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Painting: The Latest Architecture and News

The Creative Process of Zaha Hadid, As Revealed Through Her Paintings

06:30 - 25 February, 2019
Vision for Madrid - 1992. Image Cortesía de Zaha Hadid
Vision for Madrid - 1992. Image Cortesía de Zaha Hadid

Internationally renowned for her avant-garde search for architectural proposals that reflect modern living, Zaha Hadid made abstract topographical studies for many of her projects, intervening with fluid, flexible and expressive works that evoke the dynamism of contemporary urban life.

In order to further knowledge of her creative process and the development of her professional projects, here we have made a historic selection of her paintings which expand the field of architectural exploration through abstract exercises in three dimensions. These artistic works propose a new and different world view, questioning the physical constraints of design, and showing the creative underpinnings of her career.

The Peak - 1983. Image Cortesía de Zaha Hadid The World (89 Degrees) - 1983. Image Cortesía de Zaha Hadid Great Utopias - 1992. Image Cortesía de Zaha Hadid Hafenstrasse Development. Image Cortesía de Zaha Hadid + 34

BDA Prize 2019: INVISIBLE C'VILLE

06:01 - 21 November, 2018
BDA Prize 2019: INVISIBLE C'VILLE, BDA Prize 2019: INVISIBLE C'VILLE
BDA Prize 2019: INVISIBLE C'VILLE

The BDA Prize, an annual design and ideas competition, exists to generate forward-looking ideas to better our community through design and dialogue.

Le Corbusier’s Paintings Showcased for the First Time Since 1966

06:00 - 14 October, 2018
Trois baigneuses, 1935. Image © The Foundation Le Corbusier / FLC ADGAP
Trois baigneuses, 1935. Image © The Foundation Le Corbusier / FLC ADGAP

They say one cannot separate art from the artist, or perhaps in this case, the artist from the architect. Arguably one of the most criticized architects, Le Corbusier is often portrayed as cold and controlling. Depicting his more dreamy and humorous nature, the Nasjonalmuseet's exhibition titled, “Le Corbusier by the Sea,” draws upon his memories from his summer travels along the coast of southwest France.

Hosted in Villa Stenersen, one of the National Museum's venues, the exhibition showcases Le Corbusier's work as an artist during the period 1926-36. Not only does the exhibition include fifteen of his reproduced paintings alongside a collection of sketches, but also screens two films from Le Corbusier's own footage of his surrounding views.

Trois figures de femme et chien. Image © The Foundation Le Corbusier / FLC ADGAP Baigneuse, barque et coquillage. Image © The Foundation Le Corbusier / FLC ADGAP Le déjeuner près du pare, 1928. Image © The Foundation Le Corbusier / FLC ADGAP La pêcheuse d'huitres, 1935. Image © The Foundation Le Corbusier / FLC ADGAP + 8

Roberto Burle Marx's Legacy Reveals The Role of Landscape Architects

14:00 - 30 September, 2017
Roberto Burle Marx's Legacy Reveals The Role of Landscape Architects, © TYBA
© TYBA

There wasn’t much in the way of art that Roberto Burle Marx couldn’t do. He was a painter, print-maker, sculptor, stage designer, jeweler, musician, tapestry-maker and one of the leading landscape architects in the 20th century. Marx’s passion for art, in all forms, strengthened his ability to design landscapes.

Is This the World's Largest Mural?

08:00 - 12 July, 2017

Street Artist Misha Most have finished a gargantuan project – a 10,800 square meter mural set to be the world's largest in Vyska, Russia. The giant mural, titled “Evolution-2” covers the facade of the "Stan-5000" industrial complex from the oldest Russian manufacturer, Vyksa Steel Works. The mural project was chosen in the course of the "Vyksa 10000" open competition and is part of the ArtOvrag urban art festival curated by Sabina Changina and Russian creative studio Artmossphere. Artmossphere is known for curating various art projects, exhibitions, and festivals connected with street art with both established and upcoming street artists.

© Artmossphere © Kirill Makarov © Artmossphere © Artmossphere + 33

How Painter Ben Johnson Takes Architectural Representation to Incredible Levels of Realism

04:00 - 8 December, 2015
How Painter Ben Johnson Takes Architectural Representation to Incredible Levels of Realism, 'Approaching the Mirador' (2013, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson
'Approaching the Mirador' (2013, acrylic on canvas, 89 x 59in / 225 x 150cm). Image © Ben Johnson

Ben Johnson is a painter preoccupied by realism – especially when it comes to the two-dimensional representation of architectural space. A British artist practicing in London, Johnson has been working professionally since the mid-1960s. In that time his extensive œuvre has encompassed painted cityscapes and prints to depictions of rooms designed—among others—by Norman Foster, John Pawson, I. M. Pei, and David Chipperfield.

'Room of the Niobids II' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Fatherland Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Roman Room' (2014, acrylic on canvas, 71 x 93in / 180 x 237cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson 'Room of the Niobids' (2011, acrylic on canvas, 71 x 99in / 180 x 252cm): depiction of the Neues Museum (Berlin) by David Chipperfield Architects & Julian Harrap. Image © Ben Johnson + 19

Zaha Hadid on Russian Artist Kazimir Malevich

00:00 - 24 July, 2014
Zaha Hadid on Russian Artist Kazimir Malevich, Zaha Hadid RA, The Peak Blue Slabs, 1982-83. Image © Zaha Hadid / Royal Academy of Arts
Zaha Hadid RA, The Peak Blue Slabs, 1982-83. Image © Zaha Hadid / Royal Academy of Arts

In an article for London's Royal Academy of Arts Magazine entitled Plane Sailing, Zaha Hadid discusses the influence of Russian Suprematist painter Kazimir Malevich on her own design work. In Hadid's early work, such as The Peak Blue Slabs (1982/83), the visual connections to Malevich's strict, regular shapes and lines are evident.

Painting: Vitra Fire Station. Image © Zaha Hadid Relief Model: Vitra Fire Station. Image Courtesy of Zaha Hadid Architects Painting: Vitra Fire Station. Image © Zaha Hadid Vitra Fire Station, Germany. Image © Wojtek Gurak + 6

Building on Canvas: Sarah McKenzie and the New American Landscape

14:00 - 25 February, 2009

In recent years, the art world has played host to a number of lively explorations of architecture and the built environment. (In 2006, The New Yorker went so far as to snipe, “Painting about architecture has become popular to the point of excess, much the way seventies artists went overboard on the cube.”) By looking at architecture through the lenses of politics, psychology, humor, and more, artists have been helping to enrich the conversation about the field.

Last week I sat down with painter Sarah McKenzie, who was in New York for the opening of her new show, Building Code, to discuss her thoughts on art and architecture. McKenzie, who first came to public attention for her aerial views of suburban developments, currently uses images of construction sites as her source material.

The interview after the break.