Between 1950 and 2011, the world's urban population increased fivefold. In 2007, for the first time, the number of people living in cities surpassed the number of people living in the country. In 2019, the urban population had already reached 55% of the total population, and by 2050, it is estimated that just over two thirds of the population will live in urban areas. However, this growth is not constant in all parts of the world: according to the UN World Urbanization Prospects 2018 Report, the global urban population is expected to grow by 2.5 billion inhabitants between 2018 and 2050, with almost 90% of this increase concentrated in Asia and Africa. As populations in these areas increase, so will the demand for energy, food, and water, making resources more scarce. This scarcity will be compounded by the negative impact of urbanization on the climate and the environment.
For many, the aesthetics of wood are powerfully enchanting. With a huge diversity of species and innumerable variations in colors, weights, and textures, wood is one of the most highly appreciated materials of all time. But the unrestrained logging of forests for use in construction has had and will continue to have enormous environmental impacts if precautions such as sustainable management, legitimate certification, or reforestation are not taken. Being an organic material, when used for construction, wood tends to morph under conditions of humidity, heat, and loads, and its fibers eventually deform over time. In addition, wood is a material that does not respond well to environments where it is soaked and dried repeatedly, which can cause it to rot after some time if it is not adequately waterproofed. Therefore, there are some situations where using wood may not be a good idea.
The field of architecture has the potential to influence human relations in countless ways through the built space. In small-scale projects, in particular, the challenges of tackling the dialogue between the space and the individual are combined with the task of conveying ideas to inspire people to explore the use of these minimal spaces.
Stairways are central to access and mobility within a space, and yet, they often take a backseat to other elements of design within a work of architecture. However, Mexican firm PRODUCTORA has put them at the forefront of many of their projects, notably the Teopanzolco Cultural Center.
This year the United Nations World Tourism Organization (UNWTO) has been looking at tourism as a way to create jobs and opportunities in rural areas under the banner of Tourism and Rural Development.
Rural based Architecture and traditional edifices play an important role in showcasing local heritage building and craftsmanship. It can also offer jobs and prospects outside of big cities particularly for the communities that might otherwise be left behind.
Urban acupuncture is a design tactic promoting urban regeneration at a local level, supporting the idea that interventions in public space don’t need to be ample and expensive to have a transformative impact. An alternative to conventional development processes, urban acupuncture represents an adaptable framework for urban renewal, where highly focused and targeted initiatives help regenerate neglected spaces, incrementally deploy urban strategies, or consolidate the social infrastructure of a city.
Despite the ongoing pandemic, IE University has found a way to welcome 7,000 students from 140 different nationalities back to their physical and digital campuses. Since the start of the crisis, the institution has been working to protect the health of their community of students, professors and staff. They guaranteed the continuity of academic activity through online platforms during the weeks of confinement by incorporating new methodologies and interactive solutions.
In Mexico, self-construction has been a topic heated debate between its advocates and opponents; however, this doesn't diminish its prevalence throughout Mexico and the world. Over the past few years, initiatives on the part of architects have driven the creation of instruction manuals for do-it-yourself builders as a way to promote health and safety in self-construction and to also provide insight into building materials and techniques. In many ways, the initiative has improved the self-construction process, a fact evident in the increasingly visible creations seen throughout Mexico.
How many U.S. architecture professors know that there is a Chinese treatise equivalent to Vitruvius’ Ten Books of Architecture? Very few, I suspect. I taught architectural history for more than 20 years before I discovered the marvelous Yingsao Fashi, a Song Dynasty book by a prominent court official who, as far as we know, was not an architect or builder. In fact, prior to the Ming Dynasty no prominent temple, palace, or shrine in China was designed by an architect because the concept of a single mastermind in charge of a building project was foreign to the East Asian way of designing environments of any kind.
https://www.archdaily.com/948425/why-dont-we-teach-chinese-architecture-in-the-united-statesMark Alan Hewitt
British researcher Darmon Richter has completed a series of journeys into the Exclusion Zone of Chernobyl. Captured through the book Chernobyl: A Stalkers’ Guide, Richter's documentation explores an area the size of a small country, and in turn, ventures deeper than any previously published account. Through a series of photographs, his work reveals forgotten ghost towns and monuments lost deep in irradiated forests.
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For almost two decades, Wienerberger AG has been hosting the international Brick Award every two years, providing a stage for excellent brick architecture and its architects. Architects from all over the world showcase their innovative concepts with ceramic materials: 644 projects from 55 countries have been submitted for this year's award. The winners of the Brick Award 20 impressed the jury with bold and creative architectural concepts for sustainable and forward-looking spaces.
