A gigantic installation work by Tomás Saraceno, entitled “in orbit,” was just assembled last week in the Kunstsammlung Nordrhein-Westfalen in Germany. At a height of more than 20 meters above the piazza of the K21 Ständehaus, Saraceno has suspended a net construction within which visitors can move, apparently weightlessly. Saraceno’s net construction, which is accessible on three levels, resembles a cloud landscape: those bold enough to clamber high into the web set beneath the glass cupola perceive the museum visitors far below them from the lofty heights as tiny figures in a model world. The installation will be up until September 7th. More images and architects’ description after the break.
Henn recently won the architectural competition for the gas and steam power plant in Wedel, Germany. The new power station is positioned to the north of the river bank to allow the uninterrupted riverside promenade passage open to the public. While the majority of the existing station has been demolished, individually striking industrial relics and architecturally significant elements, such as the listed machine hall, are retained and put to cultural use. More images and architects’ description after the break.
Architects: Benthem Crouwel Architects
Location: Casinostraße 21, 56068 Koblenz, Germany
Project Team: Markus Sporer, Marcel Blom, Anna Gerlach, Noortje ter Heege, Tina Kortmann, Sascha Rullkötter, Cornelius Wens, Sander Vijgen, Benedikt Krienen, Anna Böll, Frank Deltrap
Photographs: Thomas Eicken
In a recent interview, Spiegel speaks candidly with three architects who have one thing in common: projects in Germany plagued by severe delays and spiralling costs. Christoph Ingenhoven is head of Ingenhoven Architects, designers of train station Stuttgart 21. Meinhard von Gerkan of Gerkan, Marg and Partners is responsible for the Berlin Brandenburg International Airport, and finally Pierre de Meuron represents Herzog & de Meuron, designers of Hamburg’s Elbphilharmonie.
These projects are well known in Germany as much for their designs as for their construction costs, and Spiegel is not shy about getting to the bottom of these controversies. Of course, the architects themselves have their own ideas about the bad press (namely that they’re being unjustly blamed). Meinhard von Gerkan, for example, says:
“It’s a big mistake to voluntarily serve as a figurehead, because then everyone knows whom to target. We are these figureheads, not the clients and not the construction companies. And we are liable for everything.”
More of these gems from the architects, after the break….
Organized by ETH Zurich Department of Architecture and Urban Design, with Alfredo Billembroug & Hubert Klumpner of Urban-Think Tank, the ‘Torre David – Informal Vertical Communities’ exhibition is an adaptation and evolution of the installation on Torre David that was presented at the 2012 Biennale di Venezia, where it was awarded the Golden Lion. Taking place at Aedes Berlin from July 12-August 29, the Torre David project will be presented in an extended format and will include new research on the intersection between verticality and informal communities. More information on the exhibition after the break.
For the second time, the Berlin Senate Department of Urban Development and the Environment is opening a Europe-wide call for projects for the Urban Intervention Award Berlin. For the first time, this prize is being offered in collaboration with Deutsche Wohnen AG and will for this reason be expanded to include the new Urban Living Award. Deutsche Wohnen AG will award prize money in the amount of €3,000 to the winners of the two categories in the Urban Intervention Award Berlin, ‘Build’ and ‘Temporary’, as well as the winner of the Urban Living Award. Interested architects can submit their work by August 24. For more information, please visit here.
Location: Brunnenstraße 9, 10119 Berlin, Germany
Project Architect: Thomas Banek, Silvia Farris, Christian Geisser, Tobias Hönig, Andrjana Ivanda, Katharina Janowski, Chrissie Muhr, Jan Winterstein
Area: 1353.0 sqm
Photographs: Nathan Willock, Michael Reisch, Courtesy of Brandlhuber+ Emde, ERA, Schneider