Kengo Kuma & Associates has designed a series of luxury villas for a new tourism development in Saudi Arabia. The project was commissioned by The Red Sea Development Company (TRSDC) as part of The Red Sea Project. Featuring seven typologies, the design will include villas built on land and overwater. The project aims to set new standards in sustainable development as a global tourism destination.
The Second Studio (formerly The Midnight Charette) is an explicit podcast about design, architecture, and the everyday. Hosted by Architects David Lee and Marina Bourderonnet, it features different creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions.
A variety of subjects are covered with honesty and humor: some episodes are interviews, while others are tips for fellow designers, reviews of buildings and other projects, or casual explorations of everyday life and design. The Second Studio is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Alessio Grancini, Prototype Engineer at Magic Leap and former Head of XR at Morphosis to discuss how VR can be used in architecture offices. The three cover basic terminology, software, workflows, costs, learning curves, using VR in the design process and for client presentations, the pros and cons of different headsets, controls, different types of rendering, the social implications of VR, and how he transitioned from architecture to the technology space. Enjoy!
There are two main reasons why boat windows are round. They are easier to seal and, above all, more resistant to the high pressure that water exerts on them. This is because living corners are places where tensions are naturally concentrated, weakening the structure as a whole. This is also why aircraft windows are small and round; high pressures are better distributed in curved shapes, reducing the likelihood of cracks or breaks.
In architecture, circular openings are quite old. The Oculus, a type of circular window, has been a feature of classical architecture since the 16th century. Also known by the French expression oeil de boeuf (bull's eye), circular or semi-circular openings are formed from the construction of masonry arches, which allow for the creation of openings only by locking the constitutive pieces. Over time and following the incorporation of new technologies and development of construction knowledge, creating rectangular openings in buildings has become easier, more efficient, and cheaper than creating round ones. However, these circular windows still continue to figure in a multitude of projects.
The Royal Institute of British Architects (RIBA) has announced the selection of nimtim architects with artist Katie Schwab for the Becontree Estate’s public realm commission. Looking to redesign 12 neglected and underused corner plots across the estate, the project reimagines these areas as new civic squares in East London.
Construction has begun on the new Red Sea International Airport by Foster + Partners in Saudi Arabia. The airport is located on the country's west coast, and is part of the larger Red Sea Project and tourism development. The design was inspired by the "colors and textures of the desert landscape" and will feature a series of five pod structures arranged radially around a central drop-off and pick-up space.
Parking garages present an aesthetic challenge to even the most creative design minds. Their vast scale and monotonous appearance are necessitated by function, but result in the difficulty of making the garages visually interesting instead of simply overbearing. Cladding a parking garage in a unique material can add visual interest and texture to achieve a more human connection. However, this in turn creates concerns about still bringing light and air into the garage.
Scale defines spatial experience. From a single room or space to entire masterplans and urban designs, moving between scales shows how designers zoom in or out. Working across programs and contexts around the world, architects are exploring the possibilities of scale to shape human experience. For unbuilt work, these proposals combine ideas of structure, materiality and form to redefine typologies and the future of urban environments.
This week’s curated selection of the Best Unbuilt Architecture focuses on diverse scales of building. Drawn from an array of firms and local contexts, they represent proposals submitted by the ArchDaily Community. They showcase different approaches to designing at diverse scales, from the size of a single room to a high-rise. The projects include a log driving museum in Oslo and a center for health in Hawaii, to a laboratory in Shenzhen and a skyscraper in Costa Rica.
Simply placing the word "smart" before any kind of architectural or technological term, or any term for that matter, seems to convert it into something new and futuristic. Some examples, such as the smart city, smart industry, or smart commerce show us that the "smart" adjective is already more common than we think, and that, moreover, it doesn’t sound that strange anymore. The smart building is also a novel concept used in today’s architectural world. The difficulty of discussing this concept, as with every innovative yet ambiguous term, is finding a clear definition of it. There is already much writing on it, and we won’t find an absolutely clear definition, but generally, we could define a smart building as: "A construction that strives for full energy efficiency in its usage, reaching this goal thanks to integrated and automated management and control of all its systems."
