The motto of the Solar Decathlon Europe 21/22 was to convert and expand rather than to demolish and reconstruct. Recycling windows, using biodegradable materials for luminaires and connecting light with sensors represented just some innovative examples of the international university-level student competition in Wuppertal, Germany. For the first time, the competition presented an award for sustainable architectural lighting. This was a question of quality as much as quantity, and that applies equally to daylight and artificial light.
Casalgrande Padana’s Stile stone effect porcelain stoneware tiles bring the sophistication and charm of natural stone to interiors. Image Courtesy of Casalgrande Padana
Sustainability was a hot topic at this year’s Cersaie trade fair, the biggest international ceramic tile and surfacing event, held annually in Bologna, which exhibits the latest developments in ceramics industry trends. Dynamic discussions explored the environmental impact of the raw materials of ceramics, the thermal properties of ceramic tiles as insulators, the biophilic effect of ceramic tiles within urban interiors – and much more.
Considering the time, energy, and environmental impact of a construction process, architecture must explore different methodologies that work with the existing built environment. For example: how to give life to a forgotten building? Adaptive reuse gives new opportunities to abandoned buildings, following the idea that good architecture must be durable, innovative and recyclable.
Architects should not design just for the present, but should also think of how to adapt buildings for the future. In view of the world’s current situation regarding the climate crisis and available natural resources, adaptive reuse explores strategies for sustainability and design innovation, working to reduce energy consumption, minimal carbon impact and positive social impact.
Dekton’s Onirika range brings the poetry of natural stone with its rhythmic veining to high-tech composite surfaces. Awake, seen here, recalls Poanazzo stone, with its oxide and grey markings. Image Courtesy of Cosentino
Opulence comes at a cost and it’s not just the sort that will leave your purse lighter. Exotic woods dent, gold tarnishes, marble stains and chips. But it doesn’t stop us hankering after the materials we perceive to be effortlessly elegant and replete with character. Okay, so we also like a bit of polish and precision in our building materials these days, alongside durability and ethical manufacture, ease of installation and maintenance alongside hygienic surfaces. But what’s often been missing from modern engineered materials is old-fashioned warmth and poetry. Is it too much to ask for both?
https://www.archdaily.com/991975/high-performance-yet-natural-cosentinos-new-surfacesEmma Moore
Reflecting on what the materials of the future will be like, we will talk about a material that is booming in Barcelona and which perhaps leads us to respond by suggesting that, as always, everything comes back.
For some years now, hydraulic mosaics have been back on trend, generating interest due to their high artisan value and their diverse designs, perfect for combining traditional environments with avant-garde details.
The architectural practice has always been rooted in what people now call “human-centered design”. The term, coined by Irish engineer Mike Cooley in his 1987 publication “Human-Centred Systems” describes a design approach around identifying people’s needs and solving the right problem with simple interventions. Architecture balances between being aesthetic art and practical design. With multiple collaborators and goals for the project, the needs of the end-user often get compromised in the design process. To help architects better design for people, new methodologies may be inspired by human-centered design techniques developed by user experience (UX) designers.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Architect Greg Faulkner, founder & director of Faulkner Architects to discuss his background as a design engineer in the aircraft industry; his tools and process; working with the site; his design philosophies and architectural truths; running and maintaining a small-sized practice; collaborating with Tom Kundig to design his house; and more.
Designing a living room is not just about deciding on the sofa and rug set. Often, because it is the main environment of the house, it is connected with other programs of more public use, such as kitchens and offices - or even private, such as dormitories, in the case of apartments with a reduced area -, therefore, in order to conceive greater spatial flow, it is necessary to think of different strategies that help design a more comfortable and pleasant space.
Aranya Community Housing / Vastu-Shilpa Consultants . Image Courtesy of Vitra Design Museum
In almost every Indian language, a colloquial term for “family” - ghar wale in Hindi, for example - literally translates to “the ones in (my) house”. Traditionally, Indian homes would shelter generations of a family together under one roof, forming close-knit neighborhoods of relatives and friends. The residential architecture was therefore influenced by the needs of the joint family system. Spaces for social interaction are pivotal in collective housing, apart from structures that adapt to the changing needs of each family. The nuanced relationship between culture, traditions, and architecture beautifully manifests in the spatial syntax of Indian housing.
