From Architecture Forum Aedes. The exhibition "Building in the Metropolis MX" presents selected works from the Mexican studio Gaeta-Springall Architects. In their working process right through to realisation, architectural elements such as form, material and function serve a larger and more complex system: the City. Julio Gaeta, Luby Springall and their team take great care over designing the envelope in order to generate possible interactions through the porosity of the exterior skin. Here they set particular store by intelligent systems and technologies as the longevity and durability of the building lies in its efficiency and sustainability. Gaeta-Springall Architects dedicate themselves to space as an entirety, which they see as the “true stage of life”. For them, "Building in the Metropolis MX" means the linking of architectural, urban and social elements. It is here that they see their everyday work. After curating this year’s Mexican pavilion “Condemned to be modern” at the Venice Biennale, the presentation at Aedes is the second exhibition in Europe for Gaeta-Springall architects, already highly regarded in their home country.
University of Stuttgart, Keplerstraße 7, 70174 Stuttgart, Germany
A. Menges, Tobias Schwinn, Oliver David Krieg, J. Knippers, Jian‐Min Li, Volker Schwieger, Annette Schmitt, Reinhold Müller, Benjamin Eisele, Alois Buchstab, Frank Zimmermann, Sebastian Schreiber, Frauke Brieger, Karl‐Eugen Ebertshäuser, Sabine Rieger
The Museum for Architectural Drawing presents Lebbeus Woods, ON-line, an exhibition of the finest works of architectural theorist, draftsman, educator and architect, Lebbeus Woods (1940–2012). Curated by his longtime friend and partner Christoph a. Kumpusch, the exhibition brings together a collection of Woods’ visionary works that have never been exhibited before. The intensely rendered architectural and urban environments produced early on in Woods’ career are exhibited together for the first time. These ink and pencil drawings cover a wide range of Woods’ research and re-imagination of cities both real and fictive and support Woods’ longstanding desire to show the capacity of architecture as a transformative and eloquent force.
A new exhibition in Germany looks at the history of the architectural model in contemporary art. It begins with a legendary model by Charles Simonds, covers the 1990s with Ludger Gerdes, Hermann Pitz and Thomas Schütte, and ends up in the present day with Alicia Framis, Hinrich Sachs and Carlos Garaicoa.
Bonjour Tristesse is a social housing project designed by Portuguese Architect Álvaro Siza Vieira. Located in Berlin, the project was Siza’s first built work outside of his native country. Siza’s design offers a meaningful precedent in urban densification, demonstrating a delicate balance between contextual awareness, creative freedom, and progressive vision.
Architects have been experimenting with the potential of building envelopes for years. Now, Arup has an interesting, Zumtobel Group Award-nominated proposal: the Solarleaf bioreactor. Developed in collaboration with SSC Strategic Science Consult GmbH and Colt International GmbH, this thin, 2.5 x .07 meter panel, when attached to the exterior of a building, is capable of generating biofuel - in the form of algae - for the production of hot water. More efficient than electricity and more sustainable than wood, algae is ideal kindling for producing heat, especially since it can be grown on-site. Moreover, the water in which the algae grows also collects solar energy, providing an additional supply of heat. More details on this sustainable innovation, after the break.