Architecture News

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Rozana Montiel is one of the 71 architects invited by the curators of the 16th International Architecture Exhibition of the Venice Biennale, Yvonne Farrell and Shelley McNamara, which opened on May 24, 2018, at the Arsenale in Venice, Italy. Her participation in this renowned festival engages with the central theme, 'Freespace,' which suggests both an imperative—'to free space'—and a resource—'having free space (to act/engage).' The Mexican architect's studio explores this theme as an imperative for action and a social resource for free agency.

Rozana Montiel Estudio de Arquitectura is an internationally recognized firm known for providing users with a sense of place and well-being, promoting habitability and spatial densification to foster active public spaces and local cultural production. Ultimately, this expands horizons of interaction, paving the way for community integration.

Dean Amale Andraos of the Columbia GSAPP has announced the appointment of Andrés Jaque as the new Director of the Master of Science in Advanced Architectural Design program (AAD). Jaque is the founder of the Madrid-based Office for Political Innovation and has been teaching advanced design studios at Columbia GSAPP since 2013.

On June, 1, Jaque will succeed Associate Professor Enrique Walker, who directed the program from 2008 to 2018. "I’m very thankful for the rigorous vision and dedication that Walker has brought to the program during his directorship," acknowledged Andraos. "Enrique established a strong legacy of bringing experimental approaches to research and design and built a program that is firmly grounded in forming positions through design," added.

Update: The final entry deadline has been extended to June 1st. Register your projects here.

It's time to get your applications ready! Now in its 11th year, the World Architecture Festival will take place in Amsterdam from November 28 to 30. Organizers expect nearly 500 architectural practices to compete for prizes in over 30 categories. The event moves to the historic Dutch city following two years in Berlin.

The Festival is the world's largest live architecture awards event--all shortlisted architecture projects are presented in person by the architects to an esteemed panel of judges. And this year, nearly half of the 120 judges are expected to be women.

This year’s Completed Buildings final super-jury will be chaired by MVRDV's Nathalie de Vries, and will also include Sir David Adjadye, Li Xiadong and Harvard GSD dean, Mohsen Mostafavi.

Safer and more sustainable cities designed from the experiences and perspectives of women—this is the goal of the Mulheres Caminhantes! Auditoria de Segurança de Gênero e Caminhabilidade Terminal Santana (Walking Women! Gender Safety and Walkability Audit at the Santana Terminal) project, whose results were presented on May 5 at the Expo Center Norte convention center in São Paulo.

The project report reflects on how the city presents obstacles for women to move around and experience public space safely and with quality of life.

An urban opera performed by residents and a cyberfeminism project in a stigmatized neighborhood are among the initiatives comprising Imagina Madrid, a project where creators, organizations, and residents join forces to artistically intervene in deteriorated public spaces on Madrid’s outskirts.

Promoted by the Madrid City Council's Department of Culture and Sports and coordinated by Intermediae, Imagina Madrid has structured a decentralized, collaborative, and multidisciplinary methodology to define its interventions. This approach is grounded in Elinor Ostrom's research on the economics of the commons and what sociologist Saskia Sassen describes as the "operational and rhetorical" openings that slip into the global city.

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Recently, the award ceremony for the 2018 Prix Versailles world awards was held at UNESCO's headquarters in Paris. An annual recognition of commercial architecture worldwide, these awards aim to foster interaction between culture and economy. The Prix Versailles seeks to change how this seemingly opposing architectural duality is perceived, given that commercial venues are often associated with utilitarian functionalism and immediacy, whereas cultural sites are associated with beauty and experience.

We live in a society

A post shared by sssscavvvv (@sssscavvvv) on May 4, 2018 at 12:15pm PDT

In the modern age of sensationalism, consumerism, and widespread fake news, it's easy to understand why we feel the need to express ourselves through memes—the abstract photographs, video clips, and gifs that are manipulated in various ways to express thoughts on certain matters or situations that are relatable to people across the globe. Memes often expound complex yet concise sentiments which, in a way, closely resemble the way that we communicate in real life.

In the world of architecture, communication is often represented through critical essays, stunning renders and photographs, and hand-drawn analytical diagrams. In fact, architecture communication as we know it has mostly been a literal representation of the thing itself: Ideas are translated into plans, sections, elevations, details, form diagrams. But with the rise of memes and abstract expressions, why aren’t we popularizing our own personal thoughts with this form of widespread social media?

The work of Patricia Golombek is an architectural study developed from different perspectives, analyzing structural elements and design solutions by various architects from around the world.

An architect by training, the artist uses her work to highlight the language through which architects communicate and the creative process behind their designs.

The 2018 CEMEX Pavilion competition was established to offer Guadalajara's student community an opportunity and a platform to express their aspirations, interests, concerns, and critiques of the architectural profession. This is materialized through an intervention in the courtyard of a heritage home in the city's historic center, which currently serves as both a workshop and a cultural center.

