London-based DOS Architects …were just announced as the winners of the Renzo Piano Foundation Prize, awarded to the best young Italian Architectural practice. Founded by the Italian-Spanish partnership of Lorenzo Grifantini and Tavis Wright in 2006, the award-winning firm has
The work of a Production Designer has many parallels with that of an Architect. Both are tasked with bringing to life a conceptual environment, keeping true to that concept through budgets, time pressures, logistics and regulations. Both share a similar creative process, developing the ideas and then collaborating and coordinating with a team of professionals to give those ideas physical form. However, Production Designers are concerned with creating environments to be captured on film only for a matter of moments. Not something a standard Client is likely to request from an Architect.
While the freedom of not having to fully resolve building details – just making it look that way (not to mention the added bonus of avoiding the inevitable callbacks for defects), may seem appealing, consider having to dismantle everything you have created at the end of the process. Somewhat of an anticlimax you would think.
Not so, says Catherine Martin, veteran Production Designer, two time Academy Award winning Art Director, and the creative force behind the sets and costumes of Baz Lurhmann’s films.
The design for BIG’s highly anticipated LEGO® “experience center” – a.k.a. The LEGO® House – has been released! Located in the heart of The Lego Group’s birthplace and home town of Billund, Denmark, the 7,600 square-meter building resembles “gigantic LEGO® bricks” that are “combined and stacked in a creative way to create an imaginative experience both outside and inside.”
True to form, the 30 meter-tall structure will feature several exterior and multi-level access points that will remain open year-long to its estimated 250,000 annual visitors. Aside from its roof-top gardens and 1,900 square-meter public square, attractions will include a series of exhibition areas showcasing the “past, present and future of the LEGO® idea”, a cafe and an unique LEGO® store.
Take a video tour through the building after the break…
Design Team: Uldis Lukševics, Ivars Veinbergs, Linda Leitāne-Šmīdberga
Area: 120.0 sqm
Photographs: Courtesy of NRJA
Designed by Kubota & Bachmann Architects…, main purpose of their proposal for the Taichung City Cultural Center (TCCC) is the integration of the Gateway Park and the best practice implementation of green architectural policies. Aiming to be the new landmark
Shortly after winning approval on their Frank Gehry-designed, Menlo Park headquarters in California, Facebook has announced plans to once again commission the Los Angeles-based starchitect to design a new office for their New York City team. By early 2014, Gehry is expected to refurbish an existing 100,000 square-foot, two-story office space – nearly twice the size of their current home at 335 Madison Ave – on 770 Broadway.
Location: Santa Fe, Argentina
Architects In Charge: Griselda Bertoni, Eduardo Castellitti, Carlos Castellitti, Jose Ignacio Castellitti,
Collaborators: Ricardo Matias Silvero, Paul Jaramillo, Diego Villar, Mariano Tellechea, Estanislao Niklinson
Structures: Ing. Sala, Rubén
Site Area: 329 sqm
Area: 1,246 sqm
Photographs: Federico Cairoli
Sou Fujimoto’s 2013 Serpentine Pavilion, now complete and standing on the front lawn of London’s Serpentine Gallery, has opened to the press and we are now able to see Iwan Baan’s photographs of the temporary pavilion. Fujimoto will be lecturing to a sold out crowd this coming Saturday (June 8th) when the pavilion opens to the general public. The semi-transparent, multi-purpose social space will be on view until October 20th.
Fujimoto (age 41) is the youngest architect to accept the Serpentine Gallery’s invitation, joining the ranks of Herzog & de Meuron and Ai Weiwei (2012), Peter Zumthor (2011), Jean Nouvel (2010), SANAA (2009), and more. He described his Serpentine project as “…an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two.”
The Guardian has posted both print and video reviews by Oliver Wainwright.
More images by Iwan Baan after the break. See also In Progress: Serpentine Gallery Pavilion / Sou Fujimoto.