Venice Architecture Biennale 202117th International Architecture Exhibition.
Get to know the 16th and the 15th edition.

Invited to participate in the 17th International Venice Architecture Biennale, Skidmore, Owings & Merrill (SOM) exhibits Life Beyond Earth, a vision for a Moon Village. Developed together with the European Space Agency (ESA), the installation presents a proposal for a sustainable ecosystem that would support human presence on the Moon, exploring the opportunity of expanding the scope of architecture. The project reaffirms the importance of space exploration while also highlighting its potential to advance knowledge that would help address issues on Earth.

OMA / Reinier De Graaf have been invited to exhibit at the 17th International Architecture Exhibition - La Biennale di Venezia. Titled "Hospital of the Future", the installation explores how after years of medical preparations and technological advancements, one pandemic was able to hinder medical progress, and kill the hospital as we know it, envisioning a new form of medical architecture.

Having been invited to participate in the 17th International Venice Architecture Biennale, architecture and design practice AAU ANASTAS presents the exhibition All-Purpose, which translates the craftmanship of stone into a new form of contemporary architecture. Exhibited within the Giardini, the structure featuring an undulating parametrised stone slab supported by thin, slender columns is a material exploration that builds on the Palestinian construction tradition to create a new architectural discourse around stone.

Several recurring qualities and topics were explored at the 17th Venice Architecture Biennale, answering curator Hashim Sarkis' question of "How Will We Live Together". Sarkis called upon architects “to imagine spaces in which we can generously live together”, spaces that are unbound by spatial or social contracts, and are flexible enough to welcome individuals and make them find a sense of belonging in an entirely different habitat. Unlike decades ago, migration today is no longer considered as relocating from rural areas to cities, where people needed to be in proximity to their workplaces. Technological advancements, new work modules, and most notably the pandemic altered the way people perceive spaces, making it possible to complete at least 85% of day-to-day responsibilities from practically anywhere in the world. What we have learned from previous cases, and what we are observing now, is that the built environment needs to be flexible.

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Among the many topics explored at the 17th Venice Architecture Biennale, the idea of community has been at the forefront, with several national pavilions exploring its many manifestations, evolution, and its relationship with the future of built environments. ArchDaily met with the curators of Testimonial Spaces, Emilio Marín and Rodrigo Sepúlveda, the Chilean Pavilion at the Biennale, and discussed how the project tackled the question of the future of living together and how they bridged the stories from Santiago to Venice. The interview was conducted in Spanish but is provided with English subtitles.

“Playground: Artifacts for Interaction”, by curator Felipe Ferrer, aims to transform the fences surrounding Peru's public spaces into tools for social integration. The project proposes removing the gates enclosing public spaces throughout Lima  and Peru's other urban centers, inviting residents to freely enter and interact with the spaces. By removing these "security" mechanisms, which really serve as tools of segregation, and installing benches, playgrounds, and soccer fields, the project aims to divert all the energy, time, and resources put into installing fences and channel it into bringing new life to these public spaces. 

EFFEKT Architects have been invited to exhibit their work at the 17th International Architecture Exhibition - La Biennale di Venezia. Titled "Ego to Eco", the installation focuses on the future of communities and ecosystems, and presents a series of 7 miniature projects created by the architecture firm, nestled within a fictional landscape. Exhibited at the Corderie dell'Arsenale, the exhibition will be on display from May 22nd until November 21st, 2021.

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The 17th Venice Architecture Biennale is currently unfolding, and its 60 national pavilions reveal a wide range of answers to the question "How will we live together". This year's edition restates the Biennale's role as a platform for inquiry, prompting a collective re-evaluation of pressing issues such as migration, inequality, climate change or the role of technology. While in Venice, Archdaily met virtually within the Korean pavilion with curator Hae-Won Shin, as the pandemic prevented the exhibition's creators to be present at the Biennale. The conversation explored the thinking behind "Future School" and how it creates a framework for collective learning and exploration.

