The St. Petersburg Pier, a long-adored and long-outdated West Florida cultural attraction, has unveiled the semi-finalists in its international redesign competition. Of the twenty-three qualified inquiries received, nine were chosen to move forward in the contest. The competition attracted big names in the architecture world; BIG, West 8 Urban Design, James Corner Field Operations, and HOK Architects were among the participants.
More on the St. Petersburg Pier after the break.
The architecture community recently lost Chicago architect Douglas Garofalo, FAIA. Founder of Garofalo Architects, he was a University of Notre Dame graduate and a professor at the University of Illinois at Chicago, serving as director (2001-2003) and co-founded the alternative design school Archeworks. Garofalo also was known for pioneering the use of computer technology in building design within the United States. His award-winning Korean Presbyterian Church in New York, a collaborative project with Greg Lynn and Michael McInturf, received international attention with its digital media approach and alternative solution to adaptive reuse.
Within St. Petersburg lies a triangle shaped island that has been home to a naval prison, lumberyard, a radio station, and military barracks. Off limits to the public for 300 years New Holland Island, with its unique identity of canals and existing warehouse structures, will be part of a $12 billion dollar redevelopment project. Identifying the island as one of St. Petersburg’s most significant historical sites The Architecture Foundation held an international invitation-only competition New Ideas for New Holland, which included entires from David Chipperfield Architects, MVRDV, Russia’s Studio 44, and winning proposal from WORK Architecture Company (WORKac).
Amale Andraos and Dan Wood, principals of WORKac shared, “We are very excited at the opportunity to work with the Iris Foundation and NHD on this critically important project for one of the world’s most beautiful cities. Our master plan balances preservation with innovation, respecting St Petersburg’s past while paving the way for its continued artistic development and future.”
A few years ago we had a chance to visit WORKac at their studio in New York and spoke with principals Amale Andraos and Dan Wood (be sure to take a look at our interview with them!) More on this winning proposal by WORKac along with renderings and drawings following the break.
The American Institute of Architects is spearheading a new initiative aimed at reviving the numerous stalled projects across the country. Since a significant portion of the US economy is construction based – measuring $1 out every $9 of total GDP output – it is imperative to get the industry back on track in order to revive the economy. However, the current obstacle many developers are facing is the lack of lending available by the banking system.
This concrete, clover leaf-shaped structure, which was built in 1975, will likely suffer a fate common to many vacant and disused buildings. After approximately four years of vacancy, this Bertrand Goldberg-designed building will likely be demolished when ownership will revert to Northwestern University this year. Although Goldberg’s organic architectural designs – such as this one – were widely influential, none of his major Chicago works are protected by local landmark designation. Prentice Women’s Hospital was considered groundbreaking for its cutting-edge architecture, advanced engineering, and its progressive design approach to organizing medical departments and services. It received international press coverage and an award from Engineering News Record for its innovative tower and open floor-plate layout that eliminated the need for structural support columns. “You will not find the structural solution to Prentice, which is an exterior shell cantilevered off a core, anywhere else in the world” notes Geoffrey Goldberg, an architect and Bertrand Goldberg’s son. “Prentice was the only one in which this was achieved.”
The Kanagawa Institute of Technology Workshop by Junya Ishigami is an elegant rectangular box with with floor-to-ceiling glass, enclosing an interesting interior space with 305 columns of various sizes supporting the stripped roof of skylights. The columns, although seemingly random, are specifically placed to create the sensation of zoned spaces, but their nonrestrictive quality provides a flexible layout to suit the changing needs of students.
VINCI-FAYAT consortium has been selected as preferred bidder for the ‘Grand Stade de Bordeaux’ which includes designs by Herzog & de Meuron and landscape design by Michel Desvigne. Slated for completion in 2015 the ‘Grand Stade de Bordeaux’ will be located within the city’s existing green belt district. The design provides a natural sense of fluidity, with easy approachability beginning with the multiple staircases at all points of the stadium. Never loosing site of the stadiums location a large focus of the concept incorporates the surrounding environment blending with the building, as reflected in the concave roof which is supported by a series of spindly white columns, appearing like a forest of birch trees. Home field to the FC Girondins de Bordeaux, the ‘Grand Stade de Bordeaux’ will also host a variety of cultural events.
Additional renderings and a video can be found following the break. Be sure to take a look.
