Daniel Libeskind and inLodz21 Institution are designing Nexus21, an urban revitalization project of 21 structures that vary between residential and commercial buildings to urban spaces. The new cultural hub is located in particular neighborhoods to promote the creativity and innovation that lies in the city, such as architecture, textiles, fashion, and film, which are all part of its heritage. The master plan will also work on the spaces in between the revived structures, creating a vibrant nexus between the old and the new, while adding value to the historic neighborhoods of Łódź, Poland.
The Russian Federation Pavilion for the 2021 Venice Biennale explores the role of cultural institutions across physical and digital spaces. Titled Open, the program investigates the subject on multiple fronts, from the renovation of its physical architecture to the research into the social role of virtual environments and a collection of perspectives on the new ways of thinking in the institutional realm. The contribution builds on the Open? project, which debuted in May 2020 and continued throughout the year as a virtual platform for creatives and thinkers.
The School of Architecture at the Universidad Intercontinental (UIC) has announced the winners of the 20th Academic Competition of Architecture Schools. This edition saw record-breaking participation in the number of students and projects compared to previous years, and for the first time in two decades, achieved international reach with the participation of a university from Ecuador.
For its latest design in China, the Australian firm Koichi Takada Architects takes inspiration from Shanghai's forest-rich landscape and creates a series of architectural "trees" that branch out, forming a canopy above a new marketplace. Through its open, biophilic design, the Solar Trees Marketplace will be an extension of the outdoor public space, reinterpreting the traditional Chinese market as a community place.
The Archdiocese of Brisbane has unveiled plans to build an eight-story office block adjacent to the city's historic St. Patrick’s Church in Australia. Designed by architecture practice BVN, the project was made to respond to both the existing church and the urban fabric of Fortitude Valley. The proposed development would preserve views to the church from James and McLachlan streets with over 11,000 square meters of office space.
Situated at the northern part of Brooklyn where Newton Creek and the East River intersect, OMA New York / Jason Long's Greenpoint Landing residential towers have reached their latest phase of development; The North Tower is currently at 300 ft. and the South Tower is at 400 ft. The buildings are expected to provide 745 units of mixed-income housing, and will expand an acre beyond the existing esplanade, creating a new section of public waterfront that overlooks the Manhattan skyline.
For the 17th International Architecture Exhibition of La Biennale di Venezia, Finland's Pavilion revisits a moment in local history when a refugee crisis led to new ways of building and a reconfiguration of domestic space, which ended up influencing different places around the world. Titled New Standards, the exhibition curated by Laura Berger, Philip Tidwell and Kristo Vesikansa presents the story of Puutalo Oy, an industrial enterprise specialized in prefabricated wooden buildings that set new standards for residential design in the 20th century and created Finland's most widespread architectural export.
Rojkind Arquitectos, Esrawe Studio, and Slade Architecture have unveiled their proposal for a 2,685-square-meter beach club in New Jersey, United States. According to the firms, the project seeks to activate the beachside of the street and provide amenities and services to the beach in this town resort.
https://www.archdaily.com/960951/rojkind-arquitectos-esrawe-studio-and-slade-architecture-to-design-a-beach-club-in-new-jerseyArchDaily Team
When it comes to built-in kitchen appliances, German firm Gaggenau has always set the highest of standards – and in the case of Sir David Adjaye’s 130 William tower in Manhattan, quite literally, too.
Hotel Podgorica, architect Svetlana Kana Radevic, unknown photographer, archive of Pobjeda. Image Courtesy of APSS Institute
Part of the Collateral Events of the 17th International Architecture Exhibition, the extensive built work of Yugoslav architect Svetlana Kana Radević (1937-2000) is brought to light from May 22 until November 21 at the Palazzo Palumbo Fossati. Entitled “Skirting the Center: Svetlana Kana Radević on the Periphery of Postwar Architecture”, the exhibition curated by Dijana Vucinic and Anna Kats, aims to highlight the architect’s work and expand her representation.
