As we successfully launched our 15th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world. Now, we are proud to announce the 8th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.

The 2024 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

At the recently concluded Asian Games, the Architectural Design and Research Institute of Zhejiang University (UAD) participated in the design of numerous competition venues. Among them, the Hangzhou Asian Games Baseball and Softball Sports Cultural Center is the largest newly built venue for this edition of the Games, as well as the largest, most advanced, and highest-standard baseball and softball sports center in China to date. For this edition of Spotlight, we interviewed UAD's Qian Xidong to discuss his design philosophy shaped by years of professional practice.

RoarcRenew Architects has been selected for ArchDaily's 2023 New Practices. In two of Shanghai's busiest commercial districts, Anfu Road and Columbia Circle, stores designed by RoarcRenew Architects attract large crowds. Within spaces covering just a hundred square meters, they meticulously design every architectural element, continuously exploring and innovating. Their recent bamboo installation, done in collaboration with Taikoo Li, is a remarkable showcase of sustainable design in commercial spaces.

Roarc Renew consistently conveys a clear architectural concept in its projects. The construction logic mirrors the fundamental principles governing our world, involving substances and joints: joints can both represent the substances in the physical world and connect them all. In their projects, Roarc Renew has introduced the JointsPavilion (JP) series for the construction system and the SoftJoints (SJ) series for home furniture systems. This allows them to utilize their expertise in creating elegant connections that simplify and enhance the beauty of various elements.

ATELIER XI has been selected for ArchDaily's 2023 New Practices and is one of the few firms still rooted in traditional architectural design. Founded in 2017, ATELIER XI began their practice in Shenzhen, one of the fastest-growing and urbanizing cities in China. Their work represents the current state of a generation of architects, with major projects in small-scale urban architecture, exhibition design, interior design, renovation, and rural architecture. While they may not become urban landmarks, they can still influence the lifestyle of the community through small-scale design.

The studio aspires to create spaces that bring unique poetry and profoundness to contemporary urban and rural environments: "We see architecture as an art of mediation between social, economic, and political interests. We strive to create meaningful places with minimal resources. We aim to convey emotions and memories through spatial poetry. We believe that each space, whether grand or tiny, offers a glimpse into the vastness of our world and serves as a testament to the glory of everyday life. By planting these quiet and resilient spaces one at a time, we envision architecture branching out and flourishing with life and narratives."

Project Name: Open Tender for Schematic Design of Shenzhen Polytechnic (Shenshan Campus, Phase I)
Project Location: Chishi Town, Shenshan Special Cooperation Zone
Application Deadline: 17:00, May 6, 2023

Curated by architecture and urban planning scholar Andong Lu, young architect Zigeng Wang and design curator Aric Chen, the 9th Bi-City Biennale of Urbanism\Architecture (Shenzhen) continues the principle of "the city is the exhibition site, the exhibition is the practice" as the primary exhibition of UABB came to Luohu district for the first time. It was located in GDH City · Jinpi Fang (Kingway Brewery Industrial Heritage) and the exhibition opened in December 2022 and ran until March 2023, with over two hundred events held during the three-month exhibition period.

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As we successfully launched our 14th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world. Now, we are proud to announce the 7th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.

The 2023 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

The theorization of the workplace has become a global discourse, spanning research on new spatial trends, experiments in hybrid models, the digital revolution and its impact on productivity, workplace wellness, and the elusive balance between life and work. Yet, as a New York Times article on the digital workplace notes, while this theoretical debate has spanned decades, successful implementation remains in its infancy. Propelled by the rise of tech giants like Slack and Zoom, alongside the global disruptions of recent years, our working patterns have fundamentally shifted. We have seemingly adapted to remote work, often forgetting the efficiency of physical presence and the nuanced connection of face-to-face interaction. As “digital distraction” increasingly permeates our daily lives, this is a challenge we must confront when rethinking the design of the physical office.

Can our work, then, be fully digitized and done remotely?

December 2019 marked the first COVID-19 case. By December 2022, the era of strict "Class A control for Category B infectious diseases" officially drew to a close.

