Articles

On December 10, 2022, ArchDaily successfully hosted the inaugural "Co-Creation & Co-Ideation" forum for ArchDaily Building Materials (Jianri Zhucai). The event featured seven guest speakers who shared their stories about materials: Libin Chen (Partner at David Chipperfield Architects Shanghai), Jing Lin (Senior Project Architect / Associate Director at SHL Architects), Shuangquan Ni (Marketing Director at Avarte), Yi Yao (Deputy General Manager of the Design Management Department of China Resources Land East China Region), Zhou Qing (Deputy General Manager and Design Director at GOA), Isabel (Residential Project Manager at iGuzzini), and Chunyan Cai (Principal of Atelier Tao+C). Additionally, Shuang Han, ArchDaily China's Editor-in-Chief, introduced our decision to launch a WeChat Mini Program to enter the building materials sector, along with our future plans. We would like to extend our special thanks to China Resources Land for providing the venue, to our sponsors iGuzzini and Avarte for their generous support, and to all the attendees.

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Samira Perez, a longtime resident of Barranquilla, Colombia, used to spend time and money on taxis to take her children to local shopping malls after school and on weekends. There, they would pass the time window-shopping at high-end stores, watching shows, and eating at restaurants.

The central role of the shopping mall in the lives of the Perez family is common in rapidly urbanizing Latin American cities, where, in the absence of accessible outdoor alternatives, malls often provide safe, clean social spaces. In Barranquilla, where malls are ubiquitous, a 2009 perception survey showed that 90% of residents were dissatisfied with the city's green and public spaces.

Every year, the Colombian Society of Architects convenes representatives, experts, and special guests to address pressing issues related to everyday architecture. At this year's Colombian Congress of Architecture and Urbanism, the overarching framework was defined by the concept of "social architecture."

In October 2023, the Mugak International Architecture Biennial of the Basque Country opened its fourth central exhibition in the city of San Sebastián, Spain, the result of a collective dialogue between key figures from the architectural and artistic worlds. Positioned as one of the leading architectural events of the Atlantic Arc, this public meeting point engages with the trends and concerns of our time.

Running through February 2024 with free admission at the Basque Country Architecture Institute, the reflective exhibition "Habitar el Cambio" (Inhabiting Change) is structured around the concepts of "rebuilding, rehabilitating, and rethinking," responding to the current climate of complexity and crisis across economic, health, ecological, and social spheres.

As the climate emergency worsens globally, an ever-larger number of people are forced to flee their homes due to natural disasters, droughts, and other meteorological events. These displaced populations are often referred to as “climate refugees.” This humanitarian crisis demands immediate action, but first we must understand who these individuals are and how the international community can appropriately address this growing issue.

Being present has become the new currency, another way to accumulate symbolic capital, and a new way to validate status. It began with a sudden and rapid surge in museum attendance, alongside the visible crowding of specific areas of Mexico City. This points to an issue currently affecting us: gentrification and forced displacement.

The history of architecture is filled with remarkable unrealized hypotheses, whether due to infeasibility, conceptual radicalism, or other specific factors. Even when conceived by the field's most prestigious minds, these ideas never overcame the inevitable constraints of material reality, nor could they be adapted to make them viable, even partially. Yet, the significance of these projects goes beyond the tangible. Beyond enriching the profession's intellectual heritage, these once-abandoned proposals were—and still are—a catalyst for reflection and a source of inspiration for diverse artistic approaches.

We have less than seven years to halve greenhouse gas emissions if we want to limit global warming to 1.5°C, the threshold scientists consider necessary to avoid some of the most dangerous impacts of climate change. In 2022, floods, droughts, and severe heatwaves claimed thousands of lives and affected millions worldwide, offering a glimpse of what to expect if we fail to take climate action. Since cities account for more than 60% of global emissions and are home to more than half of the world's population, changing how we manage the urban environment must be at the center of our efforts to curb the climate crisis.

As perimeter walls are dismantled, a new layout is taking shape on the runway of Mendoza's former airfield. This adaptive reuse initiative, driven by the Inter-American Development Bank (IDB) and the municipal government, seeks to repurpose the vacant 72-hectare site to explore and develop a more open, inclusive, and carbon-neutral city. The master plan focuses on strategies addressing environmental and climate sustainability, efficient energy, water, and sanitation management, housing, mobility, and accessible public spaces, alongside social inclusion and local development. The plan envisions the integration of infrastructure, parks, green spaces, commercial and dining uses, a technology and innovation hub, and the development of new single-family and collective housing models: "the housing of the future."  

The official presentation of the project to Mendoza government authorities, IDB representatives, students, and other guests took place on the site of the former airfield. For this occasion, renowned Paraguayan architect Solano Benítez was invited to design and construct an entrance pergola for the "city of the future." The structure aligns with the urban project's circular economy framework, blending craftsmanship and prefabrication to "transition from traditional construction dependent on high-embodied-energy systems toward reusing materials with lower energy expenditure," according to IDB architects and urban planners Felipe Vera and Matías Lince. Grounded in exploring the tectonic potential of brick—the quintessential material of Paraguayan construction—Benítez's work focuses on delivering efficient, local architectural solutions that prioritize the intelligent use of materials. 

