"Hey dad, when can I become an architect?" says Archie, son of eternally-frustrated architect Archibald, an animated architect who rarely wins an argument. "Architecture is not a final destination in time, it's a journey through life," Archibald says. His son's response: "Great! I love traveling! When can I buy the tickets?"
"arch." is a weekly online cartoon series by Mike Hermans, an Antwerp-based architect-cartoonist, that follows Archibald through the struggles architects know all-too-well: uncooperative models, angry clients, and periodic encounters with Tarzan, the jungle king. Archibald is a self-professed "visionary and romantic dreamer," while his business partner Gerald is the anti-creative in a constant struggle to ground Archibald's ideas in reality (hint: it doesn't go well). In "arch." study models have lives of their own, resisting modifications by the architect in favour of their own changes while meddlesome interns and junior architects attempt their own project modifications. Frank Gehry even makes a cameo appearance.
Powerhouse Company and De Zwarte Hond (Team A) have won an international competition to redesign the Assen railway station in the Netherlands. The winning scheme, marked by a triangular latticed canopy, is designed to reconnect the east and west side of the city with an “inviting and recognizable” transit hub.
Fundamentals, the title of the 2014 Venice Biennale, will close its doors in a matter of days (on the 23rd November). From the moment Rem Koolhaasrevealed the title for this year’s Biennale in January 2013, asking national curators to respond directly to the theme of ‘Absorbing Modernity 1914-2014’, there was an inkling that this Biennale would be in some way special. Having rejected offers to direct the Biennale in the past, the fact that Koolhaas chose to act not only as curator but also thematic co-ordinator of the complete international effort, was significant. This announcement led Peter Eisenman (one of Koolhaas' earliest tutors and advocates) to state in one interview that “[Rem is] stating his end: the end of [his] career, the end of [his] hegemony, the end of [his] mythology, the end of everything, the end of architecture.”
The Dutch city of Rotterdam, often referred to as a hotbed of architectural activity, has been named as the best city in Europe by The Academy of Urbanism at the 2015 Urbanism Awards. Pitted against two other finalists - Aarhus in Denmark and Turin in Italy - the city has been praised for its "predominantly young, open, tolerant community that is embracing innovative architecture and urban design and new business models."
Despite being a very closely fought battle, the Academy said that Rotterdam was a vote winner for its "unique approach to governance. Appointed for six years by central government, the role of mayor sits outside of political structures and with no portfolio, allowing greater engagement with citizens and businesses." Steven Bee, Chairman of the Academy, said that "a long-term perspective, a high level of autonomy, strong leadership by the mayor and municipality, and strong partnerships between public and private sector, are all helping Rotterdam grow positively."
Shift Architecture Urbanism has broken ground on the C-City (Creative City) museum district in Kerkrade. Host to the Netherlands’ first design museum and Europe’s first planetarium, the new district will be formed as an “urban ensemble defined by clearly recognizable volumes, all connected by a vast, underground public space.”
By the end of 2015, two new public facilities - Cube and Columbus - will compliment the existing and highly successful Discovery Centre Continium at the gateway of the city. Read on the learn more.
Cruz y Ortis, who famously spent ten years redesigning and renovating Amsterdam's Rijksmuseum, have recently completed a comprehensive restoration of the adjacent Philips Wing. As an addition to the extensive exhibition spaces of the Dutch national museum, which was brought to completion in 2013, the Philips Wing will be dedicated to showcasing high-profile exhibitions from its own collection and on loan from international and national collections. Cruz y Ortiz's work has consisted of reorienting the entrance, accommodating diverse new functions and preparing the exhibition rooms for the temporary expositions starting next month. Several twentieth century interventions have been set back and corrected, whilst other areas have been appropriated for a new destination.
See drawings and photographs of the new wing, including a description from the architects, after the break.
JHK Architecten and Broekbakema have shared with us their competition entry for a higher education school in the field of transport for Rotterdam. The building, envisioned as part of Rotterdam’s transport and logistics district, was inspired by the “distinctive sturdy structures of the port.”