Architects: gmp Architekten Location: Frankfurt, Germany Design: Meinhard von Gerkan and Jürgen Hillmer Design Team: Klaus Lenz, Sebastian Flatau, Ingo Beckmann, Kai Beckmann, Markus Carlsen, Christian Dahle, Henning Fritsch, Ben Joscha Grope, Markus Helmin, Matthias Holtschmidt, Silke Jessen, Eduard Kaiser, Raimund Kinski, Prisca Marschner, Rouven Oberdieck Project Leaders Susanne: Winter, Reiner Schröder Project Year: 2012 Photographs: Marcus Bredt
Yes, it could begin this way, right here, just like that, in a rather slow and ponderous way, in this neutral place that belongs to all and to none, where people pass by almost without seeing each other, where the life of building regularly and distantly resounds. What happens behind the flats’ heavy doors can most often be perceived only through those fragmented echoes, those splinters, remnants, shadows, those first moves or incidents or accidents that happen in what are called “common areas,” soft little sounds damped by the red woolen carpet, embryos of communal life which never go further than the landing. The inhabitants of a single building live a few inches from each other, they are separated by a mere partition wall, they share the same spaces repeated along each corridor, they perform the same movements at the same times, turning on a tap, flushing the water closet, switching on a light, laying the table, a few dozen simultaneous existences repeated from storey to storey, from building to building, from street to street. They entrench themselves in their domestic dwelling space—since that is what it is called—and they would prefer nothing to emerge from it; but the little that they do let out… - Georges Perec
The Ministry of Information and Culture of the Islamic Republic of Afghanistan, in collaboration and sponsorship with the Government of the United States of America and the U.S. Embassy in Kabul, has awarded AV62 Arquitectos first prize for the National Museum of Afghanistan Competition. The Spanish team was selected over 72 other design proposals from 31 countries. A second and third prize winner, along with three honorable mentions, were also recognized at the awards ceremony in Kabul. More details after the break.
From the architects: The Hong Kong and Shanghai Bank was designed by Norman Foster in 1979. At the core of the project is the attempt to create a civic space, a piece of common ground for the city. Though the building’s design went through many variations – culminating in the final scheme, completed in 1985 – the common denominator throughout was a desire to create a public arena by lifting the building up to ensure a flow of pedestrian movement across the site. This covered space is lit naturally by an external “sunscoop”, which reflects sunlight down through the glazed “underbelly” of an atrium at the heart of the building. Through the medium of models, sketches, drawings, and photographs, this exhibition shows the evolution of the design of the space and the tower that defines it.
Designed by Space Group + Superunion Architects, their winning proposal for Ruten competition reflects the city of Sandnes’ development and establishes Ruten as a natural center and Sandnes as a future city with strong roots and a proud local history. The proposal, titled ‘Lysning’, consists of a ring that connects and creates the new transport hub and public space below for an attractive unifying roof. As the Central Park in New York was built before the Manhattan grid was condensed around it, Ruten has remained as a buffer in the urban development in anticipation of something bigger. More images and architects’ description after the break.
With the existing Riga Passenger Terminal now outdated and situated in an exclusive location – adjacent to the very center of Riga, the infrastructure needed a new identity and urban response. Therefore, the first prize winning proposal by NRJA envisions the development of the territory and port as a high quality urban environment which offers not only maritime transport, leisure, shopping and business experience but also public space connection to the city. More images and architects’ description after the break.
Designed by MAD Architects for the 2011 international competition for a new national museum in Beijing, their proposal aims at being a city-sized museum where the public space is the greatest good. Situated on the central axis of the 2008 Olympic site, and part of a six mega volume masterplan, the main question became how to design something iconic on an unrealistic and inhuman city scale. Their response became a hybrid between an elevated public square and a floating mega building above. More images and architects’ description after the break.
Born in Finland, Eero Saarinen (1910 – 1961) is recognized today as one of America’s most influential architects of the 20th Century. The exhibition Eero Saarinen: A Reputation for Innovation, opening tomorrow at the A+D Architecture and Design Museum in Los Angeles, will highlight his short but brilliant career bookended with two iconic buildings: the unbuilt Smithsonian Gallery of Art which was to be Washington, DC’s first museum of modern art and Dulles International Airport which was designed as the nation’s first jet airport.