Writers’ Theatre recently announced the hiring of Studio Gang Architects to design a new home in Glencoe, Illinois. The award-winning Chicago firm (architects of the impressive Aqua Tower) will provide research and development concepts for the theatre’s current site located in downtown Glencoe. A Writers’ Theatre committee comprised of artists, board and staff conducted a thorough search for an architect, including local, national and international firms, for the project.
“After a rigorous process, we found in Jeanne an architect who embraces, understands and celebrates Writers’ Theatre. We look forward to working with Jeanne and her team to develop ideas of what Writers’ Theatre could be. We are confident that working with Studio Gang is the right match for the organization and for our community,” said Artistic Director Michael Halberstam. “Jeanne has a vision of architecture that is derived from her own equivalent of the word and artist: the material and the environment. It is my belief that Studio Gang offers the opportunity for people to arrive encountering a world class piece of architecture and leave having experienced a world class evening of theatre.”
The Architectural Association and Foster + Partners are pleased to announce the award of the Foster + Partners Prize, which is presented annually to the AA Diploma student whose portfolio best addresses the themes of sustainability and infrastructure. The recipient is selected jointly by the AA and Foster + Partners at the end of each academic year. This year’s prize has been awarded to Aditya Aachi, of Diploma Unit 7, for his project Haiti Simbi Hubs. The project proposes sanitation infrastructure for Haiti and draws on the unprecedented need for cooperation between the Haitian Government and NGOs to combat cholera outbreaks. Read more at Foster + Partners.
The 2011 Serpentine Gallery Pavilion by Pritzker laureate Peter Zumthor was unveiled today. A design that ‘aims to help its audience take the time to relax, to observe and then, perhaps, start to talk again – maybe not’, the materials are significant in aiding the design which emphasizes the role the senses and emotions play in our experience of architecture.
Zumthor added that ‘the concept for this year’s Pavilion is the hortus conclusus, a contemplative room, a garden within a garden. The planted garden enclosed by this dark structure was conceived by the influential Dutch designer Piet Oudolf.
The building acts as a stage, a backdrop for the interior garden of flowers and light. Through blackness and shadow one enters the building from the lawn and begins the transition into the central garden, a place abstracted from the world of noise and traffic and the smells of London – an interior space within which to sit, to walk, to observe the flowers. This experience will be intense and memorable, as will the materials themselves – full of memory and time.’
More info after the break:
The Academy of Art University, the nation’s largest private accredited art and design university, continues to grow their Landscape Architecture program. Earlier this year the University announced the addition of the School of Landscape Architecture with an accredited Associate’s (AA) and Bachelor’s (BFA) degree programs as well as continuing art education courses. Now the Academy of Art will additionally launch both a 3-year and 4-year MFA degree program. For more information about the new MFA program click here.
“You’re not going to find any of Ai Weiwei’s work being shown in Beijing”, said each Beijing gallery representative. That’s because the artist and agent provocateur has been detained for 80 days now was released today, from what the government is saying was based on “economic charges”. The name “Ai Weiwei” has joined a long list of sensitive words in this country, and associating yourself with the artist has become tantamount to asking for trouble. Just ask the Chinese curator who was questioned by authorities after putting Ai Weiwei’s name under a blank wall in Beijing’s Incident Art Festival.
While Beijing’s lively art scene might currently be scrubbed clean of Ai Weiwei’s work, there’s one thing that’s a little difficult to “harmonize” away, as it’s known here. In 1999, Ai Weiwei began moving into the world of architecture, establishing his own architecture studio called FAKE design four years later. So Ai Weiwei’s artistic vision continues to stand in the form of buildings across the nation’s capital. The most concentrated of these is the artist district of Caochangdi, a few kilometres north of the more commercial art district called 798. It’s also the location of the artist’s studio and where he headed straight to after his release.
More after the break.
Back in February we shared with you that part of President Barack Obama’s State of the Union address focused on highlighting future plans for making American businesses more energy efficient. The Better Buildings Initiative (BBI) that the President proposed would invest in innovative clean energy technologies, aiming to increase energy efficiency in commercial by 20 percent in the next ten years.
