Articles

Suburbs as we know them are changing forever. Partially exacerbated by the effects of the pandemic, residents are leaving cities in droves in search of more favorable living conditions where more space, privacy, and affordability offers what some consider to be a more comfortable lifestyle. But as time goes on, and development sprawls, it’s harder to tell where cities end and suburbs begin.

SCI-Edge, Center for Advanced Studies in Architecture, offers 5 postgraduate Master of Science degree programs. This year is the fourth class at SCI-Arc Edge and previous graduates are already establishing themselves as innovative voices defining what it means to be an architect in the twenty-first century. The current students have just completed the fall semester, which is the first of the three-semester sequences of the programs. The students coming into the programs represent an astonishingly wide range of backgrounds and research interests. We have asked two of them to describe their research interests and how they are beginning to bridge between their previous education and their new experiences at SCI-Arc Edge.

This article was originally published on Common Edge.

I attended graduate school, in geography, in Tucson, Arizona, United States, in the late 1990s. Tucson draws fame from a number of things, including its Mexican-American heritage, its chimichangas, its sky islands, and its abundant population of saguaro cacti.

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The 'Flor Urbana' (Urban Flower) installation—located on the esplanade of the Periférico Sur Light Rail Station in Guadalajara, Mexico, which sees a daily flow of around 20,000 people—stems from the need to address key concerns of the 'Public Infrastructure Prototypes for a City of the Future' (PIP Ciudad Futuro) project. Developed by dérive LAB, the initiative aims to reimagine public buildings as spaces for climate mitigation in the Guadalajara Metropolitan Area through the installation and adaptation of technologies that monitor noise, air quality, transit, and energy efficiency, among other metrics.

Every architect has certainly already had the experience of designing a house throughout his or her career (or at least in university). Yet, developing a residential project with limited space, either due to physical restrictions of the land or a small budget, can be an interesting challenge while attempting to optimize the space, satisfy the architectural brief and provide maximum comfort to the future residents. With this in mind, we have gathered 21 Brazilian houses under 100 square meters along with their floor plans. Check out below:

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What might be called the Art Fair Industrial Complex has been an ambivalent force on both art markets and art itself in recent years: in one view, fairs offer their attendees chances to see international work they wouldn’t otherwise have access to; in another, the vast mall of it all dulls context into commerce.

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Veracruz is a state located in eastern México, bordered by the states of Tamaulipas, Tabasco, Chiapas, Oaxaca, Puebla, Hidalgo, and San Luis Potosí, and facing the Gulf of Mexico. Covering an area of 71,820 km², it is the country's third most populous state.

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In architectural discourse, much is discussed regarding the influence of the site where a building is situated, whether through the incorporation of surrounding elements during the design process, or through the negation or overcoming of its undesirable characteristics. Some situations make this negotiation more evident than others, especially when the natural environment is dominant. In these cases, one constantly observes the tension between natural preexistence and human intervention, as well as the possible ways to achieve harmony between the two.

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With an on-going digital and physical evolution, the 5^th Istanbul Design Biennial took a new approach. “Rather than focusing on the presentation of final results in a compressed period of time and space”, the global circumstances created the opportunity to present new projects on a longer period of time and in expanded spaces, offering not an exhibition but “a digital and research program with a series of permanent interventions in the city.”

Launched on October 15, 2020, the event brought together, with its new structure, different formats under the theme of Empathy Revisited. As the first part of the physical display has ended, ArchDaily had the chance to discuss with Mariana Pestana, architect and curator of the 5^th Istanbul Design Biennial, the event and choice behind this year’s theme, the programs and the participants as well as the evolution of her approach due to the global circumstances.

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One of the most rewarding aspects of working with architecture publications is the possibility of meeting and becoming closer to the experts that are effectively transforming the discipline, either with built projects, research, experiments, theories, or even with works in other fields. In this sense, interviews perform a special role among all the different types of content published every day by ArchDaily, as we can get a closer insight into what some of the most distinguished and promising people have to say about the present and the future of architecture and cities.

With more than two hundred interviews published in our platforms, in English, Spanish, Portuguese, and Chinese, conducted in various formats – video recordings, transcripts, interviews by e-mail, video calls, or even podcasts –, it's safe to say that 2020 was a year of intensive learning during which we have become, paradoxically, closer than ever before to an inspiring group of architecture professionals.

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Sinaloa is a state located in the northwestern part of Mexico bordered by the states of Sonora, Chihuahua, Durango, Nayarit, and by the Gulf of California to the west. It consists of over 58200 km² of territory and is the agricultural hub of Mexico.

