Mayor de Blasio has declared a “total reset” for public housing in New York. At the same time, the decline of affordable housing options has become New Yorkers’ greatest concern.
In the spring, the IPA launched the “Total Reset” series with a Roundtable exploring ambitious, achievable ideas for public and affordable housing in New York. This summer, IPA Fellows respond to the roundtable discussion with housing proposals that connect design, policy, and community engagement.
Title: Exhibition: Total Reset
Organizers: Institute for Public Architecture
From: Thu, 26 Jun 2014
Until: Sun, 10 Aug 2014
Venue: The Sugar Hill Project
Address: Saint Nicholas Avenue & West 155th Street, New York, NY 10032, USA
Many architects have portfolios full of projects that were never built, and Frank Lloyd Wright is no exception. Now, however, the Buffalo Pierce-Arrow museum in New York has brought one of Wright’s more imaginative conceptual projects to life. In this article from Metropolis, we are introduced to a gas station designed by Wright for his (also unbuilt) Broadacre City project.
Herzog & de Meuron have unveiled images of their latest project in New York, a 12-story condominium building at 156 Leroy Street with a curved concrete and glass facade. The project is their third major New York building in recent years, following another condo building at 56 Leonard Street and a hotel at 215 Chrystie Street, and once again features a concrete structure which is clearly expressed on the facade.
Read on after the break for more images and description
Rafiq Azam is the principal of SHATOTTO architecture for green living, based in Dhaka, Bangladesh. He will introduce us to his work and city, which is also home to works by Louis Kahn. Azam’s “green” is not about global ratings or the current sustainability trend. It is his response to the sky, water, and vegetation that surround him and his city. There is an apparent simplicity in Azam’s work that disguises and belies a complex fabric revealing the wonders of the cosmos.
“Shatotto” in Bangla means “doing something continuously.” Azam creates spaces and structures for one’s senses and thoughts in the context of South Asia’s past and future. His presentation will coincide with the New York introduction of his monograph by SKIRA, the first ever published about a Bangladeshi architect.
Title: Lecture: Architecture as a Way of Life and Placemaking
Organizers: Asia Society New York
From: Mon, 28 Jul 2014 17:30
Until: Mon, 28 Jul 2014 20:00
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
The designs of the Nordstrom Tower in New York, the world’s tallest residential building at 1,775 feet tall, have been revealed to New York YIMBY by an anonymous tipster close to the project. The project at 225 West 57th Street by Adrian Smith + Gordon Gill Architecture will be one foot short of 1 World Trade Center, and with its 1,451 high roof will finally reclaim the title of United States’ tallest roof from Chicago‘s Willis Tower.
More on the Nordstrom Tower after the break
Foster + Partners has released new images of 425 Park Avenue in New York, the project which turned heads in 2012 when videos of the four competing architects presenting their proposals were released to Youtube. The new images show a slightly altered design for the glazed entrance, where a mezzanine on either side replaces what was originally a double height space in the entire lobby. The new images also give a glimpse into the building’s interiors, where curtain glass walls make the most of spectacular views across Manhattan and Central Park. Read on after the break for all the images.
SuperPuesto is a temporary pavilion by Terence Gower commissioned by The Bronx Museum of the Arts in collaboration with the Andrew Freedman Home for Beyond the Supersquare, the first U.S. museum exhibition to examine the complicated legacies of modernist architecture in Latin America and the Caribbean through the perspectives of 30 contemporary artists. With the goal of providing an immersive space for visitors to experience the exhibition’s artistic and architectural themes, SuperPuesto also serves as an annex for educational and public programs related to Beyond the Supersquare.
AA Studio have revealed their plans for the development of Brooklyn‘s iconic New York Dock Company building, transforming the 230,000 square foot structure into a mixed-use complex of six commercial spaces on the ground floor, 70 residential loft apartments, and a rooftop deck and gardens above.
The design aims to be as faithful to the original structure as possible, retaining the existing poured concrete columns and walls and exposing the high concrete ceilings. As one of the earliest structures to use the technology, the retention and celebration of these features is a key aspect of the building’s conservation.
Read on after the break for more on the design
The Emerging New York Architects (ENYA) committee of the AIA New York Chapter is pleased to announce the opening of its sixth biennial design ideas competition exhibition, QueensWay Connection: Elevating the Public Realm on Thursday, July 17 at 6:00 PM at the Center for Architecture.
The exhibition showcases winners of the 2014 ENYA Biennial Design Ideas Competition, which challenged entrants to design a vertical gateway for the elevated viaduct portion of a 3.5 mile stretch of abandoned railway in Central Queens. The QueensWay is currently under study for conversion into an urban greenway by The Trust for Public Land, Friends of the QueensWay, and their design consultants. Four Prize Winners, one Honorable Mention, and a slide show of the 120 entries from 28 countries will be shown, along with progress and background information on the community development process. The exhibition is presented as part of the 2014 AIA New York Chapter Presidential Theme “Civic Spirit: Civic Vision.”
ENYA will also host a symposium at the Center for Architecture on Saturday, July 19 from 12:00 – 4:00 PM to highlight the winning entries’ designs and possibilities for the site’s and neighborhood’s future development.
