Architects: Admun Design & Construction Studio
Location: Bumehen, Tehran, Iran
Architect In Charge: Shobeir Mousavi, Amir Reza Fazel
Design Team: Fatemeh Kargar, Mohsen Fayazbakhsh, Ramtin Haghnazar
Project Team: Majid Rahmati, Bahareh Ahmadnia
Presentation Team: Mostafa Karbasi, Niousha Ghasem
Area: 650.0 sqm
Photographs: Parham Taghioff
For generations, nature has been held up as something to respect, to take inspiration from, to place at the center of architecture. Few new designs today are complete without some visualized parkland or tree placed implausibly high up on the latest visionary high rise development. But what do you do when nature ups and leaves? How can architecture respond? That’s the question that Mateusz Pospiech’s master’s thesis, completed at the Silesian University of Technology, attempts to answer by taking the severe example of the disappearance of Iran’s Zayanderud River and proposing the equally incredible solution: an enormous, six-kilometer-long ecologically sustainable megastructure along the dried riverbed, healing the scar both in the landscape and in the minds of Iranians.
The Hamedanian, a proposal by CAAT Architecture Studio in collaboration with TTBP, seeks to design a large scale commercial complex in the centre of one of the oldest streets in the Iranian city of Isfahan. If built, the mixed use development, half which is parking facilities, would feature commercial and office space.
BANAMID Architecture Research Institute in collaboration with AN.ONYMOUS will hold the third International conference from the “Contemporary Architecture: Iran and the World Dialogue” series in Tehran, Iran. The conference, titled “From Autonomy to Automation: The Work of Peter Eisenman” will focus on the defining legacy of Peter Eisenman spanning across 50 years of his intellectual and professional body of work. The conference will trace the evolution of Eisenman’s work over time and will examine its imprint on the contemporary discourse of architecture.
“From Autonomy to Automation” is organized in three main sessions: Autonomy (1968-1978), Archeology (1978-1988), and Automation (1988-present), corresponding to the three stages of Eisenman’s work. Each session would begin with an introductory talk by one of the conference speakers and will follow a response by Peter Eisenman. The speakers would then engage in a discussion with Peter Eisenman about his work. Other speakers include: Iman Ansari, Cynthia Davidson, Marta Nowak, and Meghdad Sharif.
The conference will take place on May 13th and 14th, 2014 at the main conference hall of Milad Tower in Tehran. The event is open to public to stimulate critical dialogues amongst participants, and instigate a broader discussion about the state of contemporary architecture in Iran. Conference organizers also anticipate that this event would promote intellectual and cross-cultural exchange between Iran and the rest of the world.
Title: From Autonomy To Automation: The Work of Peter Eisenman
Organizers: BANAMID Architecture Research Institute, AN.ONYMOUS
Speakers: Peter Eisenman, Cynthia Davidson, Iman Ansari, Marta Nowak, and Meghdad Sharif
Media Partners: Log, ArchDaily, Milad Tower Cultural Center, Banamid TV
Educational Partners: University of Tehran, Shahid Beheshti University
Date & Time: Tuesday May 13, 2014, 10:00-14:00 | Wednesday May 14, 2014 10:00 -14:00
Venue: Hafez Main Conference Hall, Milad Tower
Address: Milad Tower Private Access Road, Hakim Motorway, Tehran, Iran
Registration: Event information and registration at: http://event.banamid.ir/
And don’t miss this article, which originally appeared on Architectural Review, in which AN.ONYMOUS’s Iman Ansari interviews Peter Eisenman about his personal views on architecture throughout the course of his career.
UPDATE: To apply please refer to the AA website, http://www.aaschool.ac.uk/STUDY/VISITING/tehran.
The Architectural Association has two full scholarships so you can attend the AA Visiting School in Tehran, Iran.
Please mention that you’re applying for the ArchDaily Scholarship. The deadline for submissions is February 28.