Composed of microcell panels, polycarbonate offers various solutions for the use of natural lighting in architectural enclosures. Whether applied to facades, interior spaces or roofs, the benefits of polycarbonate, such as lightness, clean lines, colored panels, and light effects, offer a wide range of design freedom. Microcell panel technology reduces the need for artificial light and favors uniformity in the diffusion of natural light, achieving energy efficient facades and the illusion of spaciousness in interior spaces. Below, we've selected 10 projects that have used polycarbonate as a wrapping material.

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The primary responsibility of media is to convey valuable information and knowledge; its secondary duty is to champion social values. Yet its most crucial role remains presenting comprehensive, multi-layered content that directs public attention toward critical issues, ultimately driving incremental social progress.

Over the past year, we found ourselves confined, interacting with the world solely through the narrow windows of our phones and computers. While online meetings saved us time, an overabundance of digital content quickly devolved into a fast-food culture—most of it reduced to floating windows on our screens, where "save for later" essentially meant "never look at again." This rapid consumption has eroded our patience; we no longer wish to wait for the slow shifts in climate, light, shadow, and human activity within a space, craving instead only the immediate satisfaction of perfectly staged "glamour shots." At the same time, the lack of physical contact has gradually locked us into localized echo chambers, siloing architectural design within domestic boundaries. As a result, the unified value community built on social consensus is dissolving, and personal opinions of individual architects are replacing objective standards for evaluating architectural design.

As an international architectural media platform, ArchDaily is raising its editorial standards once again. Our 22 editors worldwide will deliver global, multi-dimensional, open, thematic, and socially conscious architectural content. Through the 2019 and 2020 ArchDaily Topics, we have proven that we offer not just the most comprehensive architectural news, but also a clear perspective. This year, our theme is the "Unity of Knowledge and Action"—a commitment to reality over illusion, rejecting deceptive renderings and hyperbolic puff pieces.

Without a doubt, 2020 was a year defined by transformation and new paradigms. For the first time in more than a century since the Spanish Flu, we faced a pandemic that drove us into complete isolation inside our homes. Within the field of interior design, lockdowns forced millions of people worldwide to rethink their personal relationship with the home and its various spaces. In Brazil, despite a surge in renovations and furniture sales, the segment faced initial downturns. Nevertheless, the construction sector's Gross Domestic Product (GDP) is projected to grow by 3.8% in 2021, according to data from the Civil Construction Industry Syndicate (Sinduscon-SP) and the Getulio Vargas Foundation (FGV) published on the Época Negócios website.

Analyzing the Brazilian interior design projects published in recent months, combined with our daily curatorial experience, we have mapped out 22 trends pointing toward the future of interior design in Brazil for 2021 and beyond. To provide a coherent overview, we have divided our selection into five major conceptual categories: Colors; Finishes and Surfaces; Spatial Integration; Efficiency and Space Saving; and Repurposed Construction Materials in Interiors. Read on below:

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The A’ Design Award is an international award whose aim is to provide designers, architects, and innovators from all design fields with a competitive platform to showcase their work and products to a global audience. Among the design world's many awards, the A' Design Award stands out for its exceptional scale and breadth, including over 100 award categories and having honored over 12,000 designers with an award over its 11-year lifetime.

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Every December talking heads (or screens) trumpet “Everything Has Changed”. But this year it is true. Imminent inoculations may bring back human contact, but the Coronavirus Year has changed us.

I think 2020 ended the 20th Century in architecture. Architecture never leads in pivotal periods. Modernism was birthed by a Western World leaving monarchies and diving into the Industrial Revolution: it caused neither.

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Across much of Brazil, the climate allows for the daily use of outdoor spaces. From the simplest backyards to backyard annexes equipped with barbecues and ovens, outdoor cooking is deeply rooted in the local culture. This practice has become even more prominent in light of the lessons learned from the pandemic, as open-air spaces tend to be safer. With this in mind, we have compiled twelve outdoor kitchens—or kitchens that open up completely to the outdoors—to provide design inspiration for this type of space.

This article was originally published on Common Edge as "Presenting Architecture as Progressive, but Practicing Through Exclusion."

For a profession that likes to congratulate itself about how well-meaning it is, and sees itself as liberal, diverse, open, and progressive, British architecture has a serious problem with diversity of pretty much every kind. It is dominated by people from well-off backgrounds. It trains a lot of brilliant female architects but doesn’t pay them as much as men, and loses many of them after 30 when they are not supported in balancing work and family life. Its ethnic makeup is very, very white, considering that it’s 2020. A supposed beacon of success is the acceptance of the LGBTQ community within the field, but as with women and those from and religious and ethnic minorities, stories of unprofessional comments, inappropriate jokes, and insidious forms of jovially “innocent” othering and the diminution of identity-specific concerns abound.