The New York City Department of Housing Preservation and Development (HPD) is inviting developers to submit proposals for a new construction project in Kips Bay, Manhattan. Developing housing that meets the needs of how New Yorkers live today is critical to the City’s future economic success. Currently, the City’s housing stock is misaligned with the changing demographics of its population. There are 1.8 million one- and two-person households (more than 60 percent of New York City households) and only one million studios and one-bedrooms to meet this housing demand. According to the 2010 Census, the growth rates of the one- and two-person household populations exceed the growth rate of households with three or more people. adAPT NYC seeks to create additional choice within New York City’s housing market. Submissions are due no later than September 14 with a pre-submission conference to be held on July 31. To register and for more information, please visit here.
In 1953, six years before the Frank Lloyd Wright-designed Solomon R. Guggenheim Museum opened to the public, two of his structures—a pavilion and model Usonian house—were built on the future site of the museum to house a temporary exhibition displaying the architect’s lifelong work. From July 27, 2012, to February 13, 2013, the Sackler Center for Arts Education at the Guggenheim Museum will present A Long-Awaited Tribute: Frank Lloyd Wright’s Usonian House and Pavilion, an exhibition comprised of selected materials from the Solomon R. Guggenheim Museum Archives, highlighting the first Wright buildings erected in New York City. Text Courtesy of: The Solomon R. Guggenheim Foundation (SRGF). More information on the exhibition after the break.
The Hegeman, designed by Cook + Fox Architects, is a residential community in Brownsville, Brooklyn that provides housing for low-income and formerly homeless individuals. Developed by Common Ground Community – an innovative non-profit whose mission is to end homelessness – the Hegeman Residence will also provide a range of on-site social services in a model known as supportive housing. For a little bit of context, Brownsville has the highest concentration of NYCHA (New York City Housing Authority) developments in New York City. A wave of arson in the 1970s destroyed most of the residential structures; Brownsville is just one of the many neighborhoods that were affected. The urban renewal that followed rebuilt many homes and designated them as low-income housing. The community has had many problems since associated with poverty, including crime and drug addiction, as well as low test scores and high truancy rates in the education system.
More after the break.
Architect: Cook+Fox Architects
Location: 401 West 14th Street
Client: Taconic Investment Partners
Size: 37,030 sqf
Completion Date: 2008
When we received an amazing photo from our friends at Cook + Fox of their 14th Street project during the Manhattanhenge sunset, we just had to share it with you. A few years ago, Cook + Fox completed the renovation of this industrial mercantile warehouse situated in the Meatpacking District, turning the badly-weathered structure into viable commercial space (currently the space functions as an Apple retail store). In order to retain the building’s historic Arts and Crafts character, Cook + Fox worked to replaced every element while preserving the integrity of the whole.
More about the project after the break.
CityVision recently announced the winners of the New York CityVision Competition. The competition’s goal was to imagine New York in its future if the manipulation of the urban context and its architectural objects, joined with its inhabitants, is influenced by space and time. With 151 project entries from all five continents and 32 different countries, the jury carefully examined all the entries and then unanimously elected the winners as Eirini Giannakopoulou, Stefano Carera, Hilario Isola, and Matteo Norzi took the first prize. More images and information on the winners after the break.
It happens just four times a year (two full suns, and two half-suns) but you can bet New Yorkers make the most of it…Manhattanhenge, that is. Coined by Neil deGrasse Tyson, the merge of Manhattan and Stone Henge is used described the phenomen when the sun perfectly aligns with the east-west streets of Manhattan. “Manhattanhenge comes about because the Sun’s arc has not yet reached these limits (of the solstice), and is on route to them, as we catch a brief glimpse of the setting Sun along the canyons of our narrow streets,” explained Tyson.
Standing far to the east side, the ArchDaily team stood shoulder to shoulder with dozens of anxious observers in Tudor City, an elevated niche that offers a clear shot down 42nd Street and is graced with the beautiful profiles of the Chrysler Building and the Bank of America Tower. Although the cloudy skies of Thursday only allowed a few red rays to run across the sides of the buildings, Wednesday’s crystal clear evening showed the red fireball in all its glory sitting between the grided streets.
More about Manhattanhenge after the break.
At least since Leonardo Da Vinci’s first attempts to describe turbulence, architects have been fascinated by the dynamics of flow – perhaps seeking an escape from the solid, stable nature of buildings. Beginning in the 1990′s, architects have used digital software to imbue structures and spaces with some of the same qualities as Da Vinci’s meticulous drawings: fluidity, undulation, instability and temporality. But while software has allowed architects to create novel, dynamic forms digitally, they have struggled to translate these qualities to the physicality of the material world. Slipstream is a physical structure that confronts that leap directly, translating a 2-dimensional digital line drawing into 3-dimensional space.
Alluding to Lebbeus Woods’ 2010 ‘Slipstreaming’ drawings of flow, the installation is a single drawing extruded through the gallery space and cut away to produce a set of interconnected spaces. The linear extrusion acts as both structure and dynamic visual filter, shifting views through the installation and between the spaces it defines. It’s integrity as a structure is masked by both its redundancy and bright coloration. Employing gradients that diffuse and coalesce along its length, color amplifies the undulating lines, establishing cross currents that intensify as visual eddies. Irreducible to form, structure, or graphic, Slipstream is a combined phenomenon of the three.
