participated in the nomination process, choosing projects that exemplify what it means to push architecture forward. These finalists are the buildings that have inspired ArchDaily readers the most.

As we successfully launched our 12th Building of the Year (BOTY) award earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world.

ArchDaily China is 5 years old this year. We have been introducing Chinese architecture to the world and bringing global architecture to our readers in China. We are an open platform that benefits global audiences, making the industry more inclusive and equal. While our database, mission, and focus develop, some traditions stay with us over the years, such as our flagship award series – the Building of the Year Awards. Now, we are proud to announce that BOTY's 4th Chinese edition celebrating the best architecture in the country, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, from large and small countries, and architects of all profiles. Over the coming weeks, your votes will result in 600 Chinese projects filtered down to just 10 best projects in China.

Read below for more details on how to submit, and thank you for helping us continue to democratize architectural excellence across the world.

Since the beginning of modernism, countless architects have expressed their architectural theories and concepts through the design of residential interiors. In Vanna Venturi House, Venturi exaggerated the scale of internal components to create a counterbalance to the small house, expressing complexity and contradiction. In Villa Mairea, Alvar Aalto built an ‘imperfect’ home, as a way of rebelling against the strict aesthetic standards of functionalism. 

Conceptual and theoretical experimentation of housing interiors in China has had a delayed start due to political influences and differing pace of development. While the birth of communism lead to standardisation, rapid urbanisation and economic rebirth has provided the perfect catalyst for architects to challenge the status quo and conceptualise new definitions of interior and living.

In response to China’s State Council’s notice on extending the Lunar New Year holiday to February 2 and Guangdong Province’s notice on returning to work after February 9, we decide to adjust the Timetable of International Architecture Design Competition of Shenzhen Opera House accordingly. The deadline for submitting the Application Documents (including registration documents and early concept proposal in the form of hardcopy and softcopy (U disk)) in open call phase has been adjusted from before 15:00 on February 18, 2020 to before 15:00 on March 10, 2020. For details of the adjusted competition timetable, please refer to the attachment.

On September 28, 2019, the Shanghai Urban Space Art Season (SUSAS) opened along the 5.5-kilometer southern section of the Yangpu Waterfront and the former site of the Shanghai Shipyard (including the shipyards and the Wool and Jute Warehouse). Under the theme of "Encounter," this year's art season unfolded across two main sections: "Space Art" and "Planning and Architecture." In this interview, Zhang Ming, Chief Architect of SUSAS and Principal Architect of Original Design Studio, elaborates on the design of the shipyards and the 5.5-kilometer waterfront public space while sharing his broader reflections on the overall design of Shanghai's waterfront.

Hello, ArchDaily readers.
Happy New Year as we enter a new decade. This year marks our 12th anniversary. Thank you for accompanying us throughout the 2010s and growing alongside us to contribute to the architectural community. At our founding, we pledged to “provide inspiration and knowledge to help architects build better cities.” In this new decade, we embrace an expanded mission: “to provide inspiration and tools to improve the quality of life for city dwellers.” Everyone is an independent creator, and we are here to serve each and every one of you.

Spring’s fallen blossoms, summer’s thunderstorms, autumn’s mountain mists, and winter’s drifting snow. Once again, our annual **yearbook** arrives as promised, and we thank you for accompanying us through another year. Time flew by: only yesterday we were talking about buildings on the verge of completion, yet construction has been delayed until next year—as if this year was stolen from us. Fortunately, we have left behind space. While we may forget the viral gossip of the internet, architecture stands as a constant reminder of the stories of our era.

Throughout December, we have been compiling our year-end reviews, selecting the Building of the Year, the Most Inspiring Architectural Photographs of the Year, the Best Drawings of the Year, the Best Houses of the Year, and Holiday Cards from One Hundred Architecture Offices Worldwide. In this article, we present ArchDaily's own Architectural Yearbook. Below, you will find the major events that ArchDaily witnessed, followed, and documented over the past year.

In 2019, ArchDaily published more than 5,000 architectural projects, including hundreds of residential designs. Based on their popularity, we have curated 56 residential projects that stand out for their innovation, technical execution, and design ingenuity. Located across the globe—in cities, countryside, mountains, and coastal areas—they employ a wide range of structural systems and materials, from traditional masonry to cutting-edge prefabricated systems. Most of these designs share a common thread: fostering a powerful dialogue between the home and nature, whether by directly engaging with the surrounding landscape or bringing greenery into dense urban environments. The collection is divided into two sections: Collective Housing, represented by apartment buildings, and Single-Family Homes, represented by private villas and residential renovations.

Dear readers, with your invaluable companionship, 2019 has flown by here at ArchDaily. Throughout the year, we have continued our daily mission of sharing and celebrating global architecture; along the way, we have grown, earned the recognition of architects, and enjoyed the unwavering support of our readers. Having received heartwarming holiday wishes from hundreds of design practices around the globe, we are excited to share their creative holiday cards with you here!

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Organized by the Shanghai Municipal Bureau of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People's Government, this year’s edition continues to explore urban spatial themes against the backdrop of Shanghai’s ongoing urban renewal and development. The event is led by Chief Curator Fram Kitagawa, the founder and artistic director of Japan’s "Echigo-Tsumari Art Field" and "Setouchi Triennale." Yoshiyuki Kawazoe, an associate professor and architect at the University of Tokyo, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean and doctoral supervisor at the Shanghai Jiao Tong University School of Design, serves as the curator for the Planning and Architecture section. Zhang Ming, professor, doctoral supervisor, and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the Chief Architect of the Art Season.

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Co-hosted by the Shanghai Municipal Administration of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People’s Government, this year’s edition continues to explore urban space themes against the backdrop of Shanghai’s ongoing urban renewal. The event is curated by Fram Kitagawa, the founder and artistic director of Japan’s Echigo-Tsumari Art Field and the Setouchi Triennale. Yoshiyuki Kawazoe, an associate professor at the University of Tokyo and an architect, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean of the School of Design at Shanghai Jiao Tong University, serves as the curator for the Planning and Architecture section. Zhang Ming, professor and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the chief architect for the Art Season.

The 2019 Shanghai Urban Space Art Season (SUSAS) officially opened on September 28. Co-organized by the Shanghai Municipal Bureau of Planning and Natural Resources, the Shanghai Municipal Administration of Culture and Tourism, and the Yangpu District People’s Government, this year’s edition continues to explore urban spatial themes against the backdrop of Shanghai’s ongoing urban renewal. The event is curated by Fram Kitagawa, the initiator and artistic director of Japan’s Echigo-Tsumari Art Field and Setouchi Triennale. Yoshiyuki Kawai, an architect and associate professor at the University of Tokyo, serves as the curator for the Space Art section, while Professor Ruan Xin, founding dean and doctoral supervisor at the Shanghai Jiao Tong University School of Design, leads the Planning and Architecture section. Zhang Ming, professor, doctoral supervisor, and deputy head of the Department of Architecture at Tongji University’s College of Architecture and Urban Planning, serves as the chief architect for the art season.