It’s a race to the top as developers are reaching higher and higher with impressive glass skyscrapers that house exclusive apartments and panoramic views across Manhattan, level with some of the city’s tallest buildings. Gary Barnett of Extell Development Co. is the man behind the 1,005 foot high One57 tower in Midtown Manhattan. He announced last month that he would be developing the tallest residential building in New York City (without the help of a spire). Adrian Smith, chosen as the architect for the job, is best known for his work on the Burj Dubai. The new building, still in its early stages of design planning and financing, will tower over the Empire State Building at a planned 1600 feet, that’s just 176 feet shy of World Trade One, the tallest building in Manhattan.
The New York Public Library (NYPL) has unveiled the details of their controversial plan to renovate the 20th century, Carrère and Hastings “masterpiece” on 5th Avenue. Designed Foster + Partners, the $300 million dollar proposal is a response to the cultural shift from traditional stacks to online resources, as the library has experienced a 41% decrease in the use of collections over the last 15 years.
Sensitive to concerned critics, the renovation promises to preserve the building’s legacy as it integrates a new, state-of-the-art Circulating Library into its flagship Stephen A. Schwarzman Building on 42nd Street. Foster’s “library within a library” will transform seven floors of stacks, currently occupying the back of the building, into an aesthetically, technologically and environmentally advanced public space that meets the needs of our 21st century society.
“We need to be respectful of the beloved, iconic building and to create a new inspiring space,” Anthony W. Marx, the library’s president, said in an interview with the New York Times. “At a time when people wonder about the future of libraries, we’re going to create the greatest library the world has ever seen.”
Learn all the details and see the renderings after the break…
This week we’re going to spotlight one of our greatest contemporary filmmakers, Tim Burton. In the 1989 film Batman, Burton generates a whole gothic environment, full of art deco and art nouveau buildings within Gotham City. Locations were inspired by urban spaces from New York City, Los Angeles, West London, Chicago, Pittsburgh, Tokyo, to Hong Kong (even though Gotham City was a well-known nickname for New York City, before Batman was ever written).
If you didn’t check out our article on Architecture & Batman, do so now – and let us know which Director you think does Gotham best in the comments below…
The American Institute of Architects New York Chapter and the Hong Kong Economic & Trade Office are opening the “Hong Kong at 15: Redefining the Public Realm” exhibition this Monday, December 10th at 7:00pm and will be on exhibit until January 23rd. Taking place at the Center for Architecture in New York, the exhibit features architectural projects built in Hong Kong designed by New York architects, and highlights the 15 year milestone of Hong Kong’s transfer of sovereignty and highlights the contribution of New York architects to the design of Hong Kong. Fueled by a famously free economy, and reputation as a gateway to China, Hong Kong has continued to grow over the past 15 years with the city’s architects and engineers producing highly sophisticated solutions to the challenged faced in the city. For more information about the event, please visit here.
Hosted by the Architectural League and co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union, Steven Holl will lecture in the Great Hall at The Cooper Union on November 28 at 7:00pm. Holl’s architecture and writing has undergone a shift in emphasis, from his earlier concern with typology to his current interest in phenomenology. This “Time Light” lecture is dedicated to Lebbeus Woods and will show both early and recent works by Steven Holl Architects. Following the lecture, Steven Holl will be joined in conversation by Sanford Kwinter. For more information on the event, please visit here.
Taking place at Cooper Union in New York, the Steven Holl: ‘Scale’ lecture focuses on the firm’s current work in exploring new ways of integrating an organizing idea with the programmatic and functional essence of a building, “always using the unique character of a program and a site as the starting point for an architectural idea.” Steven Holl was the recipient of the 2012 AIA Gold Medal. His firm has been honored with many awards, publications, and exhibitions for excellence in design, most recently, their Cité de l’Océan et du Surf Museum (pictured in the slideshow above) won the Emirates Glass Leaf Award, the Annual Design Review, and the American Architecture Award. In 2001, Holl was named America’s Best Architect by Time. The event is co-sponsored by The Irwin S. Chanin School of Architecture of The Cooper Union as part of the program put on by the Architectural League, and takes place Wednesday, November 28th at 7:00pm. For more information, please visit here.
The west side of midtown Manhattan is probably one of the more unexplored areas of New York City by residents and tourists alike. Aside from the Jacob Javits Center, and the different programs off of the Hudson River Parkway that runs parallel to the waterfront, there is very little reason to walk through this industry – and infrastructure – dominated expanse of land full of manufacturers, body shops, parking facilities and vacant lots. The NYC government and various agencies, aware of the lost potential of this area, began hatching plans in 2001 to develop this 48-block, 26-acre section, bound by 43rd Street to the North, 8th Ave to the East, 30th Street to the South and the West Side Highway to the West.
