Genoa-based studio Space Caviar has recently unveiled Arcipelago di Ocno, an aquatic installation on a lake in Mantova, Italy, which is the 2016 Italian Capital of Culture. Named after the local demigod Ocno, the installation recalls the form of a lotus, a plant with an extensive presence in Mantova’s lakes.
Acting as an aquatic piazza for the city, the archipelago of floating islands “[extends] Mantova’s urban fabric onto the lakes that surround its historic center,” utilizing modular units to create a venue for Mantova’s cultural activities for years to come.
With a short career of only thirteen years, Italian architect Giuseppe Terragni (1904-1943) left an important legacy of built works that are now used as classic references of modern and rationalist architecture.
We traveled to Como and Milan to visit Terragni's emblematic works that clearly reflect his style. These projects are based on the organized configuration of architectural elements that individually appear clean, pure, and expressive, but together also form a harmonious whole.
These are: Novocomum, Casa Rustici, Asilo Sant'Elia, Casa Giuliani Frigerio and Casa Lavezzari.
Italian Prime Minister Matteo Renzi has asked architect Renzo Piano to lead in the reconstruction of the central Italian towns devastated by last week’s magnitude 6.2 earthquake that claimed the lives of at least 290 people. Renzi announced a national action plan for recovery and risk prevention on Monday after meeting with Piano to discuss strategies for housing the over 3,000 displaced survivors and rebuilding the historic towns in a manner that would mitigate damage caused by future seismic activity.
“We have to act quickly, with the utmost urgency,” said Piano in a telephone interview with The Guardian. “Anti-seismic requirements must be inserted in the laws of the country to make our homes safe, just as it’s compulsory for a car to have brakes that work.”
After yesterday’s devastating magnitude 6.2 earthquake in central Italy, art historians fear that numerous historic Italian buildings and their contents may be permanently lost. The affected region is dotted with hilltowns containing beautiful churches, monuments and museums, many of which have been rendered completely unrecognizable.
In late August, the Flanders Architecture Institute will organise Encounters in Optimism: Utopia in a Finite World, an interactive programme of lectures, debates and workshops that will take place in various national pavilions at the Venice Architecture Biennale. The overarching theme is "the architectural utopia in a finite world."
Together with The British Council, the Deutsches Architekturmuseum and the Creative Industries Fund NL, the Flanders Architecture Institute has put together a programme for architects, students and the general public to reflect on how architecture can redefine the city. The economic climate and the idea of utopia are the main topics in these discussions.
http://www.archdaily.com/793483/encounters-in-optimism-utopia-in-a-finite-worldAD Editorial Team
Le Corbusier made an indelible mark on Modernist architecture when he declared “une maison est une machine-à-habiter” (“a house is a machine for living”). His belief that architecture should be as efficient as machinery resulted in such proposals such as the Plan Voisin, a proposal to transform the Second Empire boulevards of Paris into a series of cruciform skyscrapers rising from a grid of freeways and open parks. Not all of Le Corbusier’s concepts, however, were geared toward such radical urban transformation. His 1965 proposal for a hospital in Venice, Italy, was notable in its attempt at seeking aesthetic harmony with its unique surroundings: an attempt not to eradicate history, but to translate it.
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
http://www.archdaily.com/791923/three-nordic-refractions-the-after-belonging-agency-discuss-the-theme-of-the-2016-oslo-triennialeAD Editorial Team