In Conflict, the Portuguese Official Representation at the 17th Architecture International Exhibition La Biennale di Venezia, 2021, is co-curated by Carlos Azevedo, João Crisóstomo, and Luís Sobral of depA architects, and Miguel Santos. The exhibition addresses public spaces as arenas of conflict, understood as the action of opposing forces translated as dissension. In Conflict responds directly to the question 'How will we live together?' posed by Hashim Sarkis, curator of the Biennale Architettura, and is based on seven architectural processes involving collective dwellings that were the subjects of broad media coverage and public involvement.

Over the past couple of weeks, we have seen how countries have responded to “How will we live together” in 115 different ways. Some studied the environment and how to sustain it, while others explored how they can create a safe space for refugees and citizens to coexist. In this roundup, we are concluding the list of national pavilions displayed at the 17th International Architecture Exhibition – La Biennale di Venezia, and highlighting how they answered curator Hashim Sarkis' question.

Due to the complex worldwide pandemic situation that erupted in 2020, the Venice Biennale 2020 declared a one-year postponement. Finally, the Venice Biennale 2021 will be holding the 17° International Architecture Exhibition —How will we live together?— curated by Hashim Sarkis, from May 22 to November 21, 2021.

The Federal Secretary of Culture and the National Institute of Fine Arts and Literature (INBAL) present the exhibit, titled Desplazamientos (Displacements), which will represent Mexico in the 17th International Exhibition of Architecture-The Biennale of Venice, taking place from May 22 to November 21, 2021 in the Venetian Arsenal. The exhibition aims to redefine the way that Mexico participates in this distinguished space, one of architecture's global stages and a platform for countries to share their cultural heritage. The Mexican pavilion, titled Displacements, is the result of a dialogue between the representatives of the 12 chosen projects and the the curatorial team as a part of the process to transform the pre-established theme of the Venice Biennale and to formulate a dialogue through spatial, artistic, and constructive demonstration.

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The 17th Venice Architecture Biennale invited architects to ponder the question “How will we live together”, eliciting a variety of answers, readings and interpretations. The International Exhibition unfolding in Giardini, the Arsenale and Forte Maghera presents 112 participants in the competition, coming from 46 countries, whose contributions are organized into five scales: Among Diverse Beings, As New Households, As Emerging Communities, Across Borders, and As One Planet. Answering “How will we live together as a community? “ is Chilean office ELEMENTAL and Archdaily met in Venice with Alejandro Aravena to discuss the idea behind the project KOYAÜWE, which creates a space that recovers the tradition of parleys, as a means to address the historical Chilean-Mapuche conflict.

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To answer the Biennale's question of "How Will We Live Together", curators of the national pavilions explored what the future would look like in an architectural, cultural, and environmental context. Many saw the future as an entirely virtual environment whereas other highlighted the cruciality of physical coexistence with neighbors. ArchDaily met with Ippolito Pestellini Laparelli, curator of the Russian Pavilion, to discuss how the idea of the pavilion came together throughout the year as a virtual platform for interdisciplinary creative thinkers, the role of cultural institutions across physical and digital spaces, and how digitalization is always part of the conversation.

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"When we enter the restroom, we are never alone. Instead, we are entangled in a network of bodies, infrastructures, ecosystems, cultural norms, and regulations". Although restrooms are often overlooked facilities that cater to the needs of individuals, they are, however, spaces where gender, religion, race, hygiene, health, and the economy are defined and expressed. For the 17th International Architecture Exhibition at La Biennale di Venezia, Matilde Cassani, Ignacio G. Galán, Iván L. Munuera, and Joel Sanders designed two pavilions that exhibit how restrooms are political architectures, serving as battlegrounds for the world's disputes.

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After several postponements and numerous challenges, the 17th Venice Architecture Biennale is finally taking place, bringing into focus a diverse array of answers to the question “How will we live together”. The theme gained even more relevance in the context of the pandemic and this year’s edition restates the importance of the Biennale as a platform for inquiry and collective exploration. Archdaily had the opportunity to meet in Venice with the curator of the French Pavilion, architect Christophe Hutin to discuss the thinking behind “Communities at Work” and the immersive experience of the exhibition.