When developing a project, an architect needs to deal with numerous decisions: Does the building correspond with the client's requirements? Can the contractors build it without problems? Are the costs what were initially expected? Does the project have a good relationship with its surroundings? How will it age? To figure all of this out, the professional must take into account several issues that will both influence each other and directly affect the final product. Among these, the chosen materials and constructive techniques play an essential role, as these elements are what give shape to the designer's vision and can influence factors such as the accessibility or the environmental impact of a building.
However, being well-versed in all the options, advantages and disadvantages of each decision is a herculean task that demands resources, research and time - factors that are usually scarce in our profession. Under the motto “What is good architecture”, we have compiled a series of articles that exemplify best practices in the use of constructive materials and techniques, seeking to cover as much ground as possible for all types of questions:
Theodore Prudon, the founding president of Docomomo US, recently stepped down as the organization’s head. (Robert Meckfessel is the new president.) “Docomomo” is shorthand for the group’s mission: the documentation and conservation of buildings, sites, and neighborhoods of the Modern movement. Prudon has had a storied career as a preservationist, architect, and educator, heading his own practice and teaching at Columbia University. In October, he was presented with the Connecticut Architecture Foundation’s Distinguished Leadership Award at the newly reborn Marcel Breuer building in New Haven, which began its life in 1970 as the Pirelli Tire Building and is now the Hotel Marcel (designed, planned, and developed by architect Bruce Redman Becker).
https://www.archdaily.com/992013/theodore-prudon-modernism-has-never-been-a-popular-movementMichael J. Crosbie
The World Health Organization defines health as “a state of complete physical, mental and social well-being.” If one or more of these aspects are compromised, quality of life and happiness can be severely affected. In recent years, and particularly during the COVID-19 pandemic, this has proved to be especially challenging. Commuting restrictions forced many to stay indoors and businesses to pause in-person operations, aiming to prevent the virus from spreading but inevitably sacrificing psychological, emotional, and even physical health in the process. As a result, people’s lifestyles shifted to find new ways to address their well-being, including adapting their living spaces accordingly. Home gyms, for example, became a popular initiative.
Clinic Dr. Dragic in Novi Sad, Serbia, project by Studio Fluid, 2015; photo by Ana Kostic. Image Courtesy of Studio Fluid
Combining high style with low maintenance, Corian® Design’s Solid Surface aids designers and architects to create healthy spaces for complete peace of mind. designboom and ArchDaily continues its three-part webinar series with the material producer, this time to explore the future of healthcare facilities. Including Studio Fluid, Operamed and NOAS Sweden, leading architectural and design experts join the conversation which can be watched live – register here.
Design for assembly (DFA) is hardly new. Thonet’s 1859 No. 14 chair, when disassembled, could be shipped in batches of 36 per 40-square-inch box.
Those cost savings tied to DFA are still valuable. And as it helped revolutionize shipping in the industrial era, it now carries prestige as a powerful carbon-reduction tool. In fact, DFA is currently the distinguishing feature of at least six highly visible product launches among commercial furniture manufacturers in just the past year.
Windows and doors dictate the relationship between interiors and exteriors in buildings, helping to either integrate or separate them. They are also important components in architecture that can add to a façade's composition, balance and rhythm, while fulfilling its main function: to protect the interiors and serve as a barrier to the weather. While the first windows were composed of reduced spans and small glass panes with heavy frames, today there are almost invisible options that easily adapt to any type of project. It is up to the designers to choose among the various possibilities of materials, operations, colors and finishes.
Glenlyon Norfolk School. Image Courtesy of Low Hammond Rowe Architects
Low Hammond Rowe is an architecture firm from Victoria, Canada who are discovering that switching to a new design software can provide them with amazing results. You’ll read about how the firm continues business operation during the switch as well as how they’re realizing undeniable efficiencies that save them time and money.
In the complex trade of architecture and construction, you are never alone. And behind every great building there is a strong team of professionals combining their expertise.
Hanif Kara OBE is a structural engineer and one of the founders of AKT II, one of the top engineering firms in the world. Based in London, he has been closely collaborating with some of the world’s most innovative architects, including Grafton Architects, David Chipperfield, Norman Foster, BIG, Zaha Hadid, Thomas Heatherwick, and many more.
With different shapes, sizes, and styles suiting different locations, functions, and personalities, mirrors can be used as points of self-reflection for dressing and beautifying, but also for multiplying light and space in naturally dark or narrow environments, or simply as strikingly decorative objects. Here are the right questions to ask when lost.
