Today we are providing our ArchDaily readers with an update for the Stavros Niarchos Foundation Cultural Center (SNFCC) by Renzo Piano Building Workshop, architects. The sustainable arts, education, and recreation complex aims to enrich the everyday lives of its surrounding community and attract millions of visitors from around the world. As we previously shared the project will be financed by the Stavros Niarchos Foundation and has an anticipated 2015 completion date.
Nobody ever discovered ugliness through photographs. But many, through photographs, have discovered beauty. Except for those situations in which the camera is used to document, or to mark social rites, what moves people to take photographs is finding something beautiful.
-Susan Sontag, On Photography
Julius Shulman was best known for photography that envisioned architecture as art. His images distilled architecture as paeans to its central function in society. As such, Mr. Shulman created a photographic trope that either ignored people altogether or portrayed them as props that highlighted architecture’s mastery. It is thus fitting that the winner of last year’s inaugural Julius Shulman Photography Award went to a photographer whose focus some might arguably say is people.
Enjoy this lecture by Swiss architect and Pritzker laureate Peter Zumthor.
The lecture took place in May 19th the Centre Georges Pompidou, where Zumthor revisited 6 recent projects:
The video has also a simultaneous french translation, but it’s still watchable in english.
Update: You can mute the right channel to remove the french translation, as some readers pointed in the comments section below.
Thanks Vicentiu for the tip!
(Remember: you can always send us tips and info using our contact form)
Atelier Thomas Pucher has won the international competition for the new seat of the world renowned Sinfonia Varsovia Orchestra in Warsaw. The 20,000m² cultural centre is housed on the site of a former Veterinary Institute with existing – yet dormant – buildings and a fairy-tale like park. The area occupies a 1,800 seat symphonic hall with first class acoustic properties, large rehearsal areas, merchandise facilities, musical workshops and a small hotel for artists in residence and music lovers on vacation.
The new headquarters building for Next Human Network (NHN) was developed to embody the corporation’s goal of opening new frontiers through creation and innovation. As such, NBBJ, in collaboration with Samoo Architects & Engineers, designed the ‘Green Factory’, an interactive and sophisticated building offering creative freedom for NHN and its employees.
Architects: NBBJ (lead designer), Samoo Architects & Engineers (lead architects)
Location: Bundang, Korea
Client: NHN Corporation
Building Cost: $200 million
Project Area: 1,097,919 sqf
Photographs: Park Young-Che, Roland Halbe Photography
The task of the competition for the Serlachius Museum Gösta was to design an extension containing five times the area of the existing museum. The current museum is a solitaire exposed on the top of a hill at a lake in a dramatic landscape. magma architecture proposes to preserve the beauty of the natural surroundings and integrate them into the visitor experience of the museum.
Next week we will be taking our Architecture City Guide to Barcelona and we need your help. To make the City Guides more engaging we are asking for your input on which designs should comprise our weekly list of 12-24. In order for this to work we will need you, our readers, to suggest a few of your favorite modern/contemporary buildings for the upcoming city guide in the comment section below. Along with your suggestions we ask that you provide a link to an image you took of the building that we can use, the address of the building, and the architect. (The image must be from a site that has a Creative Common License cache like Flickr or Wikimedia. We cannot use images that are copyrighted unless they are yours and you give us permission.) From that we will select the top 12 most recommended buildings. Hopefully this method will help bring to our attention smaller well done projects that only locals truly know. With that in mind we do not showcase private single-family residences for obvious reasons. Additionally, we try to only show completed projects.
Help us with Barcelona.
Example of the information we need for your suggestion:
Casa Batllo / Antoni Gaudi
43 Passeig de Gracia, Barcelona, Spain
Orange Architects, a partnership between Dutch architecture firms JSA, CIMKA and HofmanDujardin, shared with us their design of a luxury apartment block on Plot 941 in Sin el Fil, an eastern district of Beirut. The design was commissioned by the Lebanese development corporation Masharii. The 50-metre-tall block will contain 19 apartments ranging in size from 90 to 180 m2.
Follow us after the break for more on this project.
Co-founder of Friends of the High Line, Robert Hammond shares on TED the transformation from abandoned elevated railroad line to one of the hottest spots in New York City. The High Line recently opened Section 2 of the park, which continues to provide a break from the chaotic city streets. The users have an opportunity to experience an elevated space with uninterrupted views of the Hudson River and the city skyline.
By: David Fano
Have you ever had the experience of sitting through a graphics standards committee meeting? It’s where happy and ambitious thoughts go to die. What starts as a good cause for your firm quickly devolves into very long and highly subjective arguments about things such as title blocks, line weights, line styles, fonts, font sizes, tags, symbols, and of course… naming conventions!
I’m not in any way trying to devalue documentation standards or the importance of title blocks. What I am saying is: We spend a lot of time reinventing the wheel.
According to the U.S. Bureau of Labor Statistics, architects held about 141,200 jobs in 2008 (source). Hypothetically, if each architect in the U.S. spends 30 minutes a year on average working on standards, as a profession we spend 70,600 hours on standards every year. Just for reference there are 2,080 hours per year in a standard full-time work week (52 weeks x 40 hours). That’s like a firm of 34 full time architects working on nothing but standards every year.