This guide covers a workflow that moves from project parameters to generated floor plans, 3D perspective views, exterior design exploration, and site context visualization, using AI tools in place of preliminary CAD and rendering work.

A lot can change in a city within one year; from demolitions, to reconstructions and project completions, a city's urban fabric is constantly being altered. During the past 4 years, Chilean architect and photographer Francisco Ibáñez Hantke of Estudio Ibanez has put together a photo-series titled Non-Structures, which focuses on London's urban regeneration and transformation and captures its various moments of ruins, planning, process, and eventually, complete architecture.

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Changtteul Church, is an old place of worship in Gyeonggi-do, South Korea, that gets its name from the term "changtteul", meaning "a frame containing a window", in Korean. As its name suggests, the building's character lies in its series of windows, giving the visitors both outside and inside a unique experience of light and scenery.

Designers Hanyoung Jang and Hanjin Jang of studio minorormajor utilized the windows of Changtteul as a metaphorical motif for their design concept: the first being the 'window between man and God', and the second being ‘the window between man and nature’, immersing the abandoned religious facility with dramatic experiences.

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Mars has been notable for capturing humans' interest, intriguing business moguls such as Elon Musk and Jeff Bezos to go on a "billionaire space race" and settle on the planet. But does humanity have the right to colonize another planet? If so, who does this sky-high ambition serve? 

After centuries of using wood for the development of window and door carpentry, the Rationalism of the 20th century began to adopt a new material for these purposes: steel. Driven by industrial production, and promoted by architects such as Adolf Loos, Mies van der Rohe, and Le Corbusier, steel was evolving to generate increasingly thin and resistant frames. However, efficient and low-cost materials, such as aluminum and PVC, gradually began to replace its widespread use, increasing the size of the frames and losing steel's "clean" aesthetic when applied to a growing architecture of large glass paneled facades.

At present, new technologies have refined their production processes, developing minimal profiles of high rigidity and precision, which take full advantage of the transparency of the glass and deliver new comfort and safety features. We talked with Jansen's experts to deepen our understanding of their application in contemporary architecture.

Text provided by MasilWIDE. The Seoul Biennale of Architecture and Urbanism was held for about two months, came to an end in great success on November 10. First carried out in 2017 under the theme of 'Imminent Commons', the Seoul Biennale of Architecture and Urbanism (hereinafter Seoul Biennale) gathered 450,000 people in the first year and marked the beginning of the Seoul Biennale. This year, the much-expanded scale and interest of people were able to be seen as the attendance numbers of the first year was already exceeded in October, at the height of the Biennale.

The characteristics of Corten steel has been respected by all architects, both for its strength and for its particular color. It corresponds to a type of steel manufactured with a chemical composition that provides an oxidation that protects the piece, practically without altering its mechanical characteristics. The architectural details of Corten steel present a diversity of situations and connections, not only the obvious constructive factor but it also gives an aesthetic value to any architectural project.

We have compiled this list of 6 eye-catching Corten steel construction details that stand out the most.

3D-printed houses. Prefabricated houses. “Open-source” houses. Minha Casa, Minha Vida. From technological panaceas to government programs, countless solutions aim to resolve the housing deficit by building houses. The problem with this strategy is that the housing shortage is not a shortage of houses, but of apartments.

Countries that are part of the so-called “global south” have undergone many transformations in their cities and urban contexts in recent years due to the economic and social challenges they face. Urban growth, sustainable development, quality of life and health in emerging cities, and the development of their own cultural identity have been some of the issues that local architecture had to incorporate.

Young architects have understood the importance of making an architecture that is deeply rooted in their own territory while giving this architecture a clear local identity. By generating new typologies and using their own resources and materials, they have presented innovative, site-specific, and, above all, solutions with a new fresh focus towards what represents them as creators of this architecture.

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The Spanish word medianera carries a meaning that is often translated as "party wall" or "blind wall," yet its significance in Spanish-speaking contexts takes on a deeper cultural and urban resonance when considered in local terms. This architectural element, which simultaneously separates and connects adjacent lots in such a striking manner, is a recurring feature in Spanish-colonized cities across the Americas. In the case of Argentina, Buenos Aires took shape under the principles of those who arrived with gridiron plans and the rigor of orthogonal organization. The city developed within this logic, resulting today in an urban landscape persistently marked by the presence of these rigid, seemingly unavoidable elements known as medianeras.

Videos

Open More Doors is a section by ArchDaily and the MINI Clubman that takes you behind the scenes of the world’s most innovative offices through exciting video interviews and an exclusive photo gallery featuring each studio’s workspace.

This month, we talked with London-based design firm Heatherwick Studio to talk about their multidisciplinary firm, offices, and how their "collaborative" design approach is translated from their own space to their employees and projects.

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Materials, products, and construction systems are constantly evolving and following new technologies, discoveries, and market trends. Today, within the framework of our Monthly Topic “Innovation” we wonder: what products or materials could we use so that our projects make relevant contributions to the way we are inhabiting our planet?

Flying Panels: How Concrete Panels Changed the World is the latest exhibition at ArkDes. Designed by Swedish studio Note Design Studio, it is co-curated by Pedro Ignacio Alonso and Hugo Palmarola, creators of the Monolith Controversies exhibition, which won the Silver Lion at the 14th Venice Architecture Biennale in 2014.