The new Hudson Yards, NYC’s largest development, will be a feat of collaboration between many agencies and designers. The result will be 26 million square feet of new office development, 20,000 units of housing, 2 million square feet of retail, and 3 million square feet of hotel space, mixed use development featuring cultural and parking uses, 12 acres of public open space, a new public school and an extension of a subway line the 7 that currently terminates at Times Square-42nd Street, reintroducing the otherwise infrastructurally isolated portion of the city back into the life of midtown Manhattan. All this for $800 million with up to $3 billion in public money.
Join us after the break for details and images.
As we announced in early October, British powerhouse Foster + Partners have been declared as winner of the six-month long, all-star competition to design the next “landmark” high rise on the prime site of 425 Park Avenue in New York City. The tapered, steel-frame office tower is planned to rise 687 feet to claim a spot on the New York City skyline by 2017. Upon competition, the world-class high rise is expected to achieve LEED Gold status and serve as an exemplar for sustainable office design.
Foster’s concept succeeded visions from Rem Koolhaas, Zaha Hadid and Richard Rogers (view all the proposals here). Construction is expected to begin in 2015, shortly after the completion of Foster’s first U.S. residential high rise, which broke ground this week in New York.
Details of 425 Park Avenue after the break…
The Battery Conservancy Americas Design Competition 2012: Draw Up A Chair, which we published a couple months ago here, has received an impressive number of registrations to-date and continue to receive wonderful design submissions. Due to the impact of SuperStorm Sandy on many of their registered and would-be participants, they recently announced that they have extended the competition submission deadline to Monday, November 19. For more information, please visit here.
Designed for the Land Art Generator Initiative competition, the ‘NAWT Balloons’ concept, which was recently shortlisted in the competition, aims to couple the image of an oversized helium-filled teardrop with a nuanced application of wind energy technology. While the balloon’s image and subsequent geometry are the primitives to the proposal, the deployment on the Fresh Kills site ignites an interest in the oversized and the attenuated. Designed by Norman Kelley, through its multiplication and reconfiguration, this design may be able to produce new, yet familiar, collections of iconicity. More images and architects’ description after the break.
Designed by Paolo Venturella & MenoMenoPiu Architects, their ‘Solar Loop’ finalist entry for the Land Art Generator Initiative competition aims to expose more surface as possible to the southern solar rays. Sited in FreshKills Park in New York City, the shape comes directly from the solar diagrams, and deals easily with the sun following it with the best angle almost like a frozen artificial sunflower.bThe aesthetic of the sculpture is the result of this dialogue that becomes synthesis between the solar power and the park. More images and architects’ description after the break.
New York-based COOKFOX, formally known as Cook + Fox Architects, has designed a state of the art office tower planned to neighbor the High Line by 2014. Projected to achieve LEED Platinum status, the glass and steel mid-rise offers large, light-filled interior spaces engineered for comfort and high performance, along with spectacular views of the Hudson River and direct connections to the High Line.
Continue reading for the architects’ description.
The Museum of Modern Art in NYC is launching an exhibit called Tokyo 1955–1970: A New Avant-Garde, that investigates the transformation of Tokyo from a war-torn nation into an international center for arts, culture and commerce. The exhibition will run from November 18 through February 25, 2012 and includes over 200 works of various media including painting, sculpture, photography, architecture, drawings, graphic design, video and documentary film.
More after the break.
Proposed by PinkCloud.DK, TENACITY seeks to revitalize the broken system of New York City Public Housing through architectural development, economic stimulus, education, and most importantly – community pride. The goal for this project is to be a catalyst for dialogue, spurring community and governmental action. The design of TENACITY is founded on the firm’s belief that a strong community is built upon three main goals – good health, prosperity, and family. More images and architects’ description after the break.
Co-organized, in cooperation with the Architectural League, by Christopher Marcinkoski and Javier Arpa, The City That Never Was symposium is a day-long event that uses the current crisis in Spain as a lens to reconsider patterns of urbanization and development around the world. Taking place November 9th from 9:00am-5:00pm at the Scholastic Building in New York, the event will reconsider how planners, designers, politicians, and financiers conceive of and realize large-scale contemporary urbanization and settlement. This event seeks to better understand the systems that have produced certain imbalances resulting from this urban growth and explore new models and approaches for urbanization and development. For more information, please visit here.
Jeanne Gang is about to make her New York debut, as the Chicago-based architect just unveiled the latest project planned to border New York City’s beloved High Line. The 180,000 square-foot office tower with ground level retail will replace an existing, disused meatpacking plant along 10th Avenue between 13th and 14th streets. It will feature a “gem-like”, glass facade that is intelligently shaped to avoid the disruption of light, air and views from the High Line.
Dubbed the Solar Carve Tower, the mid-rise structure is currently pending city approval and is planned for completion in 2015.
Continue after the break for the architects’ description.
Amidst the post-Sandy recovery efforts, we would like to share with you New York: Night and Day by Philip Stockton. The New York-based animator and director created the film in attempt to explore the city’s relationships between night and day from a series of fifteen preconceived locations. Using an interesting mix of non-traditional video time-lapse and animation, Stockton combined four to eight hours of footage from each location into single sequences using rotoscoping techniques.
Review each location after the break…