Supported by CEMEX and the Arq. Marcelo Zambrano Scholarship, the first edition of the 2018 CEMEX Pavilion competition was launched. Aimed at the student community of the Guadalajara Metropolitan Area, the competition invited participants to intervene in a heritage property in the city's downtown core, aiming to provide students with a fresh platform to express their concerns and passions about the profession through a built work, bridging the gap to professional practice.

The American Institute of Architects (AIA) announced the winners of their 18th annual Housing Awards, which recognize the best in housing design for new constructions, restorations, and renovations. This year the five-person jury selected eleven projects to receive awards in four categories: one- and two-family custom residences; one- and two-family production homes; multifamily housing; and specialized housing.

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Chilean architect Smiljan Radic was announced the winner of the Arnold W. Brunner Memorial Prize 2018 Architecture Awards from The American Academy of Arts and Letters in New York.

The academy's annual architecture awards program began in 1955 with the opening of the Arnold W. Brunner Memorial Prize. The prize is given to an architect of any nationality who has made a significant contribution to architecture as an art. The program has since been expanded to include four Arts and Literature Awards for American architects that explore ideas in architecture through any medium of expression.

The European Commission and Europe Nostra announced the winners of the 2018 EU Prize for Cultural Heritage/ Europa Nostra Awards. The 29 winners from 17 countries have been recognized for their achievements in four categories: conservation, research, dedicated services, and education, training and raising awareness. The winners will be honored at an award ceremony at the first ever European Cultural Heritage Summit on June 22.

The curators of the 2018 Venice Biennale Yvonne Farrell and Shelley McNamara of Grafton Architects have announced the winning contributions to the 16th International Architecture Exhibition. Selected with the help of jury members Frank Barkow, Sofia Von Ellrichshausen, Kate Goodwin, Patricia Patkau, and Pier Paolo Tamburelli, the winners of the Golden Lion for Best National Participation went to Switzerland. Meanwhile, in the Freespace exhibition curated by Farrell and McNamara at Venice's Arsenale, Eduardo Souto de Moura will take home the Golden Lion for Best Participant in the International Exhibition.

As part of the Brazilian contribution to the 2018 Venice Biennale, titled Walls of Air, Atelier Marko Brajovic presented the NSDC installation, which proposes redesigning city fences into street furniture, viewing the design process as a tool for transformation used to shape the urban landscape and its use.

The Chinese Pavilion at the 2018 Venice Architecture Biennale, themed "Building a Future Countryside", is endeavored to explore new technology and ideas to make better of China's rural areas. A digitally-fabricated outdoor pavilion "Cloud Village" has been set up in addition to the national exhibition at the Venetian Arsenale. The Cloud Village has a twisting form which creates a sequence of open and semi-enclosed spaces under its roof. It seeks to convey an abstraction of the everyday life in Chinese countryside where boundaries of private and public realms are not always defined.

The Cloud Village is structurally made possible by the robotic printing technology developed by Philip F. Yuan and his team. Read below for a detailed account of the project from the architects.

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On April, the continental ceremony of the Prix Versailles 2018 took place in the International Center of Conférences d'Alger with the announcement of the selected projects in shops, shopping centers, hotels and restaurants for the "Africa and West Asia" and "Europe" regions.

The 24 new projects are now incorporated into the list of 46 continental winners -from Central America, the South and the Caribbean; North America; Central Asia and the Northeast; and South Asia and the Pacific regions- resulting in 70 projects that will compete in the 2018 Prix Versailles World Final at the UNESCO Headquarters.

See the selected projects after the break.

The Mies Crown Hall Americas Prize (MCHAP) has announced the 31 winning schemes for the “2018 Outstanding Projects” award, chosen from 200 nominations. Awarded on a biennial basis, the awards seek to recognize the most distinguished architectural works built on the continents of North and South America.

The 31 projects will now form a shortlist for the MCHAP Prize, with winners to be announced in July 2018. Hosted by the Illinois Institute of Technology (IIT), the winner will be honored in a grand prize ceremony at Mies van der Rohe’s iconic Crown Hall in October. In the last series, top honors went to SANAA's Grace Farms in New Canaan, Connecticut, USA.

With the opening of the 16th Venice Architecture Biennale comes a look at the first ever contribution by the Holy See, an exhibition that brings together architects to design chapels that, after the Biennale, can be relocated to sites around the globe.

Located in a wooded area on the Venetian island of San Giorgio Maggiore, 10 chapels by architects including Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, are joined by the Asplund Chapel by MAP Architects. This 11th structure serves as a prelude to the other chapels, while reflecting on Gunnar Asplund's 1920 design for the Woodland Chapel.