The exhibition brings together an array of models and material culture—such as posters, paintings, films, toys, cartoons, and opera sets—reflecting how concrete panels influenced culture to build a new society.

In a discourse about the future of cities, one could be forgiven for limiting their geographical scope to innovations in Europe, the United States, and increasingly, China and Southeast Asia. After all, Shenzhen is about to once again host the world’s only Biennale dedicated exclusively to urbanization, while smart, responsive architecture manifests in visions for cities such as Toronto and London, and tech giants such as Microsoft and Siemens. However, despite our preoccupation with the problems and opportunities of urbanization in the ‘Global North’, and the architectural innovations they herald, there is merit in expanding our horizons – and not just towards Mars. By the end of the century, none of the world’s largest 20 cities will be in China, Europe, or the Americas. Africa, meanwhile, will host 13 out of 20, including the top 3.

There is something compelling about the way air—an incredibly fleeting and invisible medium—can shape a wide variety of forms. This fascination has captured our imagination since childhood, when we were first drawn to the lightness, color, playfulness, and variety of inflatables.

Architectural design of a space and the furniture chosen to fill it can work together to define a room's function, set a certain vibe, and make a statement. While an architect or designer may want specific furniture to create a certain look at the time of design completion, versatility is also important over the course of a building's life. Not only do the needs of building programs and inhabitants shift over time, but owners of commercial and public spaces often want the ability to react to both aesthetic and social trends to keep up-to-date. 

Planned to be built in one of the most exquisite spots of Alanya, Turkey, the Vertical Villa Project is a complex geometric composition of glass, concrete, and landscape, with a great scenery of the green mountain range and distant coastline.

The architecture team developed the project based on an analysis of the social interaction and atmosphere found in the city of Alanya. The team combined different individual units, and applied the sloped roof system found in the city's typical residential architecture. 

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As part of the cultural program of Jardín 17 –a space designed by Luis Barragán as an extension of his House-Studio that for 20 years has hosted various universities from around the world to present major design and architecture exhibitions–, Japanese architect Go Hasegawa presents 'Flying Carpet,' a pavilion suspended in a corridor amidst the vegetation originally planted by Luis Barragán and later intervened by Mexican architect Alberto Kalach.

As part of the cultural programming of Jardín 17—a space designed by Luis Barragán as an extension of his house-studio that has hosted various academic programs from around the world for the past 20 years—Japanese architect Go Hasegawa has designed the installation Flying Carpet: a pavilion suspended in the middle of Barragán's garden.

The new edition of the Ibero-American Biennial of Architecture and Urbanism (XI BIAU) poses a different challenge. This time, along the shores of the peaceful Paraguay River, the Ricardo Brugada neighborhood, known as La Chacarita—one of the oldest in Asunción's historic center—takes center stage.

Together with the residents—who also exhibited the biennial's award-winning projects in their own private homes—national curators led 13 working groups to develop proposals for the improvement and transformation of a sector historically overlooked by the city, often associated with crime and unemployment. Some of these initiatives have already been put into practice.

The Second Hebei International Urban Planning and Design Competition – Xingdong New Area Urban Design International Master Competition organized by Urban Environment Design (UED) Magazine has announced its list of winners for this year's edition, with “City of the Future” as its theme.

Award-winning architecture firms took part of the competition, reflecting on Xingtai's transformative urbanism, and interpreting its ongoing development based on social, economic, demographic, ecological, and cultural factors.

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Bauhaus, among many other design movements and disciplines, has had great influence on contemporary architecture. Many claim that the school is in fact a pillar in modern-day architecture and design with its rationality, simplicity, and efficiency. However, behind Bauhaus’ smooth surfaces, a life of violence, occultism, sexuality, and pharmacology was taking place.

In a recent article on Metropolis Magazine, Princeton University School of Architecture professor and architectural historian Beatriz Colomina explains how Bauhaus was a “cauldron of perversions”, suppressing transgressive ideas and pedagogies.

Over the last year, 6,900 million m2 have been built for office spaces (an increase of 12% compared to the previous year), according to a study by Avison Young that investigates the real estate market of offices in North America, Europe and Asia.

Blind walls, or facades without openings, are rarely the primary design concept in homes, but rather the result of a need for privacy in certain spaces, especially when the setback from neighboring buildings is minimal or nonexistent. However, blind walls can take center stage in a building's overall composition—whether through the contrast between solids and voids, the enhancement of the wall in other ways (such as the application of paint, texture, vertical gardens, etc.), or, finally, by positioning the blind wall on the front facade. This creates a "role reversal" between the side facades, usually resigned to a lack of openings, and the front and/or rear facades, which normally feature them.

A desperate child screams in the middle of Dom José Gaspar Square in downtown São Paulo, pleading for them not to hurt her mother. She cries as she watches her being forcibly dragged by municipal agents from the cart where she sold fruit daily to the square's patrons. Her mother cries as well, trying to explain to the agents that the fruit and the cart were all she had to support her daughter. Moved, onlookers watch the scene and try to reason with the subdistrict officials, but they keep confiscating the goods—after all, “orders are orders.” 

But what is the “order” that governs public spaces?