Several hundred guests joined Daniel Libeskind in a ceremony last Friday as he laid the foundation stone of the Kö-Bogen building along with Dusseldorf’s Lord Mayor Dirk Elbers, investor Kurt Zech of Zech Group, and project developer Stefan H. Muehling. The stainless steel foundation stone, designed by Libeskind, will be visibly integrated into the facade of the building.
The new 432,300 sqf mixed use building is scheduled for completion in 2013 will house both office and retail space in downtown Dusseldorf. The design of Kö-Bogen intends to naturally blend landscape into the building space through geometry, permeated cuts in the facade, the green courtyards, and green roof system. All of these elements are ‘part of a new environment that bridges urban space with park space’.
Last week the Internet and architecture blogs went crazy after Steve Jobs presented the new Apple Campus to the city of Cupertino, California.
Rumors about Foster + Partners (an office with a high expertise on work environments) working with Apple on this new campus appeared on December last year on a Spanish newspaper, but there was never an official confirmation (or denial). But given that the actual project fits with the information we received from an anonymous tipster last December, it seems it could be right:
“I recently got a tour of Norman Foster’s office in London and saw some images of the Apple Campus design. I believe the main building will be a large donut shaped building with all the offices and labs surrounding a large garden. It was a very pure form which connects to some of the recent Apple stores, but I was surprised that it didn’t really scream Apple to me. Of course it could have been a very preliminary design that wasn’t fully resolved yet. Anyway, I just thought I would pass on some info.”
During Steve Job’s presentation to the city of Cupertino we could see this round building, and Jobs outlined several facts on how this new campus for 12,000 people will improve the 98-acre site, such as taking parking underground to reduce the footprint, increasing landscaping from 20% to 80%, and planting more trees (3,700 now, 6,000 in the future). It even includes its own natural gas based energy generation plant (as seen on the drawings) with the electrical grid as backup.
As for the 4-story round building, Jobs said:
“It’s a pretty amazing building. It’s a little like a spaceship landed. It’s got this gorgeous courtyard in the middle… It’s a circle. It’s curved all the way around. If you build things, this is not the cheapest way to build something. There is not a straight piece of glass in this building. It’s all curved. We’ve used our experience making retail buildings all over the world now, and we know how to make the biggest pieces of glass in the world for architectural use. And, we want to make the glass specifically for this building here. We can make it curve all the way around the building… It’s pretty cool.”
We reached Steve Jobs over the past weekend to get more details about the project and he said that he wasn´t interested in presenting the project on ArchDaily at this time, possibly because the project still needs to be approved by the city. We hope to bring you more details later on, so you can have an informed opinion.
More images from the presentation after the break.
We have been covering the fluctuating Architecture Billing Index for several months, anxious to see steady improvement in our economy and our profession’s field. In the month of April, a survey was included in the Billings Index and the AIA recently released the findings. As John Schneidawind reported, almost two-thirds of the surveyed architects reported at least one stalled project due to lack of financing, despite record low interest rates.
More after the break.
Back in 2009 when Norway’s Kunt Hamsun Center was unveiled, the faceted volume topped with an a-typical vertical grass roof gained international attention for its reinterpretation of Nordic aesthetics complimented by Holl’s fascination with interior light quality. This year, Holl + Oslo-based LY Arkitekter, have been awarded the prestigious 2011 Byggeskikkprisen for their collaboration on the project; rising above over 90 submitted buildings. The prize, which is granted by the Norwegian government for outstanding architecture, was presented by Local Government and Regional Development Minister Liv Signe at the Norwegian Design and Architecture Center in Oslo. “The Hamsun Center is a piece of original architecture that is deeply moving on many levels and meets all of its functions in exceptionally exciting and unique ways,” said the jury. “It both provokes and delights through its strong, clear and non-traditional form, and it finds its natural place in the dramatic skyline of the northern landscape.”
The community based winning design for the 2011 Young Architects Program at the P.S.1, “Holding Pattern” by Interboro Partners, shared photographs of the installations canopy raising which took place last Thursday at MoMA. The New York firm, formed by Tobias Armborst, Daniel D’Oca, and Georgeen Theodore, were able to creatively accomplish the design within the Young Architects Program’s budget and program requirements, stretching the funds to essentially serve two purposes; as the materials will be recycled, donating the objects such as ping pong tables, benches, and flood lights, to the community at the end of the installation. ”Holding Pattern” will welcome visitors beginning June 19th.
