Videos

Twenty-four teams from Washington, DC-based architecture and design firms participated in CanstructionDC 2015 at the National Building Museum, building transportation-themed sculptures out of canned food. At the end of the display, the sculptures will be dismantled and the food will be donated to local hunger relief organizations. Watch the sculptures come together, including a Mayflower bean soup ship and a full-scale smart car, in the timelapse video above. Learn more on the National Building Museum website.

In a video interview with BBC news, Issa Diabaté of Koffi- Diabaté Architects discusses the need for an improvement in the urban fabric of Africa, and specifically in the city of Abidjan in Côte d’Ivoire, where he has been working for the past 20 years. “It’s not by building one house after the next that we will have an impact on the city…I feel that the architects of tomorrow, especially in African cities, need to become developers, to actually imprint his or her vision on the city,” he says in the video. “There are no better ways of integrating issues of sustainability or issues of density than by doing it yourself.”

Watch the video after the break. 

“As a designer, we create architectural spaces which are de facto instruments—they contain sound, they manipulate it, they can even create sound—so we’re tasked with a very powerful tool for affecting human cognition.”

In this new video by WIRED, Gregg Pasquarelli of SHoP Architects and Vishaan Chakrabarti of Partnership for Architecture and Urbanism discuss the biggest changes that they would make to New York City. Covering everything from public green space to transit infrastructure, the two speak at length on the Big Apple’s planning and how it compares to other massive metropolitan cities around the world. Major changes they suggest include the separation of Central Park into two large strips, for example “West Side” and “East Side” Park, with industrial areas on the outside edge and residential/commercial areas located between them.

Drone Brasília has shared with us a brief video filmed by a drone that gives a bird’s eye view of a signature feature of Brasília -- the “tesourinhas,” the so-called cloverleaf interchange that the city’s highways form.

In just thirty seconds the video shows the scale of the space, marked by cars traveling through the wide avenues, which themselves are projected onto an expansive green plane.

The latest video by French architect and filmmaker Vincent Hecht visits Hiroshi Nakamura’s Ribbon Chapel in Onomichi, Japan. Built in 2013, the 80 square meter wedding chapel features two spiraling stairways that wrap around the building, connecting at the top to form a viewpoint. Watch the video above for a closer look at the stunning chapel.

The city of Chicago is an intersection of multiple systems – the organizational orders of its modernist buildings; the presence of the federal government; the negotiations and orders of the lives of its marginalized communities. “We Know How to Order”, conceived by Bryony Roberts, choreographed by Asher Waldron and performed by the South Shore Drill Team, brings these intersections to life in a vibrant street performance for the first ever Chicago Architecture Biennial. A series of drill routines with influences from street choreography, the project explicitly "super-imposes" its system of movement onto the organization of Mies van der Rohe’s Federal Center, calling "attention to the accessibility of public space in the US" and "how architectural systems alongside social expectations influence the occupation of common space," according to the Chicago Architecture Biennial guidebook.

Celebrated in Mexico on November 1st and 2nd, Día de Muertos (Day of the Dead) honors the deceased. This video, made by Charles and Ray Eames in 1957, looks at the philosophy and origins of the Mexican holiday, presenting the folk objects and rituals associated with the celebration. Watch the short film above to learn more.

In discussion with Calvin Tomkins for a 2013 profile in The New Yorker, David Adjaye spoke intensely on the significance of his Sugar Hill Development. “Context,” said Adjaye, “is so important, not to mimic but to become part of the place. I wanted a building that acknowledges its surroundings.” The recently-completed project is the brainchild of Ellen Baxter, leader of Broadway Housing Communities (BHC), a non-profit that has made strides to create innovative housing schemes in Upper Manhattan’s Washington Heights neighborhood. In an era where mixed-used developments are routine, Sugar Hill adds new dimensions to the typology by uniting affordable apartments, an early childhood education center, offices for the BHC, and the Sugar Hill Children’s Museum of Art & Storytelling.

In conjunction with their full building review written by Rob Bevan, The Architectural Review has produced this video which introduces the broader public to the tenants, allowing us to better understand the building’s use, intentions, and the design philosophy.

