Chief Architect of Moscow Sergei Kuznetsov yesterday announced MVRDV as the winners in the competition for the refurbishment of the Serp & Molot (Hammer & Sickle) factory in Eastern Moscow. The design by MVRDV is respectful of the history of the 19th-century steel factory, reinterpreting the existing fabric of the site into 1.8 million square meters of mixed-use space, including housing, offices, retail, schools and a local hospital.
Read on after the break for more project description
This year ARCH MOSCOW is held within the 4th Moscow Biennale Architecture. The Biennale fully reflects the latest architectural trends and promotes technical innovations, stylistic researches and experimentation in the field of design ideas. The best examples of domestic and foreign architectural achievements are displayed and the principles of development of the quality architectural environment are professionally discussed. Traditionally, ARCH MOSCOW is the best platform for establishing business contacts in the field of architecture, development and construction.
The theme for this year’s Biennale is ‘Urban Blocks’. From the curator’s manifesto: “It aims to show examples of this approach through projects by Russian and foreign architects, but also by showing best practices from countries around the world, especially those where a similar transition towards the urban block has taken place or is taking place at this moment.”
For more information on the 4th Moscow Biennale Architecture please click here.
The Strelka Institute, Moscow’s most innovative school for architecture and urbanism, “might be soon forced to leave its current venue in the heart of the Russian capital” due to proposed redevelopment of the area. Faced by the threat of this possibility, the school formed a competition in order to collect ideas for the relocation. The winning proposal, developed by Squadra Komanda, proposes a “visionary program of development for the disputed and immense architectural legacy from the late-Soviet period.”
Late Soviet architecture constitutes “almost two third of all buildings in Moscow.” As it represents “an unpleasant reminder of the recent past,” many Russians dislike this kind of building. As a result, the Strelka Unsettled, with the possibility for collaboration with the outdated cultural institutions hosted inside the building of the All Russian State Library for Foreign Literature (built in 1966), seeks to offer new scenarios for this “neglected kind of architecture.”
Three teams have been chosen to advance in the third and final round of a competition to masterplan the new International Financial Center (IFC) in “New Moscow.” Once complete, the 460 hectare mixed-use development will add offices, housing and hotels, as well as commercial and social infrastructure to the area of Rublyovo-Arkhangelskoye. The finalists are…
UPDATE: The ArchCouncil of Moscow reports that the Melnikov House has been listed as a cultural heritage site of federal value, an important step in its conservation. The following article first appeared on ArchDaily on April 23rd, 2013.
Peter Eisenman, Steven Holl, and Rem Koolhaas are among the many architects who have signed a letter pleading for the preservation of one of Konstantin Melnikov’s greatest works, the Melnikov House. As we reported in December of 2012, the Melnikov’s house 83-year old foundations have weakened considerably since the onset of neighboring construction. Unfortunately, the situation has only worsened “significantly” over the last few months.
Read more about the state of the Melnikov House, and what architects are doing to try and prevent its deterioration, after the break…
Tadao Ando, Elizabeth Diller, Rem Koolhaas and Thom Mayne are among the many signing a petition to urge Russian president Vladimir V. Putin to reconsider the fate of the neglected Shabolovka Radio Tower (Shukhov Tower), “a structure of dazzling brilliance and great historical importance,” as Norman Foster once described. Designed by Vladimir Shukhov and completed in 1922, the 160-meter hyperboloid structure is a 20th-century engineering feat that has served as a landmark of modernist architecture.
Architects: Vladimir Malashonok
Location: Moscow, Russia
Area: 115 sqm
Photographs: Courtesy of Vladimir Malashonok
The Ukraina Hotel, with the support of the non-state educational institution Strelka Institute for Media, Architecture and Design, have announced the finalists for the Ukraina Hotel Entryway competition. Designs from ABD Architects (Russia) in cooperation with Werner Sobek Moskwa (Russia), TPO Lesosplav (Russia) in cooperation with Malishev Wilson Engineers (UK), and Studio 44 (Russia) have been chosen from a total of ten competing proposals, one of which will now be implemented by the client. Offering the chance to design a new entrance to one of Moscow’s foremost landmarks, the winning scheme will provide a rare opportunity to work with an unique example of Stalinist architectural heritage.
Reaching the second stage of the international competition to design Russia’s National Centre for Contemporary Arts (NCCA), which was won by Heneghan Peng Architects, WAI Think Tank put forth a proposal that projects the NCCA as not just a center “for the creation, study, and support of contemporary art in Russia” but also “a building as manifesto.” WAI Think Tank focused on giving a flexible autonomy to the enclosed and external spaces, designing the galleries as extensions of the city, in an attempt to design “the first archetype of Museum as City.”
UNK Project Architects‘ entry for the Ministry of Culture of the Russian Federation’s National Centre for Contemporary Arts (NCCA) competition centres around the interplay between art and architecture: “It’s what touches our soul and motivates us to pursue radical new ideas.” Reaching the second stage of the international competition, which has been won by Heneghan Peng Architects, UNK Project Architect’s proposal offers an intriguing, “almost airtight” space veiled by a monolithic façade facing landscaped urban space in the centre of Russia’s capital.
Location: Moscow, Russia
Architect In Charge: Boris Voskoboynikov, Dmitry Ovcharov, Maria Akhremenkova
Creative / Design Group: Boris Voskoboynikov, Dmitry Ovcharov, Maria Akhremenkova (interior designer), Maxim Frolov (3D)
Project Group: Maria Nasonova, Olga Ivlieva
Area: 3400.0 sqm
Photographs: Courtesy of Nefaresearch
Last month we had the chance to attend to the III Moscow Urban Forum, an instance where urbanists, architects, city mayors, the real estate industry and the citizens of Moscow had an open dialogue related to the future of the city under the theme “Megacities: Success Beyond the Centre”. The forum was organized by the Government of Moscow, who invited global urban planning gurus with experience in developing suburbs, to discuss how to resolve the problems of deprived outskirts, how to transform “dead” zones in towns into socially beneficial areas for work and leisure, how make a city environmentally sound and comfortable for living at a low cost, and how to create a transport system that is convenient for its citizens.
During the forum we had the opportunity to talk and interview with some of these city makers, which will be published in the next days.
To better understand where is Moscow going and why its new periphery is an important object of study, we talked with Yuri Grigoryan and Alexei Komissarov.
Yuri is the cofounder of the renowned Russian firm Project Meganom and the Director of Education at Strelka, who guided the team that prepared the research project “Archeology of the Periphery”, a central part of the forum.
Alexei Komissarov is the Moscow Government Minister and Head of the Department of Science, Industrial Policy and Entrepreneurship of Moscow, a department that oversees the conversion of old industrial zones into creative and technological cluster.