The Royal Academy of Arts’ (RA) in London will soon be transformed into a multi-sensory “architectural maze” with the construction of seven installations by seven world-famous architects for the exhibit, Sensing Space: Architecture Reimagined. Participants, handpicked by curators Kate Goodwin and Drue Heinz, include Alvaro Siza, Eduardo Souto de Moura, Pezo von Ellrichshausen and Kengo Kuma.
The Architecture Foundation, in collaboration with Rogers Stirk Harbour + Partners and the Royal Academy of Arts, has shortlisted five multidisciplinary, architect-led teams to envision future development along the Tidal Thames in London. The competition, dubbed London As It Could Be Now: New Visions for the Thames, will challenged the teams to put forward new ideas for self-selected sites along the river that are relevant to changing social, economic, cultural and environmental conditions and concerns.
The shortlisted teams are:
Despite a rise in female architecture students, the amount of women in architecture continues drop in the UK. Though this is not the case in many parts of the world - as female architects reportedly outnumber the men in South America - the UK has yet to find a solution to equalize the numbers for professional women in architecture. Jane Duncan, founder of Jane Duncan Architects and RIBA equality and diversity champion, weighs in the issue by asking “Why are so many women leaving architecture, and how can we buck the trend?” here The Guardian.
FAT Architecture, Crimson Architectural Historians and Owen Hatherley have been selected to curate the British Pavilion at the 2014 Venice Biennale next June. The chosen team will respond to Rem Koolhaas’ theme “Absorbing Modernity: 1914-2014” with a project titled “A Clockwork Jerusalem.”
Vicky Richardson, British Council, said: "We look forward to working with FAT, Crimson and Owen Hatherley on ‘A Clockwork Jerusalem’. The Selection Committee felt their approach was both challenging and poetic, and that their work will make an important contribution to understanding modernity in British architecture."
The University of Cambridge Library, with the Department of Architecture, recently launched a landscape design competition to transform the space surrounding Cambridge University Library. Open to professionals and non-professionals alike, they are looking for bold submissions that reimagine the open spaces and environment of the iconic Giles Gilbert Scott building. A monumental presence both within the University and the city, entries to the competition will be judged on their innovative interpretation of the site, its context, use and history – as well as their ability to integrate contemporary ecological research. Entries should also promote new visibility for the Library and encourage people to think about the role of the site on the western edge of the city. The registration deadline is September 30, and the deadline for submissions is November 30. For more information, please visit here.
In an article by the Architects' Journal, Tony Fretton is quoted as saying there ought to be fewer architecture schools in the UK, with more difficult entry requirements and a higher failure rate. "There should be a shortage of architects in the UK," he says, "fewer bad architects, fewer good architects".
Citing Switzerland and the Netherlands as countries which do well with just 2 or 3 major architecture schools, he believes that architectural education should be concentrated into just a few schools in order to give students more access to the best tutors.
Read more about Fretton's proposal after the break
Five London-based firms - AHMM, Allies & Morrison, Foster & Partners, Keith Williams Architects and Lifschutz Davidson Sandilands - have been selected to compete for the “Scotland Yard” redevelopment of the abandoned Curtis Green MPS building on the Victoria Embankment. As reported by BDOnline, the shortlisted firms will each propose a “landmark building for London” that will provide a “modern and efficient working environment” for the new Metropolitan Police Service Headquarters. The judging panel, spearheaded by architect Bill Taylor and RIBA Adviser Taylor Snell, will review the proposals in September.
Shanghai-based developer ZhongRong Holdings is working with Arup on an ambitious proposal to reconstruct Joseph Paxton’s Crystal Palace in London. Originally built to house the Great Exhibition of 1851, the 80,000 square-meter cast iron and glass structure was relocated from Hyde Park to south-east London in 1854 where it was ultimately destroyed by fire in 1936.
UPDATED: Out of 52 exemplars of UK architecture, RIBA has chosen the six buildings that will compete for the prestigious RIBA Stirling prize (awarded to the building that makes the greatest contribution to British architecture that year). See the six contenders, including a video of each, after the break...
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Norman Foster’s Swiss Re Headquarters, a.k.a. “The Gherkin,” has been selected as the Council on Tall Buildings and Urban Habitat’s (CTBUH) first 10 Year Award recipient. The uniquely-shaped skyscraper, as described by CTBUH, “cleared the way for a new generation of tall buildings in London and beyond. Ten years on, its tapering form and diagonal bracing structure afford numerous benefits: programmatic flexibility, naturally ventilated internal social spaces that provide user comfort while reducing energy demand, and ample, protected public space at the ground level.”
