Displacements_People: Designing for the Global Refugee Crisis
For the first event of our 2017 panel season "Displacements" the AIA-NY Global Dialogues Committee explores how designers are responding to the global refugee crisis through analysis, advocacy, documentation, and design.
The Jewish Museum presents the first U.S. exhibition focused on French designer and architect Pierre Chareau (1883-1950). Showcasing rare furniture, light fixtures, and interiors, as well as designs for important projects in Europe and America, including the famous Maison de Verre in Paris and the Robert Motherwell House in East Hampton, Long Island, the exhibition will bring together rarely-seen works from major public and private collections around the world.
With the onset of the Great Depression in the 1930s, the great World’s Fairs that had been held around the globe since the Crystal Palace Exhibition of 1851 lost much of their momentum. With the specter of another global conflict looming like a stormcloud on the horizon in the latter half of the decade, prospects for the future only grew darker. It was in this air of uncertainty and fear that the gleaming white Trylon and Perisphere of the 1939 New York World’s Fair made their debuts, the centerpiece of an exhibition that presented a vision of hope for things to come.
Casa Cecchini a S. Maria di Galeria, Roma, 1971 - A. Anselmi (with C. Giannini) - edited by Warehouse of Architecture and Research with Valentino Danilo Matteis
Ierimonti Gallery New York is pleased to present Re-Constructivist Architecture, curated by Jacopo Costanzo and Giovanni Cozzani with Giulia Leone and promoted by the Scientific Technical Committee of Casa dell'Architettura in collaboration with Consulta Giovani Roma. The exhibition will feature the work of thirteen international emerging architecture firms, aiming to portray a generation of architects born in the ‘80s: a countertrend that tries to recover a debate lost years ago and obstructed by a cumbersome star system.
Storefront for Art and Architecture, in collaboration with the New York Comedy Festival (NYCF), has commissioned Jonah Freeman and Justin Lowe to create Paranoia Man in a Rat Fink Room at Storefront's gallery space. The exhibit opened on November 8, 2016, with special preview performances from November 2 - 6, 2016 during the NYCF. Paranoia Man in a Rat Fink Room continues after the festival with events and discussions curated by Storefront through February 18, 2017.
UIA (Urban Intensity Architect) Container Housing by SH Corporation. Photo by: Kyungsub Shin
The expansion of non-stop processes of twenty-first-century capitalism has accelerated the proliferation of digital sharing platforms for the exchange of goods, information, and spaces. Today, apartments, cars, work-spaces, and all kinds of services can be exchanged, opening the possibilities for new understandings of the city. But the promises of the so-called “sharing economies” come along with controversies around the unequal consequences of such a process.
Contemporary Aerial View of Oficina Maria Elena. Chile. Photo by Ignacio Infante.
Transnational projects for resource extraction have motivated the development of massive infrastructural corridors. The strategic siting of mining towns, petrochemical encampments, and industrial developments aims to integrate vast geographical and political entities. These experiments promise to advance economic development on a national scale, but their influence on regional and urban constructs tests the agency of architecture and planning at smaller scales.
Richard Meier & Partners has revealed the design of 685 First Avenue, a new 42-story residential tower to be located just south of the United Nations Headquarters along the East River in Manhattan. The 460-foot-tall building, Meier’s tallest in New York City, will be primarily constructed of black glass and metal panels, marking a surprising departure away from Meier’s signature all-white aesthetic.
Paranoia Man In A Rat Fink Room will open in tandem with the 13th annual New York Comedy Festival, which takes place this week at venues throughout New York City.
From November 2nd to 6th, Caroline Hirsch, founder and owner of the New York Comedy Festival and Carolines on Broadway, will curate comedic programming inside the installation, bringing to the space a functioning nightclub and entertainment venue complete with live stand-up performances.