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Is ornament seeing a resurgence in architectural design? Writing for The Financial Times, Edwin Heathcote examines the rising phenomenon of decoration as a growing element of contemporary architectural design. Describing FAT and Grayson Perry's recently completed 'kitsch' abode 'A House for Essex' Heathcote justifies the assimilation of decoration into the central design philosophy, thus creating an entirely new aesthetic category. "The building sits somewhere between outsider art, high culture and the most sophisticated postmodernism," Heathcote explains, adding that its decoration "is not just applied as a layer but subsumed into the architecture."
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Simon Battisti, Leah Whitman-Salkin, and design collective Åbäke have been selected to represent Albania at the 15th International Biennale in Venice in 2016, with their project entitled, “I Have Left You the Mountain.” The project was selected from an open call for proposals from the Albanian Ministry of Culture that was held earlier this fall.
The Royal Institute of British Architects (RIBA)'s Future Trends Survey for October 2015 showed a level of caution among UK architects, reflecting a period of slowing growth in the industry. The Future Trends workload index dropped to +18 from last month's mark of +21, showing a decrease in the number of practices that expect their workload to increase in the coming months. All regions of the UK still reported a positive balance though, with the most optimism coming from Northern Ireland with a balance figure of +25, while the most uncertain figures came from the Midlands and East Anglia, where a balance figure of +12 was reported.
After having tied with Snøhetta in a restricted competition to design the New National Gallery -- Ludwig Museum in Budapest, SANAA’s proposal has ultimately been selected as the winner, following negotiations held over the past few months. The gallery and museum will be located in the 200-year-old Városliget (City Park) and are part of the larger Liget Budapest project, which seeks to revive the park by 2018 with the addition of five new museum buildings, including Sou Fujimoto’s House of Hungarian Music.
Writing for Guardian Cities Alejandro Aravena, director of the 2016 Venice Architecture Biennale, discusses what he perceives as the social reality of contemporary architects, the power of design in mobilising people to act, and "how architecture can introduce a broader notion of gain" in the face of ever greedier and evermore powerful development companies the world over.
Any attempt to go beyond business as usual encounters huge resistance in the inertia of reality. Any effort to tackle relevant issues has to overcome the increasing complexity of the world. [...] It's time to rethink the entire role and language of architecture.
As many of our U.S. readers prepare for their Thanksgiving feast, we’ve decided to share with you one of the things we are most thankful for: stunning kitchens and the architects behind them. Continue reading after the break to view a compilation of kitchens we wouldn’t mind spending our day cooking (and eating) in.
Striping away the unnecessary to reveal the soul of architecture's greatest works is the latest challenge Federico Babina has taken on. With 18 paintings, Babina has revisited the notorious works of Le Corbusier, Tadao Ando, MVRDV, Rem Koolhaas and many others to summarize in just "a few lines" their true essence.
"The intent is to display the volumes, shapes, and even style of iconic architecture through simple lines and geometry," says Babina. "The project is part of a study on the simplification and the identification of the basic elements for the recognition of buildings. The idea is to archive an almost abstract representation without losing the essence of the figurative representation."
A smart city isn’t necessarily a city brimming with technology. This crucial (and, thankfully, growingly accepted) clarification was strongly emphasized by a panel of experts during the Smart City Expo in Barcelona. However, the piloted driving—which, in layman's terms means cars that drive themselves—that Audi has been testing and implementing is as high-tech, impressive and brimming with technology as one might expect. Beyond the “ooh and aah” factor of a car that needs no human driver, the spatial implications for our cities are undeniable, and the sooner architects can learn to work with and appreciate this technology, the better. In a city equipped with smart mobility solutions, we can expect technology to drive positive changes to social behavior and the affordability of the cities. But for this, we need visionary leaders.
Last week Audi showed their commitment to finding these visionary leaders in the field of architecture by announcing the implementation of three Urban Future Partnerships in Somerville/Boston and Mexico City. In the words of Audi CEO Rupert Stadler, the three pilot projects represent a key move for the car manufacturer: “The development of an investment logic for mobility infrastructure in cities will be an integral part of our company strategy.”
