Guatemalan Architecture

Understanding the temperature gradient in a building is essential in cold or temperate climates, where airtight enclosures and continuous insulation are used to prevent heat loss. However, this approach is not suitable for tropical areas like Central America, where the climate is marked by a consistent alternation between wet and dry seasons rather than four distinct ones. Factors such as proximity to the sea, elevation, and local topography influence microclimates across short distances, but high humidity remains a common challenge. Sealed, airtight walls with no ventilation can quickly become breeding grounds for mold, making the thermal strategies of temperate climates problematic. In response, local designers have developed alternative approaches that embrace, rather than resist, the outdoor environment, allowing airflow and evaporation to manage interior comfort.

Once seen as purely utilitarian, bare concrete blocks have increasingly become part of an architectural transformation. In regions where warm climates make insulation unnecessary, this material can be left exposed, free of cladding, finishes, or embellishment. In doing so, texture, bond, and form can define the building's character and simplify construction while creating new opportunities for expression and identity. This also creates a platform to explore the concept of material honesty. Beyond its aesthetic value, using a material "as is" can significantly reduce construction costs and minimize maintenance during the building's lifespan.

The Latin American Architecture Biennial (BAL), which has gained significant relevance in the contemporary architectural scene, will celebrate its ninth edition next year. This meeting gathers emerging Latin American architecture studios in Pamplona, Spain, to share their work, fostering dialogue and debate about the current state of the discipline, as well as acting as a bridge between the Latin American continent and the Spanish context. In this edition, Costa Rica will be the guest country, accompanied by Honduras, El Salvador, Panama, Guatemala, and Nicaragua. As part of this invitation, there will be an exhibition and specific seminars dedicated to analyzing the situation of architecture in these countries.

A look at most of the cities within Latin America reveals striking commonalities across countries, from Mexico down to Argentina: most cities have a well-defined area known as "El Centro" (The Center), anchored by a main plaza (Plaza Mayor), flanked by a church on one side and key buildings like the city hall on another. This is no coincidence, as it can be traced back to an urban planning system established during the Spanish colonization of the Americas in the 17th and 18th centuries. It gave standardized guidelines for city design across its viceroyalties. Unlike French and English colonies, Spanish settlements adhered to regulations that contributed to the emergence of a shared urban identity, with cities displaying similar spatial logic and architectural cohesion despite differing scales and contexts.

From November 20 to 23, São Paulo hosted the IV International Seminar on Favela Urbanization, bringing together discussions that bridged theory and practice to address interventions in these territories. Centered on Brazil’s realities, the seminar shed light on the political challenges and the struggle to recognize the potential of peripheral spaces. It also highlighted a shared issue across Latin America: the need for adequate funding to support transformative actions and the legitimization of these territories. Within this framework, the article underscores the critical role of high-quality public facilities in favelas and peripheral neighborhoods. These spaces not only provide access to opportunities but also foster community bonds, serving as essential hubs for social organization and collective efforts toward building a more inclusive future.

"Architecture, city, and activism" are the words that define Taller ACÁ, an emerging practice led by Jorge Villatoro and Hans Schwarz in Guatemala City. Among their projects are the Tiny House Quinn and the Community Center Plantando Semillas, which were recently selected as the winners of the Danta Awards at the 2023 Guatemala Architecture Biennial. In the following conversation, Villatoro and Schwarz provide detailed insights into their inspirations, working processes, and future projections for architecture, both in the country and in Central America.

Guatemala is a country located in Central America that is organized into 22 departments, its capital and most populated city is Guatemala City. Mexico forms the geographic borders that contain this territory to the north and west, Belize and Honduras to the east, and El Salvador to the south. In addition, it faces the Pacific Ocean and the Gulf of Honduras. It is located in Mesoamerica, home to the Mayan culture, which extended to what we know today as Mexican territory. It is for this reason and for some other reasons related to migration issues that these two countries share similar traits in terms of climate and culture, which is highly enriching when we explore the development of the territory.

Raúl Monterroso is one of the referents when it comes to talking about the modern movement in Guatemala. Not only has he been a promoter of the preservation of the country's architectural legacy with his publication "The Guatemala City Guide to Modern Architecture", but he has recently collaborated with the Museo Experimental el Eco for its Re_vista 05 with a critical analysis titled "Modern dreams, magical realism and other fantasies of yesterday and today", which seeks to be a window for anyone to question and get involved with Guatemalan architectural values.

Is there only one way to inhabit the coast? The Pacific coast, the largest ocean on earth, is a vast territory with a great diversity of temperature, winds, and topography, among others. Consequently, it has a great variety of ecosystems, ranging from the freezing point near the poles, vast deserts and forests, to the hot tropical rainforest. Such majestic diversity is no stranger to architecture, responding to the different contexts in which it is placed. As a result, there is a great variety of architectural works, all of which share in framing the views of the sea.

"Here in the tropics, it's the shade not the stove that refreshes and brings people together," says Bruno Stagno about tropical architecture.