Over the past year, stripping away our professional titles, we were simply individuals in endless PCR testing lines, participants in digital group-buying threads, and residents confined behind barricades and seals. We endured scorching heatwaves, grappled with political depression and existential dread, relied on ibuprofen to get by, and ultimately stood as witnesses to a turbulent, fast-shifting chapter of history.

In the world of architecture, this past year was defined by adversity: a generation of pioneering elders passed away during the harsh winter; outstanding design fees went uncollected; architects faced widespread unemployment; firms went bankrupt and dissolved; and university architecture programs struggled to fill their enrollment quotas. Day after day, we oscillated between burning out and checking out, caught in a perpetual cycle of anxiety.

Though some wounds remain unhealed, no one ever promised us an easy era. At this chaotic threshold, all we can do is persist in doing what we believe is right. Every architect is striving to address the challenges of our time through design—pioneering more open spatial concepts, mitigating climate change through sustainable architecture, and leveraging professional expertise to instill spaces with a sense of hope.

Over the past year, ArchDaily has published 4,669 built projects, 2,160 thematic articles, 323 competition announcements, and 258 exhibition listings. Focusing on platform expansion and fresh content, we also embarked on a series of historic firsts:

Thus, ArchDaily’s keywords for 2023 are: Embarking on a Grand Journey, Scaling New Heights

We aim to foster more dialogue, gathering the insights and collective strength of global designers to make our voices heard!

01 Designing Better Architecture, Telling the Stories Behind the Scenes

For too long, the focus has lingered solely on the spectacular “moments” of completed buildings, overlooking the countless days and nights poured into them by architects, contractors, and material suppliers. From the initial conceptual sketches to the final working drawings, and from selecting the perfect materials to the meticulous coordination on-site to ensure flawless execution—ArchDaily takes you behind the scenes of today's most successful architectural projects.

The Story Behind Ascent, the World's Tallest Mass Timber Building
Who Does Architecture Serve Today?
What Defines a Children’s Museum?
Challenging the Impossible: How Architectural Design Drives Technological Innovation
Foster + Partners on DJI Sky City: 8 High-Tech Metrics Revealing the Construction Process
The World's Largest Hybrid Timber Structure: Construction Report on the Swatch & Omega Campus
Step Inside the 'Golden Leaf' Hall with Sou Fujimoto | ArchDaily on the Road
More is More: When the Barcelona Pavilion Meets Timber
More Than Just Tallest Skyscrapers: Dubai's Ultimate Construction Museum

02 Solving Design Challenges

As a responsible design medium, we strive to be more than a mere showcase of projects. Through deliberate curation and thoughtful editorial planning, we voice our stance, prompting architects, industry practitioners, and society at large to reflect on systemic challenges in order to foster a healthier, more progressive industry.

What Challenges is Architectural Design Facing Today?
What Defines Good Interior Design?
In the Era of Urban Regeneration, How Do Pritzker Laureates Respond?
What are the Criteria for Architectural Awards?
22 Projects, 11 Interior Design Styles
Stop Demolition, Start Deconstruction
The Past and Future of Floating Cities
The First 'Disrupt' Architecture Business Symposium: A Gathering of Industry Giants
Winners Announced: 2022 ArchDaily Best New Practices
Best Architectural Collaborations of 2021
What is the Real Purpose of Architectural Biennials?
How Can Educational Spaces Express Equality?
How to Design Gender-Neutral Restrooms

03 Crafting a Better Living Environment

As the world adapts to living alongside COVID-19 and combating urban heatwaves, our dwelling patterns are undergoing a profound evolution. Today's homes must seamlessly balance living, working, and leisure. Consequently, designing greener, healthier, and more human-centric residences and lifestyles remains our enduring focus.

How to Cool Down Our Cities?
Chinese Housing and Lifestyles
Is Modularity the Future of Healthcare? OMA Reveals 'Al Daayan' in Qatar
Living on High: Why Are We Drawn to Altitudes and Rooftops?
Has the Garden Become a Privilege?
How to Design Housing on Complex, Constrained Urban Lots?
Can Everyday Workers Enjoy Green Spaces?
Working from Home: How to Design Transition Spaces?
9 Strategies for Healthier Living in Buildings and Cities
How to Design a Sustainable Home Life
Toward Green Capitalism
How Are World Cup Stadiums Cooled?
Can 3D Printing Reshape the Residential Construction Market?
How Real Estate Giants Shape the Development of New York City
Is Co-Living the Future of Real Estate?
What is the Future of the House?