PILLS is a Beijing-based research studio for architecture. Our practice primarily encompasses speculative endeavors in architectural and interior design, installation and exhibition design, urban and landscape design, as well as cross-media production and cultural dissemination. Spanning installations to public buildings, and cultural projects to commercial developments, PILLS actively delivers diverse urban and architectural design services while simultaneously leveraging various media to drive the production of contemporary architectural culture.

The studio’s architectural, research, and art projects are widely recognized within the discipline. Our work has been showcased at major international exhibitions, including the Venice Biennale of Architecture, Lisbon Architecture Triennale, Oslo Architecture Triennale, Seoul Biennale of Architecture and Urbanism, Helsinki Design Week, Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture (UABB), Shanghai Urban Space Art Season (SUSAS), Beijing Art Biennale, National Exhibition of Fine Arts, Shanghai Power Station of Art (PSA) Emerging Curators Project, Hyundai Motorstudio Beijing Youth Curator Program, Get It Louder, the "Nine-Tiered Pagoda" exhibition at Shenzhen Pingshan Art Museum, and "A New Generation of Working Methods" at the Synaesthetic Museum. The studio’s projects have also won numerous accolades, including First Prize in the Fairytales Competition, First Prize in the Jacques Rougerie Competition, and the Academic Committee Award at the Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture (UABB).

Zoning is the primary tool for urban regulation adopted worldwide. It consists of dividing urban territory into a series of zones, establishing permitted uses for each and setting parameters for the structures that can be built on each lot. In theory, zoning pursues two main objectives: preventing nuisances generated by specific uses and limiting development density to the capacity of existing infrastructure.

From fire in prehistoric caves to street lighting in smart cities, lighting has evolved steadily alongside technological advancements. In recent years, however, it has begun to transform even more significantly in terms of design and functionality, driven by a growing awareness of its impact on the environment and human health.

Founded in 2002 by a group of architects with diverse academic backgrounds from both China and abroad, Verse Design has been deeply engaged in exploring various scales of design for over twenty years, including urban design, architectural design, community making, and residential product systems. Through years of practice, the firm has developed a systematic and continuous design logic and methodology. From programming and planning to urban design, and from schematic design to detail control, a "craftsman's spirit" permeates every phase of our work. We are dedicated to the process of identifying problems, refining solutions, and executing them, maintaining an exceptionally high standard for project implementation and completion. Our primary project types include cultural tourism resort towns, resort hotels, as well as cultural and community lifestyle amenities.

Verse Design maintains a boutique team size and a flat management structure, offering architects a highly autonomous working atmosphere. Here, you will engage in multi-dimensional, full-lifecycle projects ranging from early-stage programming and urban design to architectural design and detailing. We look forward to welcoming like-minded, exceptional architects to join us and grow together with Verse Design.

The firm's office is located in a historic garden villa at the intersection of Zhaojiabang Road and Wulumuqi Road in Shanghai. It is conveniently situated just 50 meters on foot from Zhaojiabang Road Station (Metro Lines 7 and 9), offering an easily accessible and comfortable working environment.

Can we construct buildings using less water? Throughout June, ArchDaily opened the debate on water resources in architecture, inviting our readers to join the discussion.

Global water use data is discouraging, and the construction process accounts for a significant portion of this consumption. It was time to think about how to reduce this impact. The need to design buildings that do not require water offered a unique opportunity to explore innovative and sustainable alternatives to minimize or even completely eliminate water use in construction.

As part of the XXVI Arquisur Congress “Turns of Architecture,” held from October 11 to 13 at the Faculty of Architecture, Design and Urbanism of the University of the Republic of Uruguay, the winners of the 2023 edition of the Arq. José Miguel Aroztegui Award for Architecture Students, the Arquisur Research Award, and the Arquisur Outreach Award were announced.

To calculate the amount of CO2 emitted by each country, the traditional method considers emissions from each sector of a nation's economy using a “bottom-up” approach, relying on data collected on the ground. However, a new approach to answering this question utilizes satellite data from NASA.

The relationship between architecture and its various mediums of representation, reproduction, and publicity is nothing new. Drawings, blueprints, and photographs published in books, magazines, and newspapers have historically been an integral part of the profession's trajectory. Over the last decade, with the rise of social media—particularly platforms centered on visual communication—architects have adopted these tools in myriad ways, incorporating them into their professional practice. Yet while these networks can produce and popularize content for diverse audiences, does architecture risk becoming a hostage to its own representation in this era of engagement?

With 55% of the world's population living in cities, the concept of circular economy is increasingly prominent in discussions on architecture and urbanism. The goal of circularity is to reduce the environmental impact of the current production and consumption model through the efficient use of material resources and waste reduction. But how can this idea actually be applied to cities?