Don’t miss SLIPSTREAM’s opening tonight, July 12th, from 7-9pm at New York’s Bridge Gallery in the Lower East Side of Manhattan. Find more details here on the bridgegallery official website. The exhibit will remain on view until August 24th.
L&L Holding Company, LLC, today announced that four of the world’s most acclaimed architecture firms – Foster + Partners (Lord Norman Foster), Rogers Stirk Harbour + Partners (Lord Richard Rogers), OMA (Rem Koolhaas) and Zaha Hadid Architects – are participating this week in the conceptual design phase of its architectural competition for a new office tower to be constructed at 425 Park Avenue in Manhattan.
In April of this year, L&L Holding invited 11 of the world’s most accomplished architects to express their interest in competing for the commission to design a new tower at 425 Park Avenue. Of those invited, nine firms chose to enter the competition. After careful deliberations, L&L Holding narrowed its list to the four selected firms, each of which is led by a Pritzker Prize-winning architect with extensive international experience and proven expertise in office tower design.
The architects and their teams have prepared and are presenting their conceptual designs this week for a 650,000 square foot tower that will be designed to high L.E.E.D. sustainability standards.
What do you think of the number 300? Mayor Michael Bloomberg found the number to be just the right amount of square feet necessary to attract a younger demographic to live in the city. In a city-sponsored competition entitled adAPT NYC, the Department of Housing Preservation and Development is inviting developers to submit proposals for a new construction project in Kips Bay, Manhattan. The challenge is to design what Bloomberg calls “micro-units”, between 275-250 sqf of living space, complete with a place a kitchen and a bathroom, but no closet is necessary. “Developing housing that matches how New Yorkers live today is critical to the City’s continued growth, future competitiveness and long-term economic success,” said Mayor Bloomberg. “People from all over the world want to live in New York City, and we must develop a new, scalable housing model that is safe, affordable and innovative to meet their needs.”
More about the competition after the break.
Columbia University has been at the forefront of medical education for more than two centuries, as it was the first medical school in the United States to award the M.D. degree in 1770. Now, the Columbia University Medical Center (CUMC) has announced plans for a new, state-of-the-art medical and graduate education building that reflects how they believe medicine is and should be taught, learned and practiced in the 21st century.
Located on the CUMC campus in the Washington Heights community of Northern Manhattan, the 14-story facility will aim to achieve LEED Gold certification and incorporate technologically advanced classrooms, collaboration spaces, and a modern simulation center. The design is led by Diller Scofidio + Renfro, in collaboration with Gensler as executive architect.
Continue after the break for more details!
The Municipal Art Society of New York recently announced the Six provocative and innovative architecture and urban design projects that received the 2012 MASterworks Awards. New York by Gehry at 8 Spruce Street (Gehry & Partners for Forest City Ratner) has won the top honor, “Best New Building,” while “Best Restoration” goes to New York City Center (Ennead Architects). “Best Neighborhood Catalyst” awards were given to the Silberman School of Social Work at Hunter College (Cooper, Robertson & Partners) and the Queens Central Library: Children’s Library Discovery Center (1100 Architect with Skolnick Architecture + Design Partnership), with an honorable mention going to El Museo Del Barrio (Gruzen Samton). A new category, “Best New Urban Amenity,” was created for Ateliers Jean Nouvel’s Jane’s Carousel in Brooklyn Bridge Park. For more information on the awards, please visit here.
The Bank of America Tower at One Bryant Park in midtown New York, designed by Cook + Fox Architects, is the first commercial high-rise to achieve LEED Platinum certification. The design and high performance of this building is intended to set a new standard for commercial construction and for the office-work environment. By focusing on ways to emphasize daylight, fresh air and a connection to the outdoors, the architects redefine the parameters of the skyscraper as more than a glass box.
More on the strategies implemented in this project after the break.
Yesterday, the final steel beam rose 977 feet into the air and was placed atop 4 World Trade Center – the 72-story tower designed by Pritzker Prize-winning Japanese architect Fumihiko Maki. As gospel singer BeBe Winans sang “God Bless America”, the 8 ton beam, signed by all members of the team and adorned with an American flag, reached its final destination atop the city’s sixth tallest tower.
At over 80 years of age, Maki is making his New York debut in an elegant manner. The tower was designed to serve as a “respectful backdrop” to the National September 11 Memorial and not to compete with 1 World Trade. ”This is a special place with a sacred meaning and we felt we had to be respectful,” explained Osamu Sassa, Maki’s project architect, to The New York Times. Such a ideology offers a strong contrast with the other architectural statements that will eventually rise as part of the World Trade Center complex, such as Norman Foster’s 2 World Trade and Richard Roger’s 3 World Trade. While the minimalism of Maki may have kept the design under the radar during its design and construction stages, the grace of its simplicity will craft a dignified presence while visiting the site. ”The design of the tower at 150 Greenwich has two fundamental elements – a ‘minimalist’ tower that achieves an appropriate presence, quiet but with dignity, and a ‘podium’ that becomes a catalyst for activating the surrounding urban streetscape as part of the revitalization of lower Manhattan,” explained Maki.
More about 4 World Trade after the break.
The Green Carceri, designed by TARQUITECTOS, arises as a natural extension of the High Line Park, connecting himself with the High Line and flying over the river, thus enabling a continuation of the public space underneath with the neighborhood to the height of the street and the docks. Winding around a series of vertical communication cores, the building allows both internal transit users and visitors to descend to the level of the street without having to enter the building. More images and architects’ description after the break.