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Featured Interviewee: Zhu Ping, Founder of DUStudio
Design Union Studio (DUStudio)’s approach lies in integrating resources across the entire design supply chain. Rather than merely delivering design expertise, the firm helps clients coordinate other disciplines to ensure that top-tier teams are engaged at every stage to realize the project's core concept—essentially designing with a client-side mindset. Fusing spatial design, commercial curation, and multimedia installations creates a closed-loop process. By connecting and seamlessly integrating every phase of design, they deliver the most successful projects.

As we successfully launched our 13th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world. Now, we are proud to announce the 6th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.

By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.

The 2022 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.

Looking back at 2021, two pivotal developments exerted a transformative influence on the architectural design community.

The first was the passing of High-Tech pioneer Richard Rogers (Richard Rogers). German art historian Hans Belting once remarked: "When people call for a new art, it is architecture and design that step forward as a symbol of a new society, carrying the hope of changing living space. And as people envision changes to their living space, they themselves change as well." Rogers was among the first to step forward at the close of the 20th century. His bold, rebellious, and iconoclastic design approach unlocked a new paradigm for the urban landscape. Having practiced continuously until his retirement last year, his career was a constant testament to the critical importance of design direction. In turn, one cannot help but ask: as the giants of our era gradually depart, are we prepared to shoulder the true mission of architecture?

The second was the controversy surrounding architect Tao Lei's design on the television show Dream Home. A 1.32-million-yuan red-brick house designed for an elderly client was met with widespread online backlash, laying bare the deep friction between architectural aesthetics and daily life. It prompts us to ask: Is the aesthetic pursued by architects truly aligned with the expectations of everyday people? Can architectural design reshape public aesthetic perception? Does social class dictate design outcomes? And should a project be dismissed based on sensationalized, fragmented headlines by those who have never actually experienced the space?

"Despair, like hope, is but vanity." ArchDaily’s keyword for this year is: Cultivating internal strength and external reach. Internally (Platform Responsibility): Providing tools, inspiration, and knowledge gathered from all directions to continuously overcome, triumph, and transform, building a broader "design universe." Externally (Communication Responsibility): Stepping outside the architectural "comfort zone" to center public needs, delivering clearer insights and evidence-based processes, and crafting more creative architectural content.

The word "architect" can be deconstructed into three parts: "Arch," the architectural "arch" which etymologically denotes "the highest, strongest, and greatest"; "I" in the middle, representing the self; and "Tect," meaning "technical tool." Historically, the very origin of the architect's identity is rooted in this definition: "to execute the ultimate construction using technical tools guided by one's own subjective consciousness."

Throughout history, the architect's ultimate pursuit ("Arch"), subjective viewpoint ("I"), and technical means of realization ("Tect") have evolved alongside shifting eras and social landscapes. Yet, the core essence of these three elements and their symbiotic relationship have remained fundamentally unchanged.

Over the past two to three decades, accelerating technological breakthroughs have driven architects to invent and reconfigure new "tech" tools for architectural design and construction, striving to keep pace with the information age. Now, with a new wave of technologies like artificial intelligence, big data, and cloud computing driving us further into a digital and intelligent era, the definitions and relationships of "Arch," "I," and "Tect" must evolve. Only then can architects truly break free from the constraints of traditional production relations.

The architect's "I" is no longer the sole agent of design and construction. Instead, by integrating "I" with "Tect," a hybrid consciousness emerges from the fusion of human and machine intelligence, ultimately shaping our destination: "Arch." Architects' cognitive methods and workflows are shifting, as a paradigm of collective collaboration ushers in new professional models.

What is the difference in this shift of agency?
It is the difference between individual architectural decision-making and collaborative human-computer decision-making.

Various Associates, one of the winners of the 2021 ArchDaily Young Architects of the Year. With the evolution of the retail market and the rise of consumerism, a highly visual "photo-ready aesthetic" has come to dominate market values, sparking the mass production of spaces that are visually striking but devoid of functionality or experience. Various Associates refuses to chase market trends or cater to this photogenic aesthetic. Instead, relying on rigorous spatial design methodologies, they meticulously control every detail and material to formulate a site-specific "sole solution" for each brand. Our interest in their work extends beyond final aesthetics; we are drawn to the design strategy and logic articulated through their practice.

