Neither urban nor suburban, the Urburb is a fragmented mosaic of one hundred years of modernist planning in Israel: early twentieth century garden-cities, mid-century social housing and generic, high-rise residential typologies of the past two decades. These residential mutations dominate the contemporary Israeli landscape, expanding and replacing existing textures, in an endless, repetitive cycle.
In response to the death of former Israeli Prime Minister Ariel Sharon last week, Eyal Weizman has written an interesting investigation into how the controversial politician used architecture and urban planning as a tool in the ongoing Israeli-Palestinian conflict, deploying settlements like military tactics rather than simply as housing strategy. The piece is an insightful examination of how power and even violence can be manifest in design, as evidenced by Sharon’s “architecture of occupation”. You can read the full article here.
Architectural photographer Yohan Zerdoun has sent us this lovely video that explores the Peres Center for Peace, by architects Massimiliano & Doriana Fuksas, in Tel Aviv. With a keen eye for detail and an understanding of the building’s human scale, Zerdoun sets up each shot so that the architecture – and its gorgeous context – can be truly appreciated. Enjoy!
To celebrate the launch of ArchDaily Materials, our new product catalog, we’ve rounded up 10 awesome projects from around the world that were inspired by one material: metal. Check out the projects after the break…
Chyutin Architects have won a competition to design a new campus for the Ben Gurion University in Israel. Planned for a 30 hectare site in Beer Sheva, the 300,000 square meter campus will double the University’s existing facilities, both of which will be connected. Once complete, the new campus will include a welcoming public square with commercial and cultural facilities, as well as students dormitories, a congress center, academic and research facilities, sports facilities and more.
Pritzker Laureate Richard Meier’s iconic new residential tower in the heart of Tel Aviv is nearing completion. Located in Rothschild Boulevard, the city’s bustling high-end commercial, cultural and financial district, it is no surprise that over 70% of the 42-story luxury tower has already been sold.
More on the tower, and its potentially controversial context, after the break…
On October 23, 2013, Tel Aviv’s Ermanno Tedeschi Gallery will open its newest show, “Never Say the Eye Is Rigid: Architectural Drawings of Daniel Libeskind”. The exhibition, in collaboration with the Ermanno Tedeschi Gallery (Milan, Turin, Rome ,Tel Aviv), which brings together 52 original drawings will include depictions of the architect’s signature work, the Jewish Museum Berlin (2001), and his 2003 master plan for Ground Zero in New York City.
The exhibition arrives in Tel Aviv after opening at the Ermanno Tedeschi Gallery in Rome and in Turin. From Tel Aviv the show will travel to the Ermanno Tedeschi Gallery in Milan then travel to London and to New York City (location and dates to be announced). The exhibition in Tel Aviv will show some sketches exposed in Italy and other new projects.
The sketches reflect a wide range of styles and techniques and range from almost-classical line drawings to highly expressive watercolors and free-flowing ink sketches. All of the works reflect a connection between the philosophical ideas underlying the project depicted and that project’s unique aesthetics – its particular color, mood, posture and tension. From the extremely large scroll depicting the Ground Zero master plan to the intimate sketches of the Jewish Museum Berlin, the drawings offer a rare and intriguing glimpse into Mr. Libeskind’s approach to some of his most famous projects. For more information click here.
Title: Exhibition: Daniel Libeskind’s Architectural Drawings
Organizers: Ermanno Tedeschi Gallery Tel Aviv
From: Wed, 23 Oct 2013
Until: Mon, 23 Dec 2013
Venue: Ermanno Tedeschi Gallery, Tel Aviv
Address: Lilienblum 3, Tel Aviv, Israel