Architects Smiljan Radic and Nicolás Schmidt designed an inflatable structure for the XXII Chilean Biennial of Architecture and Urbanism. Located in the urban setting of the Palacio de La Moneda in Santiago, it served as a temporary venue for meetings, debates, and lectures that brought public discussions to the forefront regarding the event's central theme: "Vulnerable Habitats."

The Exhibition Pavilion for the 2023 Chilean Biennial of Architecture and Urbanism was located in the Plaza de la Constitución, just steps from the Palacio de La Moneda. The structure references and reinterprets a pavilion designed on this very site in 1972 by architect Montserrat Palmer for the Ministry of Public Works (MOP) to mark the opening of UNCTAD III—the headquarters of the Third United Nations Conference on Trade and Development in the Third World.

Cristóbal Tirado and Doering Pardo were awarded first place in the public competition “Architectural Design and Profile of the Chile Chico Town Hall.” Organized by the local municipality's Secretariat of Communal Planning in the Aysén Region, the competition aimed to select a distinctive and iconic architecture for this extreme region, while incorporating energy efficiency criteria, openness toward General Carrera Lake, and outdoor spaces for civic gatherings.

The selected project proposes “to articulate a dialogue between the present day and its technologies, and the historical past and foundational building traditions of Chile Chico.” With this in mind, the materials—brick, wood, and glass—were adapted to current technical and spatial requirements to create a modern civic building. 

Barco gallery is located in downtown Santiago, right next to Santa Lucía Hill. It occupies an apartment in the homonymous building designed by Sergio Larraín, celebrating a pioneering work of Chilean modern architecture. It is a curatorial practice dedicated to the debate, research, and development of critical and innovative ideas concerning the discipline through exhibition cycles. Its most recent exhibitions include 1972: Cities for Downtown Santiago, You Will Only Have Stones and Additive Manufacturing Shelf.

In partnership with the Embassy of Brazil in Chile, they organized a tribute to the leading figure of Brazilian modern architecture: Lina Bo Bardi. The exhibition "Sirena" by artist Jessica Briceño, curated by Matías Allende Contador and Anton zu Knyphausen, places Bo Bardi's disciplinary work at the center of reflection through an immersive installation that brings together five pieces abstracting her most recurring motifs.

The XXII Chilean Biennial of Architecture and Urbanism is co-directed by Cristóbal Molina, coordinator of the Architecture Area of the Ministry of Cultures, Arts, and Heritage, and Loreto Lyon, director of activities of the Colegio de Arquitectos de Chile. The outcome of this joint alliance between both institutions has successfully driven this cultural event, which took over the public space around the Palacio de La Moneda to foster debate and community around the theme: "Vulnerable Habitats."

During the event, which closes on the evening of Sunday, January 22, we spoke with Cristóbal Molina and Loreto Lyon to learn more about how the pavilions and installations engage with the central theme. Below is what you cannot miss at the XXII Chilean Biennial of Architecture and Urbanism.

Mauro Gil-Fournier is a PhD architect, researcher, and professor who, after a 15-year career, decided to found Arquitecturas Afectivas: "a community that creates architecture with pleasure, cultivating the affects of people, other beings, and living things."

What is the process for creating affective architectures? Why are they important for the future of architecture? In the following conversation with Mauro, we delve deeper into this concept, which is fundamentally based on "enabling others to design from their truest expression." 

Ana Falú will give a lecture this Tuesday, January 17, at 6:00 PM as part of the XXII Biennial of Architecture and Urbanism of Chile: 'Vulnerable Habitats.' The event will take place in the temporary inflatable structure designed by Smiljan Radic at Plaza Bulnes, Santiago.

On Saturday, January 14, the latest edition of the Chilean Architecture and Urbanism Biennial opened in the area surrounding La Moneda Palace in Santiago. The theme explored through the exhibitions, lectures, and panel discussions is 'Vulnerable Habitats,' addressing the country's pressing issues surrounding the housing deficit and access to housing, alongside the vulnerability of public spaces, heritage, and the environment in Chilean cities and territories.

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Laurent Troost personally received the Oscar Niemeyer Award at the 18th International Architecture Biennial in Buenos Aires. His winning project Cassina Innovation House, in the capital of the state of Amazonas in Brazil's Northern Region, brought the challenges of building in Manaus to the table.