Title: AIANY ENYA’s 2014 Biennial Design Ideas Competition Exhibition
From: Thu, 17 Jul 2014
Until: Fri, 31 Oct 2014
Venue: Center For Architecture
Address: 536 LaGuardia Place, New York, NY 10012, USA
The following is an excerpt from The Landscape Imagination: The Collected Essays of James Corner 1990–2010 by James Corner. In this passage, Corner discusses the work of John Dixon Hunt, and the qualities of Hunt’s work that he seeks to incorporate into his own (including his firm’s - James Corner Field Operations - redesign of the New York High Line).
Over the past two decades, James Corner has reinvented the field of landscape architecture. His highly influential writings of the 1990s, included in our bestselling Recovering Landscape, together with a post-millennial series of built projects, such as New York’s celebrated High Line, prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner’s written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York based practice, Field Operations.
Focusing on recent acquisitions in MoMA’s Department of Architecture and Design, Conceptions of Space addresses how contemporary architects continue to embrace spatial creation as a fundamental focus of their work. The exhibition reveals how, beyond formal traits and functional needs, the conception and articulation of architectural space still defines architecture as an artistic endeavor, and a response to wider cultural issues.
In the early and mid-20th century, the concept of space was critical in defining the modern movement in architecture. Notions of architectural space related to the coherence between the interior and exterior of buildings emerged as a new feature. Counteracting previous understandings of architecture as a progression of styles, space became a privileged quest of architectural practice. In time, however, space was actively reclaimed by artists, geographers, sociologists, and others as their domain of intervention and reflection. As proposed by French philosopher Michel Foucault, ours is the epoch of space, an expanded field imbued with complex meanings.
Twenty international projects by architects and artists, in large-scale models, drawings, photographs, videos, and even a room-sized installation, survey how architecture addresses this expanded field. Spatial conceptions in the exhibition range from “assemblage” and “envelope” space, to “fictional” and “performative” space. Participants offer a global panorama of architectural practice today, from acclaimed architects such as Herzog & de Meuron, Álvaro Siza, and Kengo Kuma, to young, emergent practices such as Pezo von Ellrichshausen, Chile; Ryue Nishizawa, Japan; Ensamble Studio, Spain; and the New York-based SO-IL and MOS Architects.
Title: Exhibition / Conceptions of Space: Recent Acquisitions in Contemporary Architecture
Organizers: Pedro Gadanho, Phoebe Springstubb
From: Fri, 04 Jul 2014
Until: Sun, 19 Oct 2014
Address: 11 West 53rd Street, New York, NY 10019, USA
Prodigy Network have selected the winners of the crowdsourcing design competitions for their 17John ‘Cotel’ in New York, including winners for the design of the public interior spaces and the private rooms. The Cotel concept is intended to meet the changing needs of the modern business traveler; providing living spaces somewhere between a long-term apartment and a short term hotel, but also flexible spaces that can be used for work and meetings.
The crowdsourced competitions were run via Prodigy Network’s Design Lab website, and judging was conducted with a mixture of public voting and jury selection. “The winners of the 17John competition were intuitive to the needs of travelers, creative in the interactive spaces and understood the function of extended stay residences,” said Prodigy Network Founder Rodrigo Nino. Read on after the break to see the winning proposals.
From the architect. Adjaye Associates’ latest development has opened in the historic neighborhood of Harlem, New York: a complex that aims to combat poverty and revitalize the community by bringing together affordable housing (including housing for homeless New Yorkers), a Preschool, and a 17,000 square foot cultural institution – the Sugar Hill Children’s Museum of Art & Storytelling. The “school in a museum” is designed to engage students and foster a new generation of Sugar Hill artists and innovators.
“The Sugar Hill Development is a new typology for affordable housing, with its mixed program of museum space, community facilities, offices and apartments,” David Adjaye noted at yesterday’s opening press conference, “My hope is that the building—perched high on Coogan’s Bluff—will offer a symbol of civic pride and be a valued new resource for the neighborhood.”
The architect’s description of the project, after the break.
Yesterday the Frick Collection announced its plans for a 6-story extension to its gallery in New York, designed by Davis Brody Bond. This article by Robin Pogrebin in the New York Times outlines the details of the extension, as the Frick adds itself to the list of post-recession cultural building projects – a list which includes the Museum of Modern Art, the Whitney Museum of American Art, and Miami‘s Pérez Art Museum. The article also outlines the challenges the Frick will have in expanding its landmarked 1914 building. Read the article in full here.
Details have been released on the New York Public Library’s (NYPL) plan to renovate its Mid-Manhattan branch, while creating more public space within its flagship Stephen A. Schwarzman Building. The news comes shortly after Foster + Partner’s redesign of the the Beaux-Arts landmark was scrapped due to concerns of a ballooning budget. The revised $300 million overhaul suggests a more affordable option of relocating Schwarzman’s main stacks beneath Bryant Park, while establishing a more campus-like connection with a fully renovated Mid-Manhattan branch. All the details, here.
The typical skyscraper is a nondescript tower constructed of a steel frame and glass curtain wall. Architects from the firm Fundamental are challenging this convention with “New York Tomorrow,” a proposal that earned them a runner-up place in Metropolis Magazine’s Living Cities Competition. This progressive design weds revolutionary structural technology with a unique programmatic layout to draw people from all walks of life to the city of New York.