Beginning with the moral indignation expressed in Adolf Loos’s 1910 lecture “Ornament and Crime” and Le Corbusier’s 1925 The Decorative Art of Today, decoration has been attacked from every possible angle. Driven by the heroic male architect, Modernist dictates of good design—functionalism, truth to materials, purity of form—quickly took over and continue to be the dominant ideology today in the way architecture and interiors are taught and practiced. If Modern architecture was rational, masculine, and structural, then decoration was considered emotional, feminine, and shallow. Or, according to Loos, it was flat-out degenerate.
https://www.archdaily.com/948321/decoration-deserves-to-be-celebrated-for-what-it-is-rather-than-dismissed-for-what-it-isntLeilah Stone
In 2012, Belgian software developers Peter Eerlings and Jerry De Paepe were contacted by an architecture firm looking for a solution to simplify their field reports. Creating field reports was an extremely time-consuming activity for them: first, writing down notes on paper and taking photos during a site visit. Back at the office, transferring the photos to the PC with a cable. Next, adding annotations to photos with Paint, deciphering and typing out the handwritten notes, struggling with the layout while inserting photos in Word, and so on. Over and over again. It was an administrative hassle that easily took more than an hour for each field report - sometimes two or three.
The Un-Habitat or the United Nations agency for human settlements and sustainable urban development, whose primary focus is to deal with the challenges of rapid urbanization, has been developing innovative approaches in the urban design field, centered on the active participation of the community. ArchDaily has teamed up with UN-Habitat to bring you weekly news, article, and interviews that highlight this work, with content straight from the source, developed by our editors.
“People all over the world are increasingly demanding a say in the way that their cities are planned and designed”.For our third collaboration, discover UN-HABITAT’s guideline on achieving quality public spaces, a site-specific assessment consisting of a series of activities and tools that help understand the quality of the selected area and plan future design and planning solutions on the site through participatory approaches. Focusing on open public space, within a five minutes walking distance, the guide helps users gather and analyze information, creating a logical transition from needs to design.
Throughout the south of the United States, hundreds of mid-century “equalization schools”—public schools built in the 1950s following Brown vs. Board of Education in a desperate effort to maintain segregated “separate but equal” schools in southern states—sit empty, abandoned, and crumbling.
Inoltre, a new project by Unipol Group, aims to revive Milan's suburbs with art and beauty. Three suburban areas, belonging to the municipalities number 5, 8, and 9 of Milan, will be the focus of the project. Unipol will conduct research, host events and interventions to begin the rehabilitation, in a context which can typically be complex and of difficult management. The project will have an international scope, with coordination by the University of Pavia and interventions led by YAC. These will include the realization of 3 micro-architectural and tactical urbanism interventions, intended to bring authorial architecture where it is not usually seen; quality where there are economically-led decisions; and beauty where it is not usually searched for.
Diversifying the materials of an interior space can greatly improve its depth and visual interest. At the same time, adding partitions or other delineations of internal space can help organize flow, circulation, and visibility. Polycarbonate, a type of lightweight, durable thermoplastic, is an excellent medium for both functions.
In its raw form, polycarbonate is completely transparent, transmitting light with nearly the same efficacy as glass. However, it is also lighter and stronger than glass and tougher than other similar plastics such as acrylic, polystyrene, ABS, or nylon, making it a good choice for designers seeking durable, impact and fire resistant materials that still transmit light. Like glass, it is a natural UV filter and can be colored or tinted for translucency, yet it is also prized for its flexibility, allowing it to be shaped into any size or shape. Finally, it is easily recyclable because it liquefies rather than burning, making it at least more environmentally friendly than other thermoset plastics. For example, recycled polycarbonate can be chemically reacted with phenol in a recycling plant to produce monomers that can be turned back into plastic.
https://www.archdaily.com/948075/polycarbonate-for-interiors-8-examples-of-translucent-architecture-indoorsLilly Cao
PVT OPZ Geel. Psychiatric care home (Geel, Belgium). Image Courtesy of Osar Architects.
BIM and 3D modeling are essential in today’s architecture field. What they aren’t, however, is static or prescriptive. The way BIM is integrated varies not just by firm, but even by individual project. The size of the building, structure of the project team, or even government mandates can dictate how a firm utilizes their BIM capabilities. Belgian firm Osar Architects found that Vectorworks is the best match for the way they run their office. Specifically, Vectorworks Architect is well-matched for the type and extent of modeling they do because it's flexible to fit the needs of each project.
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