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Most critics agree that this year's shortlist for the Stirling Prize is more "modest" than in past years - which is not to say that they didn't have plenty to say on RIBA's selection. Check out the critical responses from The Financial Times' Edwin Heathcoate, The Guardian's Oliver Wainwright and The Independent’s Jay Merrick, after the break...
BD Online reports that the British Council has shortlisted two teams who will compete for the honor of curating the British Pavilion at the 2014 Venice Architecture Biennale. With Rem Koolhaas at the helm of this year's Biennale (June 7 - November 23), the selected theme will be: ‘Absorbing Modernity: 1914-2014.’
In the international competition to improve the facade of one of Bristol’s most hated buildings, three finalists were just announced which will be narrowed down to an single winner later this summer. The challenge encouraged participants to put forward concepts for a facelift to improve the aesthetics and performance of Bristol Royal Infirmary. The shortlisted designs are Veil by Spain’s Nieto Sobejano; Vertical Garden by Swedes Tham & Videgård; and Light and Air by US design office Solid Objectives-Idenburg Liu (SO-IL). More images and information after the break.
The Royal Institute of British Architects (RIBA) has unveiled the 2013 RIBA National Award winners, a shortlist of 52 exemplars in design excellence from the UK and EU that will compete for the prestigious RIBA Stirling Prize. This year’s award winners were selected from practices of all sizes and projects of all scales, ranging from a beautifully-crafted chapel in the back garden of an Edinburgh townhouse to the innovative yellow-roofed Ferrari Museum in Italy. Notably, one third of the UK winners are exceptionally designed education buildings.
The 43 UK buildings that have won an RIBA National Award are:
The saga of the Southbank Centre redevelopment in London heated up recently, after the scheme for the new 'Festival Wing' was formally submitted to Lambeth's planning department. The scheme, which has been well received by some of the architecture community, including the centre's original architects Norman Engleback and Dennis Crompton, has run afoul of the skateboarding community, which opposes the plan to infill the undercroft that has been their home for almost 40 years.
After a petition to save the skatepark garnered over 40,000 signatures, the skating community has mobilized once again to object to the planning application en masse. The campaign to save the skatepark has even garnered the attention of skateboarding legend Tony Hawk, who wrote to the Southbank Centre's director of partnership and policy Mike McCart to explain that:
“It’s truly an historic feature of London street culture, and is as well known to skateboarders around the world as Big Ben or Buckingham Palace. Honestly.”
Sou Fujimoto's 2013 Serpentine Pavilion, now complete and standing on the front lawn of London’s Serpentine Gallery, has opened to the press and we are now able to see Iwan Baan's photographs of the temporary pavilion. Fujimoto will be lecturing to a sold out crowd this coming Saturday (June 8th) when the pavilion opens to the general public. The semi-transparent, multi-purpose social space will be on view until October 20th.
Fujimoto (age 41) is the youngest architect to accept the Serpentine Gallery’s invitation, joining the ranks of Herzog & de Meuron and Ai Weiwei (2012), Peter Zumthor (2011), Jean Nouvel (2010), SANAA (2009), and more. He described his Serpentine project as "...an architectural landscape: a transparent terrain that encourages people to interact with and explore the site in diverse ways. Within the pastoral context of Kensington Gardens, I envisage the vivid greenery of the surrounding plant life woven together with a constructed geometry. A new form of environment will be created, where the natural and the man-made merge; not solely architectural nor solely natural, but a unique meeting of the two."
The Guardian has posted both print and video reviews by Oliver Wainwright.
More images by Iwan Baan after the break. See also In Progress: Serpentine Gallery Pavilion / Sou Fujimoto.
The Royal Institute of British Architects (RIBA) just announced the launch of a new design competition on behalf of the Mayor’s Office for Policing and Crime (MOPAC) and Metropolitan Police Service (MPS) to create a new central London Headquarters - replacing their existing New Scotland Yard building. The Invited Design Competition provides architects/practices with the opportunity to produce a design for the renovation of this landmark in one of London’s most important and historic areas - to provide a modern, flexible and secure office environment for the MPS. The deadline for submissions is June 27. For more information, please visit here.
A recent report by the UK Architectural Education Review Group has highlighted the high cost of education as a barrier which prevents less wealthy students from accessing the profession, reveals BDonline. Among a number of concerns raised about the current state of architectural education, it says that the cost to study architecture in the UK could "create an artificial barrier to the profession based solely on a student’s willingness to accept high levels of personal debt".
Architecture has long been seen as a pastime of the wealthy, as evidenced by Philip Johnson's claim that "the first rule of architecture is be born rich, the second rule is, failing that, to marry wealthy". However, the report acknowledges the fact that making the profession open to people of all backgrounds is not only a moral imperative, but will be vital to bring the best talent into the field.
Read more about the barriers surrounding the profession of architecture after the break