Originally built as the headquarters for the Finnish Communist Party, the House of Culture (Kultuuritalo in Finnish) has since established itself as one of Helsinki’s most popular concert venues.[1] Comprising a rectilinear copper office block, a curved brick auditorium, and a long canopy that binds them together, the House of Culture represents the pinnacle of Alvar Aalto’s work with red brick architecture in the 1950s.
The Museum of Finnish Architecture, in collaboration with the Finnish Association of Architects SAFA, organizes an open, anonymous architectural competition for the design of solutions to housing needs of refugees in northern Europe.
The submissions will form the basis of an exhibition to be hosted in the Finnish Pavilion at the forthcoming Venice Architecture Biennale in 2016. The main exhibition at the Venice Biennale will be curated by the Chilean architect Alejandro Aravena. Its theme, Reporting from the front, is a call for proactive communal responsibility among architectural practitioners.
The future of Helsinki's contemporary art scene has never been brighter; Amos Anderson Art Museum has announced plans to build a new venue at the heart of the the Finnish city. Designed by local firm JKMM, the New Amos Anderson Art Museum is to be built in and below Lasipalatsi square, a landmark site of Finnish Functionalism.
ALA Architects have just won the design competition for the new Helsinki Central Library with their entry “Käännös”. Located in the heart of Helsinki, the 16,000 square meter library building will consist almost entirely of public spaces and will offer a wide selection of services. It will serve as the new central point for the city’s impressive public library network and is slated to open in 2018. More images and architects' description after the break.
The Museum of Finnish Architecture’s summer exhibition, 'Light Houses.Young Nordic Architecture' is a two-part showing of contemporary work by young Nordic architects taking place now until September 22. Thirty-two architects from Finland, Sweden and Norway – all born after 1962, the year the pavilion was designed – were invited to design a sculptural piece that both complements the modernist vocabulary of Fehn’s pavilion and encapsulates their office’s philosophy of architecture in a 3D form of pre-specified dimensions. More information on the exhibition after the break.