The Pan American Biennial of Architecture of Quito (BAQ2022) ended on November 18th. Organized by the Pichincha Provincial College of Architects of Ecuador (CAE-P), it has been held since 1978 with the aim of promoting dialogue, exchange, and reflection on architecture and the contemporary city. During this edition, the intention was to address the theme "Inflections: Seeing again", with the aim of providing a space for discussion and debate on architecture around the moments of inflection in history.

On the closing day, the winning projects for both the National Award and the Pan American Award were announced from among the nearly 60 selected finalists. At the same time, the winners of the Social Habitat and Sustainability Award were announced from among 8 selected finalists, as well as the two works that jointly won the Biennial Grand Prize. See all the winners below.

What are the stories of the first Ibero-American women architects? This is the main question we seek to answer in celebration of ArchDaily's theme: Women in Architecture.

Seeking to put their motivations, inspirations, and trajectories on the table, we carried out a research project to make visible and highlight some names that have not had their deserved recognition. Meet Doris Clark Núñez, Guadalupe Ibarra, Matilde Ucelay Maórtua, Filandia Pizzul, Dora Riedel, Luz Amorocho, María Luisa Dehesa, Arinda da Cruz Sobral, and Julia Guarino, below.

What does it mean for the Costa Rican Architecture Biennial to have reached sixteen editions? Clearly, it represents a significant accumulation of exhibitions, conferences, and diverse programs that reflect the concerns and shifts in the country's architectural agenda over the past three decades.

'A Project of Trends: 30 Years of Architecture Biennials in Costa Rica' is the exhibition at the Museum of Contemporary Art and Design (MADC) that reviews this trajectory in detail, under the precise curation of Paz Monge Cortés and José Daniel Picado-García.

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Gaudí's Sagrada Familia in Barcelona has illuminated the terminals on the towers of the Evangelists Luke and Mark, celebrating the completion of these two new structures that reach 135 meters in height. Together with the tower of the Virgin Mary, inaugurated in December 2021, 3 of the 6 central towers will be completed.

On December 13th, the Directorate of Cultural Affairs of the Argentinian Foreign Ministry announced the winners of its open curatorial competition to select the country's entry for the 18th International Architecture Exhibition of the Venice Biennale, which will take place next year from May 20th to November 26th.

From January 14 to 22, 2023, the XXII Chile Architecture and Urbanism Biennial will finally take place in the area surrounding Palacio de La Moneda, Santiago. The theme of this edition, "Vulnerable Habitats," seeks to address the country's urgent challenges surrounding the housing deficit and access to housing, along with the vulnerability of cities and territories reflected in their public spaces, heritage, and environmental issues.

The Architects Association of Chile along with the Ministry of Cultures, Arts, and Heritage, organizers of this event—which held its previous edition in 2019—have recently announced the results of their open calls: 50 works and projects will be part of the National Architecture Exhibition, and 36 initiatives will join the Meetings and Debates Program. See the complete list below.

2019 Pritzker Prize laureate Arata Isozaki passed away this Thursday, December 29, at the age of 91, as reported by the Spanish newspaper La Vanguardia.

The Pontifical Catholic University of Chile held an internal architectural competition to design a new pavilion and park to house the sculptures of artist Mario Irarrázabal on UC grounds in San Carlos de Apoquindo. Previous efforts to build this exhibition space had targeted San Borja Park, where BBATS + TIRADO won first place in 2014.

For this new iteration, the jury selected the winning project by B+V Arquitectos (Eloy Bahamondes + Lucas Vásquez), Marcelo Cox, Francois Jullien, and Sebastián Zarhi, alongside landscape architects Camila Romero and Francisca Salas, and exhibition designer Elena González García del Bello. The design concept revolves around the idea of a museum and garden, featuring specific strategic proposals for soil restoration and programmatic activation.

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From the 21st to the 25th of September, the Mextrópoli Festival + XII Ibero-American Biennial of Architecture and Urbanism took place in Mexico City. As part of the event, ArchDaily spoke with 2014 Pritzker Prize winner Shigeru Ban about the central theme "Inhabiting at the margins", a proposal that sought to make visible the work of those who are providing solutions to the growing social, environmental, and economic needs at the margins of the system.