SND Chongqing WFC Concept Store / Various Associates
SND Sanya / Various Associates
HAYDON Hangzhou / Various Associates
(SO)What Chengdu / Various Associates
J1M5 Boutique / Various Associates
The Waiting Hall of the Future / Various Associates
Floating Gallery / Various Associates
Vanke Nantou Ancient City Exhibition / Various Associates
Voisin Organique / Various Associates
MORPH / Various Associates

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ArchDaily In-Depth  is an interview series featuring architects with long-term expertise in specific typologies. Selected firms must have been established for over a decade, or boast a substantial portfolio of completed and ongoing projects in a specialized field, backed by a robust theoretical framework. Recently, we spoke with the lead architects of the Shenzhen World Exhibition & Convention Center—one of the world's largest single buildings—the team at Valode & Pistre (VP). Their portfolio also includes the Sanya Haitang Bay International Duty-Free Complex, Haikou International Duty-Free City, Hangzhou Grand Exhibition Center, Jinan International Exhibition Center, and Wuhan International Exhibition Center. How do these mega-scale urban landmarks balance civic symbolism with architectural functionality? How do they reconcile colossal structural spans with the human scale? How many design iterations did it take, and how did they achieve sustainability in both program and construction? This article decodes the design process behind large-scale exhibition architecture.

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After five years of construction, the Yaying Fashion and Art Center is now complete. Yaying Group, a domestic Chinese fashion brand that has dedicated over 30 years to designing apparel embodying contemporary Chinese elegance, sought to build a diverse platform for fashion, culture, and art exchange. They invited Atelier FCJZ to design a multifunctional fashion and art center at their headquarters in Jiaxing, Zhejiang, integrating brand history, creative offices, and art exhibition and dialogue spaces. Reflecting the brand's aesthetic, the building interfaces with the site as a courtyard capped by a sweeping, curved roof. Double-tiered eaves wrap around the inner courtyard, creating layered transitional spaces between interior and exterior, inviting visitors to experience the architecture in a new way and establishing a "ceremonial space."

Faced with numerous challenges—including pre-existing foundations on the site, a subsequent 15.4-meter cantilever, 30-centimeter-wide concrete columns and walls, and a diverse material palette of bamboo, wood, and concrete—Atelier FCJZ delivered a design that successfully harmonizes site, space, structure, and materials. ArchDaily interviewed Yung Ho Chang, principal architect of Atelier FCJZ, to discuss the relationship between the courtyard form and traditional atmosphere, exposed structures and active spaces, and materials and tectonics.

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Growing up in the rolling coastal countryside of Dorset in West England, Fred Rigby drew creative inspiration from natural elements—a passion that ultimately shaped his design philosophy. Characterized by organic forms, natural symbolism, and earthy materials, his work fosters a deep connection to nature within indoor environments. Premium Scandinavian design brand MENU collaborated with Rigby to develop their latest office furniture collection as a response to the pandemic-induced shift toward working from home. By integrating the warm, soft, and nature-centric qualities of his work, the collection aims to bring a sense of calm to the anxieties of our time.

ArchDaily In-Depth  is a series of interviews with designers who have engaged in long-term practice in specific architectural typologies. Featured firms must be established for over ten years or possess a robust portfolio of completed and ongoing projects in a specialized field, along with a mature body of theoretical research. Challenge Design is an innovative architectural firm deeply rooted in the field of real estate design, with a diverse portfolio of completed projects spanning commercial complexes, high-end residential, cultural tourism resorts, luxury hotels, and cultural/artistic developments. Grounded in the "origin of design," Challenge Design prioritizes continuous research and development alongside unique innovation. The firm has won numerous international awards, including the Wood WORKS! Wood Design Award in Canada. Conducting research into timber construction within the high-turnover real estate sector, and establishing its own timber design and construction research arm, Junzhi Technology, positions Challenge Design as an unconventional firm. As such, they are the featured subject of this edition of ArchDaily In-Depth.