Rotterdam-based Office for Metropolitan Architecture (OMA) have been announced by the UK's Chancellor of the Exchequer as the winning team in the competition to design the city of Manchester's high-profile Factory art space. Following the announcement of the shortlist earlier this year, featuring practices including Rafael Viñoly, Diller Scofidio + Renfro, Zaha Hadid and Mecanoo, it has since been reported by The Guardian that the British government's original pledge of £78million ($117million) to the cost of the building will be raised by a further £9million per year from around 2018.
Bystrup Architecture Design and Engineering, working with with Robin Snell & Partners, Sven Ole Hansen ApS, Aarsleff and ÅF Lighting, is set to win the high-profile contest for the new pedestrian and cycle bridge between Nine Elms and Pimlico in London. The team was unanimously selected by the competition jury ahead of three other teams on the shortlist including Buro Happold Ltd with Marks Barfield Architects, Arup with AL_A, and another Arup-led team working with Hopkins Architects.
The competition for the new bridge attracted attention early this year when the competition organizers released images of all 74 entries online, sparking ridicule almost across the board from Reddit commenters to The Guardian's Oliver Wainwright.
The Flatiron Public Plaza has unveiled its centerpiece for this year’s “23 Days of Flatiron Cheer” – SOFTLab’s Nova, the winner of a closed-competition hosted by the Flatiron/23rd Street Partnership Business Improvement District (BID) and Van Alen Institute. The project will become the center of the neighbourhood’s festivities for the holiday season, as well as “a highly visible landmark” in the heart of New York.
After a meticulous multi-year restoration the Musée Rodin in Paris has reopened to the public. Dedicated exclusively to the work of Auguste Rodin, the state-owned museum has undergone a ground-up facelift designed to breathe new life into the ageing home of the artist's diverse body of work. Housed in an estate originally built in 1732 and open to the public since 1919, the comprehensive renovation has left no stone unturned, including a full structural and cosmetic overhaul. Project architect Richard Duplat was challenged to "recreate the atmosphere it must have had in Rodin’s day" while implementing current accessibility and safety standards, all with the goal to better represent Rodin's influential work.
For this edition of The Urbanist, Monocle 24's weekly "guide to making better cities," the team discuss women in urbanism, asking whether "a city planned or managed by a woman look different to any other?" From architects defending and stimulating Lisbon's public spaces, to new urban design in Niterói (situated in the "long shadow" of Rio de Janiero), this episode uses gender as a device to explore city-tactics.
Apple's new Foster + Partners-designed flagship store in Chicago is said to have been inspired by Frank Lloyd Wright's Prairie Style Homes outside the city. Unveiled first by the Chicago Tribune, the store will feature a 14-foot entry pavilion that will usher visitors from Michigan Avenue down into the sales floor backdropped with views of the Chicago River. A "grand flight of stairs" will offer pedestrians an alternative route to the riverside walkway that flanks the bank.
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Plans have been revealed for a new Modern Art Center (MAC) in the historic city of Vilnius, Lithuania. The 3100-square-meter "three-dimensional public space," as architect Daniel Libeskind describes it, is designed to be a "cultural gateway" that connects the city's 18th century grid and medieval walled city.
“We wanted to create a museum for the people of Lithuania, and also give this collection a home and an international audience. This collection is about the cultural legacy of the country,” said founder Viktoras Butkus. “Libeskind’s work is expressive, innovative, and, most importantly, has the power to tell the story of the past while connecting to the future of the city,” added Butkus.
Turkish President Recep Tayyip Erdoğan and Antalya Mayor Menderes Turel have announced their support for Perkins+Will’s sustainable master plan for Antalya, Turkey. The master plan will revitalize and preserve the Bogacay Creek Basin area of Antalya, improving its quality as a major tourist city along the Turkish Riviera.
If Lord Foster—perhaps one of the greatest architects of our time—feels as though he has "no power as an architect, none whatsoever," people tend to take notice. His support, thoughts and opinions, he tells The Observer's Rowan Moore, are his most influential tools: "advocacy, he says, is the only power an architect ever has." Their conversation, held ahead of the Urban Age Global Debates which are currently taking place in London, also touches upon the importance of infrastructure, the social role of the architect, and the growing—if not undervalued—urgency to readdress sustainability within the profession.