"You cannot bullshit with concrete." - Kulapat Yantrasast

Kulapat Yantrasast is the latest to be featured on NOWNESS' In Residence series. Set within Yantrasast's home in Venice Beach, the Thai architect and founder of wHY shares his thoughts on how to create meaningful architecture, from the "process of making" to designing with a "sense of play" and how the building can form an "engaging" relationship with its user.

nArchitects have released a trailer featuring the development of their “My Micro NY” proposal, which won the adAPT NYC competition in 2013. The competition was conceived as a way of addressing the need for 1-2 person apartments in New York City (see the winning scheme and finalists here). My Micro NY, which re-negotiates minimum size requirements for New York apartments, consists of a series of modular apartment units, that when constructed together, will form the tallest modular building in the city. Watch the video to see the building being erected, and stay tuned for the full feature to be released upon completion of the building.

For the recent inauguration of the Museu dos Coches in Lisbon, between September and October Sopro Colectivo hosted their exhibition "Fado Tropical," including 26 photos by Fernando Guerra and an interview with the building's architect, Paulo Mendes da Rocha, who today turns 87 years old.

Constructed on the banks of the Tagus River, the first building in Europe by the Brazilian Pritzker Prize winner was surrounded by controversy during its construction, and today surprise visitors from all over, housing the world's largest collection of carriages. In the interview given at his own office, Mendes da Rocha talks about the specificity of the area, his approach to the historical context and memory related to coaches, and his concise adaptations of the extensive program to the complexity of the surroundings.

The ruestungsschmie.de architectural collective has shared with us their latest video mapping project on the façade of the Karlsruhe Palace in Karlsruhe, Germany. Designed to celebrate the city’s 300-year anniversary, the projection illuminates all 300 meters of the building’s façade.

The Karlsruhe Palace is the architectural and urban center of the city, from which 32 streets stem out, structuring the urban design of Karlsruhe. This unique city design served as part of the inspiration behind the audiovisual work. The project was created in partnership with Sound Selektor, who composed the soundtrack using only noises recorded from inside the castle, including doors, switches, stairs and the sounds of specific exhibits.

"When you put many children in a quiet box, some of them get really nervous," says Japanese architect Takaharu Tezuka, founder of Tezuka Architects. "In this kindergarten, there is no reason for them to get nervous. There is no boundary." Speaking at TEDxKyoto on his design for an open-air kindergarten in Tokyo, Tezuka discusses his playful and unorthodox approach to the creation of the eccentric building. The unconventional space blurs interior with exterior while accommodating a varied program of athletic, educational and relaxed space. According to Tezuka, the concept was based on a progressive philosophy employed by the school administration: "The principal says: if the boy doesn't want to stay in the room, let him go. He will come back eventually." On children, Tezuka's own philosophy is one of empowerment: "Don't control them. Don't protect them too much. They need to tumble sometimes. They need to get injured. That makes them learn how live in this world."

Tucked away on a 1.3 acre lot, this house in Los Altos, California was renovated by Bart Prince -- transformed from a rectangular cabin into an eclectic combination of forms, inspired by the owners, Dale and Margo Seymour’s, love of math, art and geometry. The newly built structure is composed of steel and glulam, creating angular forms with generous glazing to create open, day-lit spaces. To navigate the California law that glass cannot be installed in non-vertical positions, an acrylic substitute was used for many of the home’s irregular windows.

In this interview with the Louisiana Channel, José Selgas of Spanish architecture firm SelgasCano discusses his design philosophy, emphasizing the importance of connecting a building with its surroundings through the use of color and light materials. “Every relation with architecture I’ve had was a relation with nature,” he says.

Since we looked at this aerial footage of London in 2012, some major changes in the architecture of the city have occurred. Shot by the same photographer, Jason Hawkes, this new footage of London travels over greenbelts, Piccadilly Circus, the Thames River, The Shard, and Canary Wharf, among other impressive views. Take a look at London’s changed landscape by watching the video above.

"I think it is much better to say," explains Rem Koolhaas, "that we are challenged by people's needs." The closing line of this short teaser released by the filmmaker and son of Rem, Tomas Koolhaas, sums up perfectly why "REM" is one of the most highly anticipated architecture documentaries of recent years. Now three years in the making, Tomas Koolhaas' film will examine his father's incomparable oeuvre of work through the eyes of the people that inhabit the designs, eschewing the high-brow and sometimes impenetrable discourse that usually surrounds the work of OMA for something more elemental.