Brooks + Scarpa along with PCL and BEA, design/build team is one of three finalists selected for a new community mixed-use complex. Located in the heart of Miami Beach, just one block west of the beach, the structure that replaces a municipal surface parking lot, will include pools, libraries, retail, a community center, and a 3-acre park. Designed as a resiliency hub, the building can accommodate future residential and office use when less parking is needed.
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Construction has begun on MVRDV’s new 23-story mixed-use tproject at Mission Rock in San Francisco. One of four buildings in a multi-phase masterplan, the tower was designed alongside work by Studio Gang, Henning Larsen, and WORKac. The Mission Rock masterplan aims to turn 28 acres into a new neighborhood for San Francisco residents and visitors. The projects are made to connect to China Basin Park.
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With the increase of urban density and the decrease in the availability of land, the verticalization phenomenon has intensified in cities all over the world. Similar to the vertical growth of buildings — which is often a divisive issue for architects and urban planners — many initiatives have sought in the vertical dimension a possibility to foster the use of vegetation in urban areas. Vertical gardens, farms and forests, rooftop vegetable gardens, and elevated structures for urban agriculture are some of the many possibilities of verticalization in plant cultivation, each with its unique characteristics and specific impacts on the city and its inhabitants.
But is verticalization the ideal solution to make cities greener? And what are the impacts of this action in urban areas? Furthermore, what benefits of urban plants are lost when adopting vertical solutions instead of promoting its cultivation directly on the ground?
The 2020 COVID-19 outbreak has deeply redefined our relationship to public spaces. Fear of transmission (both direct and indirect) has closed schools, restaurants, office buildings, and transportation hubs, and has limited access to other densely populated locations and shared spaces. We have also learned that COVID-19 primarily transmits through the spread of water droplets from infected individuals, especially in scenarios of close contact, such as prolonged indoor activities. As a result, new building regulations have been put in place that reduce the circumstances in which the disease can spread. These safety precautions include mask mandates, redesign of ventilation systems, and social distancing policies. In this article, we will focus on social distancing.
It didn’t take long for the coronavirus pandemic to inspire both cutting-edge architectural design solutions and broad speculation about future developments in the field. Many of the realized innovations have been contracted by or marketed to the real estate sector. But as firms compete to provide pandemic comforts to rich tenants, the COVID-19 technology that directly affects working-class communities is mostly limited to restrictive measures that fail to address already-urgent residential health hazards or administrative conveniences for developers that allow them to circumvent public scrutiny. These changes had been long-planned, but they have found a new license under the pretext of coronavirus precaution. In terms of “corona grifting,” this sort of thing takes the cake.
When we were forced to be confined at home due to the self-quarantine policy of the COVID-19 global pandemic, everyone must have spent a tremendous amount of time looking out from their window. Sometimes when we are so exhausted with everyday work and life, we just wish to have a quick getaway to oceans and forests, somewhere close to the natural green.
Religion is a uniquely human reality. As are cities. As we emerge from our burrows of sequestration, the silent cities and places of worship will become human again, versus the present sad memory of what they once were.
We will recover from another human reality, the pandemic and when we do we will be forced to address some questions. Before this century, the automobile was once seen as the way Americans could create a new reality: a huge middle class that could control its life by using the freedom that cars gave them to go where they wanted, when they wanted, and to live where they wanted. Before this latest change of sequestration, that vision of what cars meant to our culture was changing —especially in cities.
An extensive urban regeneration project is slated to take place in the town of Stockton in the United Kingdom. A 37-million-pound project, the proposal - drawn up by Ryder Architecture and backed by the Stockton Borough Council - will demolish half the high street in Stockton’s town centre and replace it with a riverside park.
Architectural plans require training in order to read, understand, and produce. Mastering their codes can unlock the most powerful tool that architects have to imagine and construct new buildings. It is not only important to learn the intricate formal and geometric operations to produce these types of drawings, but also to interrogate the traces they leave on the buildings we design. In this video, architecture professor and designer, Stewart Hicks talks about the basics of architectural plans: where they came from, how they are made and used, and what they are good at representing. Using a three-dimensional model of a basic house, he goes through the steps of transforming it into a plan projection while discussing the implications of each step and offering precedents to reveal their nuanced implications.