Courtesy of Steelblue for the City of Sacramento / Perkins&Will
Global architecture firm Perkins&Will, in collaboration with ARUP, Grimshaw Architects, EPS , AIM Consulting, and the City of Sacramento, have transformed the city's historic train station into a self-reliant and regenerative transportation hub, making it one of the most sustainable public areas in California. The design team worked alongside the local community to create a people-centric 31-acre master plan that reflects what the community envisions for a public train station and gateway to the city of Sacramento.
Few public figures were more deeply Brazilian than the Italian architect Lina Bo Bardi. Arriving in Brazil shortly after World War II, she grew so attached to Brazilian culture that she became one of its main interpreters, capable of an understanding of local traditions that was both rigorous and comprehensive.
Architecture critic and essayist Francesco Perrotta-Bosch examines the trajectory of this brilliant artist in light of the following question: how was a foreigner able to see so much of a country that was not her own, to the point of translating it for Brazilians themselves?
Titled Oræ -Experiences on the Border, (oræ, Latin for “borders”) the Swiss contribution to the 17th Venice Biennale explores the spatial and political dimension of the country’s border, investigating the social implications of this inhabited territory. Created by a Geneva-based team of architects and artists comprising Mounir Ayoub and Vanessa Lacaille from Laboratoire d’architecture, as well as filmmaker Fabrice Aragno and artist sculptor Pierre Szczepanski, the exhibition details a series of participative processes performed along the Swiss border that investigate the frontier and its inhabitants, revealing the poetic character of the space.
Icon, an American construction robotics startup, was founded with the promise of building emergency housing using 3D printers. A model home was built in Austin, Texas, in 2018. Two years later in the same city, the company began delivering a series of homes for the unhoused.
A recovering heroin addict, Tim Shea was previously homeless, with his last home being a van. The 70-year-old American was the first to receive the keys to a printed home in September 2020.
Applications are open until June 30 for the 4th Tomie Ohtake Institute Leroy Merlin Design Award, aimed at college students and recent graduates from all fields. The award seeks to recognize proposals that highlight and conceptualize the relationship between design and other disciplines, such as communication, architecture, biology, engineering, fashion, technology, economics, physics, education, mathematics, and chemistry, among others. The theme of this fourth edition is the verb to welcome.
The three boutique firms hiring this week are international design teams: Beijing-based Shengzhe Design, Shenzhen-based Studio 10, and CLOU architects, renowned in the commercial sector. Active across diverse fields with distinct styles, they are looking for talented architects to join their teams.
https://www.archdaily.com/1128319/jobs-of-the-week-shengzhe-architecture-studio-10-clou-architectsMilly Mo
In 1946, van Eyck was hired by Cornelius van Eesteren, head of the new Amsterdam Town Planning Department, and assigned to work on the design of new play spaces with Jacoba Mulder, van Eesteren's second-in-command. Van Eyck's first play space was at Bertelmanplein, a public square [...] surrounded by interwar housing, where Mulder lived. One day, on her way to work, she saw a little girl digging in the dirt near a tree and making mud pies. But then a dog came by, urinated in the planter, and that was the end of the game. Mulder decided that a play space was needed, and van Eyck volunteered for the job. A passing neighbor saw the play space and wrote to van Eesteren, requesting one for their neighborhood. The same thing happened again and again, until it became public policy. Any neighborhood in the city that wanted a play space could request one. Urban planners designated abandoned and war-damaged sites within the city's historic fabric, as well as new housing developments on the periphery, as priority zones. After they were built, letters kept pouring in—some complaining about sand getting into homes and being used by animals, others complaining about overcrowding and teenagers making out at dusk. Even so, the majority of the letters were requests for more play spaces.1
https://www.archdaily.com/1120399/architecture-for-urban-play-guidelines-for-designing-public-play-spaces-in-mexico-city-apjuLeticia Lozano y Mariana Ríos
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