Tehran, Iran’s capital, ranks among the world’s fast-growing cities. In the early 1940s, Tehran’s population was about 700,000. By 1966, it had risen to 3 million and by 1986 to 6 million. Today, the metropolitan area has more than 10 million residents. This explosive growth has had environmental and public health consequences, including air, water pollution and the loss of arable land and public realm. The ever increasing land value makes developments and the replacement of urban open space and easy choice. With the disappearance of open public plaza, by traffic islands and motorways the predominant public space left in the city is its many traffic arteries.
With a young population and the Cars as the main mode of transport in the city, the many highways of Tehran come to a grinding halt during rush hour.
In response to the climbing potential of Polur, Iran, New Wave Architecture has designed a new rock climbing hall within the rocky lands of Mazandaran. Overlooking the country’s highest peak, the “fragmented mass” invites nature and landscape to “visually creep into the building” to offer daylight and establish a strong connection between climbers and the surrounding landscape.
Naqsh,E,Jahan-Pars (NJP), in collaboration with the Laboratorio di Architettura e Design (LAD), has been named winner of an international competition for the Iranian Pavilion at the 2015 Milan Expo. Based on “a living process narrative in the central plateau of Iran,” the winning scheme responds to the Expo’s “Feeding the Planet” theme by exposing the underground channels of water that give life to Iran’s many desert cities.
New Wave Architecture‘s proposal (one of eight) for the 2015 Milan Expo demonstrates an essence of Iran brought together in a series of organic forms. The expo’s theme, Feeding the Planet, Energy for Life, is encapsulated the designer’s exploration of the trace of cookery in culture, literature and Iranian art. The conceptual idea behind New Wave’s proposal, The Persian Garden, reflects the cycle of a tree: the organism is fed by the soil, grows and blossoms, before nourishing people and spreading throughout the earth “to asset its support.”
The design for the Qom Central Building of Construction Engineering Organization by Partar Architecture Studio began with “a key question that discussed the feasibility and impossibility of imagining a unique design which best suits the spatial quality of traditional Iranian architecture.” Partar’s design process was based on this challenge, and has led to an interesting proposal that attempts to bridge the art of architecture and the technology of construction using an understanding of the phenomenological aspects of Persian art and ornament, coupled with traditional Persian building techniques.
Taking place August 31-September 14, the 3rd annual AA Visiting School Tehran will be examining the quality of our urban spaces, we will be looking at infill sites, leftover spaces which have been generated as a result inefficient use of public roads to examine the potential for the generation of usable public space, or in other words the third place (the first being the home, the second the workplace). Using the theme ‘The Third Place-Urban Machines,’ they will be using our experiences from past years in regards to prototyping and simplex manufacturing to inform proposals for urban machines and interventions. These Proposals will attempt to specifically address site concerns and conditions. Our ambition is to produce and implement these proposals on site across the city. Applications are due no later than August 17. For more information, please visit here.
Waltritsch a+u, in collaboration with Rndr Studio, just won the 1st prize in a international competition for the design of the Ryhan villa complex ‘s gate in Mazandaran province, North Iran. The entrance will warmly receive the people back home, and bless them before they leave for their daily activities in the world. The architects’ inspiration from beautiful forms of Iranian architecture has been summarized into a simple and delicate gesture. More images and architects’ description after the break.
Architects: Logical Process in Architectural Design Office
Location: Isfahan City, Iran
Architect In Charge: Ehsan Hosseini, Elham Geramizadeh
Design Team: Amirali Poorkian
Contractor: Mehdi Hasan Nezhad
Area: 640 sqm
Photographs: F. Nasrabadi
Architects: Architecture by Collective Terrain
Location: Mahallat, Iran
Client: Ramin Mehdizadeh, Hossein Sohrabpoor, Mehdi Mehdizadeh
Area: 420 sqm
Photographs: Omid Khodapanahi
Designed by Hooba Design Group, one of the major aims in their second prize winning proposal for the Persian Factory in Iran was coming to an integrated spatial pattern, which fits both the new part of the existing structure and the site plan of the factory. In order to achieve an integrated organization, they used a spatial diagram, which defined both the inside and outside of the project simultaneously. This diagram is influenced by the building’s site, and also the existing status of building and additional sections. More images and architects’ description after the break.