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Sports Field of Elementary School Marija i Lina / Studio MAU d.o.o.
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Architects: Studio MAU d.o.o.
- Area: 17760 m²
- Year: 2022
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Manufacturers: ACO Drainage, Courtsol, Hardbodyhang, Philips, Porplastic
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Professionals: Projekt Inženjering j.d.o.o., Zaštita Inženjering Konzalting d.o.o.
Bienenhus / Yonder – Architektur und Design
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Architects: Yonder – Architektur und Design
- Area: 180 m²
- Year: 2010
Shenzhen International Low-carbon City Convention and Exhibition Center / TJAD Original Design Studio
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Architects: TJAD Original Design Studio
- Area: 24400 m²
- Year: 2021
Architect’s studio / Manoj Patel Design Studio
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Architects: Manoj Patel Design Studio
- Area: 2022 m²
- Year: 2022
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Manufacturers: BE Comfort, Dti, Sai Alumina
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Professionals: Swati Consultants
Hide House / MRTN Architects
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Architects: MRTN Architects
- Area: 174 m²
- Year: 2021
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Manufacturers: Big Ass Fans, Fisher & Paykel, Academy Tiles, Artedomus and De Fazio Tiles, Ambiance Lumiere, Archier, +20
Glass House / Ser Arquitetos
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Architects: Ser Arquitetos
- Area: 1475 ft²
- Year: 2021
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Manufacturers: AutoDesk, Chaos Group, Adobe Systems Incorporated, Arauco, Blindex, +6
OM AH UHM Housing / WOHA
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Architects: WOHA Arquitectura S.L.
- Area: 969 ft²
- Year: 2020
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Manufacturers: AutoDesk, Cortinas Ginés & Reintegral Construcción
54 Montaigne Facade Intervention / FRESH Architectures
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Architects: FRESH Architectures
- Area: 2100 m²
- Year: 2021
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Manufacturers: Bellapart
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Professionals: Savills, AE75, ALTO Ingénierie, Rousseau&Dapelo
Zlatar Bistrica Sports Hall / NOP Studio
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Architects: NOP Studio
- Area: 2019 m²
- Year: 2021
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Manufacturers: RODECA GMBH, Akripol, Beton Lucko, Drvene konstrukcije, Feal, +5
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Professionals: Zagorjegradnja d.o.o.
House with Different Roofs / RC Architects India
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Architects: RC Architects India
- Area: 2800 ft²
- Year: 2021
Henning Larsen Unveils Nordic-Inspired Pavilion at the 3daysofdesign Event in Copenhagen
Henning Larsen has unveiled the "Fritz Hansen Pavilion", a sustainably-designed pavilion for the 3daysofdesign event in Copenhagen. Set in Designmuseum's Grønnegården, the Pavilion is developed with a Nordic approach, centered around daylight, using low-carbon materials, and circular design principles. The pavilion is designed to be disassembled, ensuring that its materials can be reused elsewhere. The pavilion will be open to the public during 3daysofdesign 15 – 17 June, and will then be used by Designmuseum Danmark until mid- Autumn.
MVRDV Commissioned to Transform Herman Hertzberger’s Centraal Beheer Building into a New Residential District
Designed for an insurance company, The Centraal Beheer building by Herman Hertzberger in Apeldoorn, Netherlands, is widely recognized as one of the high points of the structuralist movement. MVRDV, in consultation with Herman Hertzberger’s office AHH, is transforming the celebrated building, making it the centerpiece of a new sustainable residential neighborhood while preserving its structure and core principles. The project is part of a larger area of development, a three-hectare site near the city’s train station. MVRDV’s design proposal introduces approximately 650-800 homes while keeping the focus on preservation, greening, and innovation.
Brutalism in Lima: Ethical and Aesthetic Essays
The origins of brutalism can be traced to the UK in the 1950s during the post-war period. However, there is no clear record of its initial boundaries or theoretical frameworks. Despite this, it is widely agreed that it sought to uphold constructive sincerity as its main value and that it had, in the execution of Le Corbusier's Marseille Housing Unit (1952), a turning point for its global diffusion (Casado, 2019). For authors such as Banham (1966) or Collins (1977), constructive sincerity in Brutalist buildings does not only refer to material or technical criteria, but also to moral, political or ethical ones. These variables, in nations such as Peru, were fundamental and built an aesthetic while trying, through and from architecture, to construct an idea of a country. This essay seeks to be an approximation to these ideas and experiences.
How the Wood-Frame House Became America’s Most Familiar Building
This article was originally published on Common Edge
Four years ago, the Pritzker Prize–winner Tadao Ando spectacularly converted a 1920s apartment building in the Lincoln Park neighborhood of Chicago into exhibition spaces for a gallery named—in deference to its street address—Wrightwood 659. The gallery is currently staging a resourceful exhibition on wood-frame construction, the method by which more than 90% of U.S. houses are built.
Rarely has wood-framing been the subject of an architectural show. It’s too mundane a topic—or at least it seemed that way until two associate professors at the University of Illinois Chicago, Paul Andersen and Paul Preissner, conceived the American Framing exhibition for the U.S. Pavilion at the 2021 Venice Architecture Biennale. One year after Venice, the much talked-about exhibition makes its American debut at Wrightwood 659.
Meama Collect Beach Bar / Khmaladze Architects
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Architects: Khmaladze Architects
- Area: 100 m²
- Year: 2021
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Professionals: Cubicon, Lightstudio