Founder of this wonderful platform called ArchDaily :) Graduate Architect. Jury, speaker, curator, and anything that is required to spread our mission across the world. You can follow me on Instagram @dbasulto.
A few weeks ago we introduced you one of the latest built projects by Frank Gehry, the Cleveland Clinic Lou Ruvo Center for Brain Health in Las Vegas. The center is supported by Keep Memory Alive, and it is planned to become a national resource for the most current research and scientific information for the treatment of Alzheimer’s, Parkinson’s, Huntington ‘s Diseases, and ALS (Lou Gehrig’s Disease) as well as focusing on prevention, early detection and education.
On our previous feature we got a glimpse of the project, which at first sight might look like just another Gehry project. And now, thanks to these new photos by Matthew Carbone, we can get a better look at it.
Since its beginnings, photography quickly became the principal architectural media tool. Now, with all the possibilities given by the new technology, specially new media, it seemed that video was supposed to be the natural evolution. However, only a few have been able to evolve from a fixed frame into a video proposal that can transmit the qualities of a building in motion, with most being just a slideshow with background music or a collage of different shots, which can’t tell more than a fixed photo.
Along this line of innovation in housing, we now present you a sneak peek of the soon to be completed 8 House a 62,000sqm project located in Copenhagen with an interesting approach to mixed use. Over 540 units for different configurations (single or family, young and elders, growing or shrinking families) are placed around a bow in the shape of an 8, mixed with commerce and community facilities, which Bjarke Ingels explain on the above video with a simplicity that has become BIG’s signature when it comes to project presentation.
More photos of the construction process after the break:
A month and a half ago we presented you Roadmap 2050, a proposal to set in motion an invisible revolution in the energy sector which would stabilize the Earths climate.
I am very interested on the relation between architecture and weather. That’s why On Weathering: The Life of Buildings in Time by Moshen Mostafavi has a special place on my bookshelf.
That’s why enjoyed Arium so much.
Arium is the result of a studio led by Jürgen Mayer with Neeraj Bhatia at the John H. Daniels Faculty of Architecture, Landscape and Design at the University of Toronto. The book moves between a series of analytical articles on the relationship between weather and architecture, ranging from tourism to shopping. These concepts are then tested by the studio over the Victory Soya Mills Silos, a massive concrete structure sitting silent along Toronto’s waterfront, the perfect lab for a weatherized intervention: the Ariums (Algarium, Fogarium, Thermarium, etc).
The balance between weather analysis and the studio projects make this book a good reference on the subject, and not just a mere compilation of student’s work.
Federico Viticci from Macstories posted several screen shoots of Sledgehammer, the first Beta of Autocad for Mac OSX, running on a 64-bit machine. The UI presents several changes from what we were used to on the Windows version, and I´m happy to see mouse gestures (supported by Macbook’s touchpad and the Magic Mouse).
Not much details out there, but we do have a meeting with an Autodesk rep in the following weeks, when we will try to get you more details.
In the meanwhile, take a look at the following screen shoots and tell us what you think: Is Autodesk going in a good direction with this new version (more than an adaptation) of Autocad for Mac? Does the UI seem usable for you? What would you add?
This has been reflected trough several initiatives, such as the White House Redux Competition (2008), Pike Loop (Gramazio & Kohler, 2009), the Reef (Urbana + Radical Craft, 2009), the itinerary Spacebuster (Raumlabor, 2009), and editing publications such as “49 Cities” by Work AC and Storefront Newsprints.
A few weeks ago, William O’brien Jr. shared with us his latest project: the Allandale House. When I opened the “photos” I was intrigued on how fast he came up with this house. But then I noticed they were renders, by one of the best digital artists out there: Peter Guthrie (who is also a reader of ArchDaily!).
In my opinion, Herzog & de Meuron has been one of the few practices pushing new forms on architecture. They always start with something vernacular, extracting its inner essence and materializing it into something new that you will immediately understand by looking at the building (or the renders). A dialog between art and the current state of our society, embodied on industrial facilities, residential projects, mixed use complexes.
AMO is a design and research studio inside OMA, a think tank operating on the boundaries of architecture: media, politics, sociology, sustainability, technology, fashion, curating, publishing and graphic design. Some of their works include the barcode flag for the EU and a study for Wired magazine.
And while OMA covers sustainable strategies on a building or master plan scale, AMO is approaching it on en European scale as one of the five consultants conducting technical, economic and policy analyses for Roadmap 2050, an initiative by the European Climate Foundation which looks to chart a policy roadmap for the next 5-10 years based on the European leaders’ commitment to an 80-95% reduction in CO2 emissions by 2050. You can download a brief of Roadmap 2050 in PDF.
The goal is to achieve a 2% energy efficiency saving per year in order to meet this goal, with power and vehicle transportation being the most important areas.
Through the complete integration and synchronization of the EU’s energy infrastructure, Europe can take maximum advantage of its geographical diversity. The report’s findings show that by 2050, the simultaneous presence of various renewable energy sources within the EU can create a complementary system of energy provision ensuring energy security for future generations.
AMO’s work focuses on the production of a graphic narrative which conceptualizes and visualizes the geographic, political, and cultural implications of the integrated, decarbonized European power sector.
On their study you can find an interesting approach to a diverse european energy grid, including energy trade and the use of new non-traditional sources.
The image of “Eneropa” appears as a new continent based on its energy production: Biomassburg, Geothermalia, Solaria, the Tidal States… are part of this new territory. Other branding concepts are introduced on the study, creating a tangible image of this ambitious plan, which reminds the powerful (yet simple) idea behind the barcode flag.