Australia’s new pavilion for the 2015 Venice Art Biennale will be, in the words of featured artist Fiona Hall, “a minefield of madness, badness, and sadness in equal measure.” Designed by firm Denton Corker Marshall, (who also designed the Stonehenge Visitor Centre), the project will replace the 25 year old temporary pavilion designed by Phillip Cox and will be the first building constructed on the Giardini in two decades.
MAXXI and Insula architettura e ingegneria with Based Architecture present “Cose Turche”, a conversation of six voices about Istanbul, aimed to recognize and trace the pulsating identity of a metropolis, which in its present metamorphosis is able to tell us about significant pieces of third millenium urban culture.
Recently some of Istanbul public spaces as Gezi Park, Taksim square with Ataturk Cultural Center by Hayati Tabanlioglu and Third Bosphorus Bridge became symbol and central places of an intense debate still open, which assumed a global broader connotation.
Asymptote Architecture has been commissioned to design a park with a collection of cultural buildings on the outskirts of Peccioli, Italy. Called the “Parco Degli Angeli,” Italian for Park of Angels, this urbanized complex will be carefully grafted into the picturesque Tuscan countryside to create a dialogue with the surrounding farmland and historical sites. The park will include museums, interactive sculpture installations, and an amphitheater that can host 800 people.
Location: Catania, Italy
Architect In Charge: Alfio Faro
Area: 700 sqm
Photographs: Courtesy of A-OMA
House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes is the first public presentation of a multi-year research project conducted by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University. Installed in the second-floor apartment of Columbia’s Casa Muraro in Venice and staged as an open house, the exhibition responds unsolicited to the proposal by Rem Koolhaas, curator of the 14th International Architecture exhibition, that architecture focus on its “fundamentals.” House Housing replies by considering architecture’s economic fundamentals, which locate housing at the center of the current economic regime, with the United States as an influential node in a transnational network.
In architecture, economic fundamentals are built from the ground up. The laws of real estate—relating to the acquisition of land, the financing of construction, the cost of building maintenance and services, profit from rent or resale, the value of equity, or the price of credit—inexorably shape any building component (like a window) and any building type (like a house). They are visible even in the residential work of such singular figures as Frank Lloyd Wright, not least because the Greek oikos, or household, forms the root of the word “economy” itself. But look closely and you will see that what seems fundamental, basic, or natural is, like any other law, a historical artifact permanently under construction and subject to change.
House Housing narrates nineteen brief episodes from across the last one hundred years in a mixture of domestic media, from phonograph to television, answering machine to iPad, converting the apartment into a whispering, humming history machine. Though they mainly focus on the continental United States, the discrete episodes are excerpts from global processes. Their artifacts range from houses designed by figures as well-known as Frank O. Gehry to seemingly ordinary gated communities in Florida. Their untimeliness is twofold. First, these episodes return us to financial matters widely discussed in the immediate aftermath of the 2008 foreclosure crisis but now largely abandoned by mainstream discourse. Second, the historical episodes disclose surprising repetitions of themes, tendencies, and actions. This reminds us that the economic infrastructures on which architecture rests are the outcome of such repetitions, rather than an a priori, natural ground.
Title: House Housing: An Untimely History of Architecture and Real Estate in Nineteen Episodes
Organizers: GSAPP Columbia Univeristy
From: Thu, 05 Jun 2014
Until: Fri, 06 Jun 2014
Venue: Casa Muraro
Address: Dorsoduro, Sestiere di Dorsoduro, 30100 Venice, Italy
Daniel Libeskind has unveiled designs for Vanke’s first ever overseas pavilion for the 2015 Milan Expo. Clad in a self-cleaning, air purifying, metalized tile, which was designed by Libeskind in collaboration with the Italian company Casalgrande Padan, the “red serpentine-like” structure reinterprets the traditional Chinese Shitang (dining hall).
Roma-based Nemesi & Partners has designed a 13,000 square meter “urban forest” that will serve as the Italian Pavilion at the 2015 Milan Expo. Enveloped within an intricate, branch-like skin, the six-story lattice structure will be made from 900 panels of “i.active BIODYNAMIC” cement that will “capture” air pollutants and convert them into inert salts.
Architects: Genius Loci Architettura
Location: Via Don Lorenzo Perosi, Scandicci Florence, Italy
Architects In Charge: Stefano Boninsegna, Andrea Grassi, Enrico Santi, Silvia Trentanove
Design Team: Antonio Romano, Filippo M. Messeri, Paola Portone, Michele Zanella
Area: 9,000 sqm
Photographs: Pietro Savorelli
The winning design for the Austrian pavilion of the 2015 Milan Expo has been announced. Following the Expo’s theme of “Energy for Life,” team.breathe.austria’s winning proposal focuses on social change for environmental protection. The enclosed, rectangular pavilion will be planted with an abundance of native Austrian vegetation. Titled “breathe,” the project will produce enough oxygen to sustain 18,000 people by the hour and advocates for a healthier bond between the urban and natural environment.