ArchDaily is looking for motivated architecture lovers to join our team of interns for Fall 2016! An ArchDaily internship is a great opportunity to learn about our site and get exposed to some of the latest and most interesting ideas shaping architecture today.
Interested? Then check out the requirements below.
A few months ago we put out a call for the best architecture résumé/CV designs. Between ArchDaily and ArchDaily Brasil we received over 450 CVs from nearly every continent. We witnessed the overwhelming variety and cultural customs of the résumé: some include portraits, others do not; some include personal information about gender and marital status; others do not. In the end, however, we based our selection on the CVs that stood out from the hundreds of submissions. We looked for CVs that transmitted the personality of the designer, their ability to communicate visually and verbally, and perhaps, the most intangible criteria for evaluation—the "creativity" of the CV. The documents below represent the diversity of styles and formats that just might land you a job at your dream firm.
In late August, the Flanders Architecture Institute will organise Encounters in Optimism: Utopia in a Finite World, an interactive programme of lectures, debates and workshops that will take place in various national pavilions at the Venice Architecture Biennale. The overarching theme is "the architectural utopia in a finite world."
Together with The British Council, the Deutsches Architekturmuseum and the Creative Industries Fund NL, the Flanders Architecture Institute has put together a programme for architects, students and the general public to reflect on how architecture can redefine the city. The economic climate and the idea of utopia are the main topics in these discussions.
While BIM is increasingly becoming a necessity in architecture, it is still difficult to quantify the benefits it is bringing to the industry. Currently, there is no industry-standard method for calculating BIM’s Return on Investment (ROI) and, due to the complexities of the calculation, many firms have not adopted any consistent measurement practices to determine the monetary benefit that the technology has brought to their practice. The difficulty centers upon the fact that traditional analysis of ROI is unable to represent intangible factors that are important to a construction project such as avoided costs or improved safety.
Therefore, as the leading providers of BIM technology, Autodesk was interested in researching the subject. Their study, “Achieving Strategic ROI: Measuring the Value of BIM,” reveals that the role of ROI in technology decision making is shifting in that leading firms are seeking a more nuanced view of ROI to inform their strategy of investment and innovation.
Transcending the traditional “profit versus cost” calculation, companies are looking into different dimensions of the company to develop well-informed quantifications of their ROI for BIM.
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Following the burgeoning success of the 7th New York Architecture and Design Film Festival (ADFF), this year's incarnation—which will run September 28 through October 2 2016 at Cinépolis Chelsea—appears set to maintain its position as the nation's and most popular largest subject-focused film event. Over 30 feature-length and short films, curated by Festival Director Kyle Bergman, will be presented, including Eero Saarinen: The Architect Who Saw the Future, a film that examines the life of the eponymous modernist architect.
This October, reThink Wood is heading to Los Angeles for Greenbuild – the world's largest conference and expo dedicated to green building. If you haven’t registered already, this is your chance to win a free pass to the conference and hear from dozens of inspiring speakers about the latest advancements in the green building movement.
To celebrate, reThink Wood is offering a full pre-paid conference pass ($1,050+ value) to one lucky ArchDaily reader. The winner will be invited to learn more about why building with wood is sustainable and to meet with experts onsite who are passionate about sustainable design with wood in a variety of structure types.
Enter to win by answering the following question in the comments section before August 26 at 12:00PM ET.:
The program for the 2016 edition of the World Architecture Festival (WAF) has been announced. Being held from November 16-18 at the Arena Berlin, Germany, the festival will feature 3 days and 4 nights of events including conferences, lectures and seminars, architect-led city tours and networking opportunities, as well as live critiques of the 411 projects shortlisted for the 2016 WAF Awards. An all-star list of speakers will include leading architectural figures such as Patrik Schumacher, Ole Scheeren and Peter Cook.
This theme of this year’s festival is “Housing For Everyone.” Inspired by a variety of influences, markedly the condition of displaced communities of political and disaster refugees, lectures will focus on “the growing understanding of how demographics and global urbanization are forcing change; and the imperatives to create shelter at one end of the spectrum, and sufficiency for occupation and investment at the other.”
In May 2016, the After Belonging Agency discussed the theme of the forthcoming Oslo Architecture Triennale—entitled After Belonging: a Triennale In-Residence, On Residence, and the Ways We Stay In-Transit—as part of In Therapy, the exhibition of the Nordic Pavilion at the 2016 Venice Biennale. The hour-long discussion, which also includes presentations by Shumi Bose and Füsun Türetken, begins with an in-depth description of how the Triennale intends to focus on the future challenges of migration by investigating how cities and architecture can react to large groups of people moving and resettling.
London's Royal College of Art (RCA) have revealed seven invited shortlisted practices for its new state-of-the-art £108million Battersea South campus. Featuring a smattering of architects from Europe, including Herzog & de Meuron and Lacaton & Vassal, and from the USA, such as Diller Scofidio + Renfro and Studio Gang, the organisation intends to announce the winning scheme in October 2016.