Almost one year into the COVID-19 pandemic, life is starting to feel like it might regain its sense of normalcy. With promising vaccines being slowly rolled around the globe, the focus is shifting away from the immediate, and into what the future looks like- including where people want to live. At the beginning of the pandemic, stories all across the media claimed that cities were dead, people were leaving as a permanent measure of safety and well-being, and that the real estate market would experience a long and slow recovery to the boom it had experienced in the pre-pandemic world. But there’s been a shift, and it’s happening fast- people are returning to cities almost as suddenly as they once left them.
Dorte Mandrup has imagined ‘The Hinge’, a landmark transition between the new urban area Aarhus Ø and the historic town of Denmark’s second-largest city. The new city gate will put in place an innovative and sustainable urban focal point. Expected to open in 2026, The Hinge was designed in collaboration with landscape architect Kristine Jensen and Søren Jensen Consulting Engineers.
Wood Design & Building magazine has announced the winning projects from the Wood Design & Building Awards program. Launched in 1984, the awards program recognizes and celebrates excellence in wood architecture. Submissions included a mix of structures, from a library built against a rock wall in China, to a reconstructed heritage horse barn in Alberta and Canada’s longest clear-span bridge in Nova Scotia.
Linear parks exist in many different contexts - along riversides, coastal areas, or inserted in the urban fabric - and represent a very particular type of public space that evokes the idea of a vector and, consequently, the sense of movement. However, they can provide more than just activities and programs associated with mobility, proving to be an appealing solution to the lack of spaces for leisure, contemplation, and relaxation in the most varied urban situations.
Below, we have gathered 12 examples of linear parks built in different parts of the world, illustrated by photographs and floor plans.
Industrial buildings are among the best examples of Louis Sullivan's famous phrase "form follows function." Generally, they are functional, efficient buildings, quick to build and unornamented. That is why, when we study the industrial heritage of different cities and countries, we are able to understand local materials, technologies, and traditional construction methods of the time. England's red brick factories come to mind, as well as the roof lanterns used to provide natural light to factories and other typical construction elements. Metallic and precast concrete structures are currently the most commonly used due to a combination of construction efficiency, cost, the possibility of expansive spans, and the unawareness of the benefits of other materials, such as wood. Often, these industrial warehouses are also characterized by being cold and impersonal, in addition to having a considerable carbon footprint. But Canada's experience in recent years is noteworthy, where there have been an increasing number of wooden buildings constructed for industrial programs.
This article was originally published on Common Edge.
There is an astonishing degree of complexity, order, and beauty in the natural world. Even so, and especially within the realm of living things, nothing is more complex than it needs to be to sustain its existence. Every aspect of the system serves a purpose. If it does not, the unneeded component eventually ceases to exist in future generations. Even with these constraints of resource and energy efficiency, we find boundless beauty and harmony in the natural world. Contrast nature’s “just the right amount of complexity” to the way many architects design buildings today. While nature is only as complex as it needs to be, architects and designers add excessive and inessential complexity to their buildings and landscapes when none is warranted.
As we successfully launched our 12th Building of the Year Awards earlier this year, we want to thank you for being part of our community for over 10 years. Together we have been growing and contributing to the architectural scene, aiming for a better world.
Now, we are proud to announce the 5th edition of The ArchDaily Building of the Year China, celebrating the best architecture in China, as chosen by you, the reader.
By nominating and voting, you form part of an interdependent, impartial, distributed network of jurors and peers that has consistently helped us celebrate architecture of every scale, purpose, and condition, and architects of all profiles. Over the coming weeks, your votes will result in 700 Chinese projects filtered down to just 10 best projects in China.
The 2021 Building of the Year Awards China is brought to you thanks to Dornbracht, renowned for leading designs for architecture, which can be found internationally in bathrooms and kitchens.
_photo_credit_-_Kalpesh_Lathigra.jpg?1614596399 "Becontree Estate. Image © Kalpesh Lathigra")
_Paolo_Rosselli_DSC295s0.jpg?1612525069 "Bosco Verticale / Boeri Studio. Image: © Paolo Rosselli")
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