Architecture is a combination of sculpture and art and engineering and user interface. It is high tech and low tech at the same time, utilitarian and beautiful and virtually always budget constrained.
But do you know what great architects understand?
If you don’t get it built, the work doesn’t matter.
Great architects are able to be great because they know how to sell their ideas to their clients. (Or, they know how to find clients who will build their ideas. Same thing.)
If you’re brilliant and undiscovered and underappreciated (in whatever field you choose), then you’re being too generous about your definition of brilliant.
Help kick start the suckerPUNCH + land of tomorrow exhibition that will feature twenty student projects from around the United States that explore the possibilities of fabrication and material experimentation at the start of the 21st century. Slated for Fall 2012, this exhibition will have it all – “transmogrifications, strange sensations, primal textures, unfamiliar geometries, self-propagating architectural species, augmented atmospherics, vicissitudinous juxtapositions, reinvented building typologies, sensual pleated skins, a crisis or two, physiologically responsive interfaces, threshold blurring gizmos, and plenty of robots”.
If funding is successful, this exhibition will provide the rare opportunity to display the exploration and research from multiple U.S. architecture schools in one location. The three top projects will have prototypes fabricated by Drura Parrish at PR&vD.
Support this project here. Continue reading for more information.
Cuban ballet star Carlos Acosta has selected Norman Foster to redevelop one of Fidel Castro’s unfinished spaces – the School of Ballet on the outskirts of Havana. Acosta studied ballet at the Cuban National Ballet School and has danced with the Royal Ballet since 1998.
The stunning, derelict building was never completed during the Cuban revolution, as the design and architects of the Cuban National Art Schools (las Escuelas Nacionales de Arte, or ENA) were deemed irrelevant in the prevailing political climate. However, in March 1999, the three architects – Ricardo Porro, Vittorio Garatti and Roberto Gottardi – were called to lay out a budget to preserve the languished schools. These preservation efforts include the School of Ballet, whose cluster of domed volumes, designed in 1961 by Italian Vittorio Garatti, are connected by an organic layering of Catalan vaults that follow a winding path.
As reported on bdonline, Norman Foster told the Sunday Times: “Carlos is a great dancer who is inspiring the regeneration of an iconic ruin of early modernism outside Havana.”
As if it weren’t enough that The New York Times just wrote a story on computer programs making architects obsolete, now it seems that computers are actually on the Architect-attack.
Find out how the worm works, and if you could be affected, after the break…
Organized by Europan Europe, 2:pm Architectures & CUAC Arquitectura… met for a 4-days long international workshop to explore how agriculture and architectural development are in symbiotic relationship. In analyzing the growth of Vienna and Oberlaa, they can easily understand how
If you read our infographic, then you know that Public-Interest Design is one of the few growing sectors of the architecture industry. From the prevalence of Design-Build curriculums in Architecture Schools to the rise of the 1% program and non-profits like Architecture for Humanity, Public-Interest Design (PID) is hitting its stride.
Which is why we’re so excited that two of PID’s biggest players, Design Corps and SEED (Social Economic Environmental Design), have teamed up to create SEEDocs, a monthly series of mini-documentaries that highlight the inspirational stories of six award-winning public interest design projects.
The latest SEEDoc follows the story of the Grow Dat Youth Farm - a brilliant example of what we call “Urban Agri-puncture” (a strategy that uses design & Urban Agriculture to target a city’s most deprived, unhealthy neighborhoods) that is changing the lives of New Orleans youth.
More on this inspiring story, after the break…
Architects: LAB Architecture Studio in association with ERGA Progress
Location: Danet Abu Dhabi – Al Qudra, United Arab Emirates
Design Team: Donald Bates, Oliver Hunt, Peter Davidson, Joseph Sawaya, Faris Hammady
Project Year: 2011
Project Area: 53,800 sqm
Client: Guardian Real Estate
Photographs: Javier Callejas Sevilla
LAVA, the Laboratory for Visionary Architecture, and Designsport collaborated with local Ethiopian firm JDAW to win the international architecture competition for a national stadium and sports village, held by the Federal Sport Commission, Ethiopia. Now, football and athletics-loving Ethiopians will have a new FIFA and Olympic-standard 60,000 seat stadium in Addis Ababa thanks to a design that combines local identity with new technology. More images and architects’ description after the break.
Presenting an opportunity, remaining largely unbuilt and mostly unburdened by heritage, the proposal for the Badel Block Complex by Luka Anic, Danko Balog, Tamara Baresic, and Srdan Gajic… introduces new spatial configurations to the city center, opening the block area
The Episcopal Church of the Redeemer, designed by 5G Studio Collaborative…, aimed to address the needs and desires of the growing community through sustainable capital improvements on the existing campus that sought to reflect the past and contemporary contexts.