Coinciding with the organization’s 60th anniversary this year, The Graham Foundation has announced the list of recipients of their 2016 Grants to Organizations, a total of $419,000 (USD) to be given to 31 exemplary projects from around the world. The Organization Grants are awarded to projects displaying “originality, capacity, feasibility and potential for impact” and are divided amongst four categories: Exhibition, Film/Video/New Media, Public Program, and Publication.
In its 60 years, the foundation has made significant impacts in the fields of art and architecture through the awarding of grants to outstanding projects, exhibitions and publications. They have expanded their exhibition programming in the past few years, including a display at the inaugural Chicago Architecture Biennal last year.
Continue after the break for the full list of recipients.
As part of the Danish contribution to the 2016 Venice Biennale Urban Agency embarked on a challenging feat: the construction a 1:50 concrete model. The firm—based in Dublin, Copenhagen and Lyon—contributed three projects to the "Human Architectures" exhibition at this year's Danish Pavilion.
The video shows the careful, painstaking process of molding, setting and assembling the 150kg model. Urban Agency told ArchDaily,
UPDATE: We have added new night photos of the i360 as the ‘breathing’ lighting has been switched on for the first time. The lights were designed by Do-Architecture and can be programmed to display a range of color and pattern options.
David Marks of Marks Barfield Architects, explains, “The concept for the lighting at the top of the tower is that it ‘breathes’, gently increasing and decreasing in intensity at the average rate of a human being breathing at rest.”
The world’s tallest moving observation tower, British Airways i360, will open to the public this Thursday, August 4th. Designed by Marks Barfield Architects, the firm behind the iconic London Eye, the i360 tower will transport 200 visitors at a time up 138 meters to take in views of the city of Brighton and Hove, the Sussex coast and the English Channel. With a height to width ratio of more than 40:1, the structure was also designated as the most slender tower in the world by the Guinness Book of World Records after topping out in February.
The second annual Z-Axis Conference, organised by the Charles Correa Foundation, will center on the notion of Buildings As Ideas. Held in the western Indian city of Goa at the Kala Academy, one of Correa's later projects, the conference is a tribute to his memory and belief that "buildings are ideas that manifest and take form." Jean Pierre Crousse, of Lima-based practice Barclay & Crousse, will open the conference with the keynote address; other international speakers include Camilo Rebelo, Ilze Wolff, Yung Ho Chang, Dick van Gameren and ArchDaily's James Taylor-Foster.
The notion of the "Primitive Hut" has been part of the architectural discourse for decades; indeed, history suggests that it provided the Ancient Greeks with direct inspiration for Doric Order. But how do you build a wattle and daub hut, or create tiled roof, or develop primitive underfloor heating—all from scratch—today?
In this interview, presented in collaboration with PLANE—SITE, Pierre Bélanger, curator of the Canadian contribution to the 2016 Venice Biennale—explains why Canada's practices of mining and extraction should be carefully understood for their architectural implications. Together with his firm OPSYS, Bélanger conceived of a miniaturized experience of an "inverted territorial intervention" so that Biennale visitors could personally experience and relate to "the complex ecologies and vast geopolitics of resource extraction."
For religious societies, heritage and traditions play an important role in maintaining identity, culture and allowing for the community's self-improvement, both spiritually but also in a spatial sense. Therefore, the way people occupy the place in which they live leads to the material fulfillment of religious aims.
With the creation of a place that follows their sacred order—the Jetavana—the community can be enriched while performing their traditions and rituals in a specific and proper way through architecture.
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This article is part of our new "Material Focus" series, which asks architects to elaborate on the thought process behind their material choices and sheds light on the steps required to get buildings actually built.
Installed last year, the Salling Tower provides a striking, sculptural landmark in Aarhus Docklands. From inside, its deceptively simple counterbalanced form provides a range of ways to look out over the harbor and the city - but from the outside the project's designers, Dorte Mandrup Arkitekter wanted the tower to take on an abstract appearance, referencing nautical themes with its sail-like shape and porthole-like openings all while obscuring the process of its own construction. To do this, the firm created a structure composed entirely of a single steel piece resting on top of its foundations. In this interview, project architect Noel Wibrand tells us about how the project's material choice contributed to the construction process.
With the contract to design and build the museum in Perth officially awarded to contractor Brookfield Multiplex, HASSELL + OMA have revealed the design for the New Museum for Western Australia. The WA Government commissioned HASSEL + OMA to design the cultural institution in April of this year.
HASSELL Principal and Board Director Mark Loughnan, and OMA Managing Partner-Architect David Gianotten stated: “Our vision for the design was to create spaces that promote engagement and collaboration, responding to the needs of the Museum and the community. We want it to create a civic place for everyone, an interesting mix of heritage and contemporary architecture, that helps revitalize the Perth Cultural Centre while celebrating the culture of Western Australia on the world stage. The design is based on the intersection of a horizontal and vertical loop creating large possibilities of curatorial strategies for both temporary and fixed exhibitions.”
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