The Pritzker Military Museum & Library has selected Los Angeles-based Oyler Wu Collaborative as the winner of an international design competition that aims to honor members of the United States Armed Forces who served during the Cold War. The winning design, titled Orbits, embodies the "dedication, optimism, and hope that is emblematic of the veterans' enduring spirit", as the structure emerges from the ground to become an architectural tribute to the war veterans.
Oyler Wu Collaborative and Taiwanese partner Ren Lai Architects have won a competition to re-envision the Kaohsiung Museum of Fine Arts in Taiwan. Selected among finalists including Asif Khan with C.M.Chao Architects, Sou Fujimoto Architects with WSAA Design Team, and Liao Architects and Associates, the winning project proposes a newly renovated exterior that seeks to reconnect the building with its evolving context.
The Midnight Charette is an explicit podcast about design, architecture, and the everyday. Hosted by architectural designers David Lee and Marina Bourderonnet, it features a variety of creative professionals in unscripted conversations that allow for thoughtful takes and personal discussions. A wide array of subjects are covered with honesty and humor: some episodes provide useful tips for designers, while others are project reviews, interviews, or explorations of everyday life and design. The Midnight Charette is also available on iTunes, Spotify, and YouTube.
This week David and Marina are joined by Dwayne Oyler, Architect, Professor at SCI-Arc, and Co-Founder of Oyler Wu Collaborative, to discuss the pros and cons of digital and physical making, building tricycles, the evolution of their office, translating conceptual work to buildings, welding, power tools, the importance of being selective in your work, and more!
SCI-Arc’s “Close-up” exhibition is currently on display at the SCI-Arc gallery, featuring architectural details designed with the use of digital technology by top architects in the field. The exhibit, curated by Hernan Diaz Alonso and David Ruy, seeks to explore the impact of new computational tools not only on large-scale building analysis, but also on the “traditions of tectonic expression” associated with architectural detail.
“Out of the many critical shifts that the discipline has gone through in the last 25 years with the explosion of new technologies and digital means of production, the notion of the construction detail has been largely overlooked,” Diaz Alonso said. “This show attempts to shed light on the subject of tectonic details by employing a fluid and dynamic movement of zooming in and zooming out in the totality of the design.”
The 16 exhibitors include architecture firms like Morphosis, Gehry Partners and UN Studio – see preview images of them all after the break.
Oyler Wu Collaborative, in collaboration with Michael Kalish, shared with us their video, reALIze, which documents the development and fabrication of the 2011 reALIze installation, a tribute to the life and cultural significance of Muhammad Ali. The project is aimed at exposing a new generation to this larger than life character by building an appreciation for the nuanced emotional, aesthetic, and technical principles that collectively form experience – a concept that holds true as much for human persona as it does for architecture.
As the SCI-Arc students finalize their thesis projects each September, they join the faculty in an annual ritual of constructing a temporary pavilion that will host that year’s graduation ceremony. Produced by Them Too Productions, this video documents the development and fabrication of Netscape, the 2011 SCI-Arc Graduation Pavilion by Oyler Wu Collaborative and the students of SCI-Arc. View ArchDaily’s detailed coverage of the 2011 pavilion HERE.
Designed as collaboration between Oyler Wu Collaborative and Michael Kalish, this traveling installation is built as a tribute to the life and cultural significance of Muhammad Ali. The project is aimed at exposing a new generation to this larger than life character by building an appreciation for the nuanced emotional, aesthetic, and technical principles that collectively form experience – a concept that holds true as much for human persona as it does for architecture.
Conceived of as an experiential 2-D image, the core of the project is a seemingly random field of 1300 boxing speed bags that, when viewed from a single vantage point, form a pixilated image of the face of Muhammad Ali. The structure is designed with the intention of simultaneously supporting the clarity and focus from that vantage point, while enriching the experience of the piece from all others, through a combination of dense structural bundles, material effects, and geometrical repetition.
Oyler Wu Collaborative Project Team: Dwayne Oyler, Jenny Wu, Mike Piscitello, Jacques Lesec, Vincent Yeh, Paul Cambon, Huy Le, Nathan Meyers, Han Zhang, Scott Starr, Jake Henry, Vincent Yeh, Ehab Ghali, Sanjay Sukie, Chris Eskew, and Matt Evans Michael Kalish Project Team: Michael Kalish, Robert Lepiz Engineering: Buro Happold Engineers Photography: Dwayne Oyler
Follow the break for further description and images.
This villa is located in plot ORDOS project.
Architects: Oyler Wu Collaborative Location: Ordos, Inner Mongolia, China Project Team: Dwayne Oyler, Jenny Wu, Fayez Ahbad, Phillip Cameron, Jian Huang, Huy Le Consulting Structural Engineer: Buro Happold Design year: 2008 Construction year: 2009Curator: Ai Weiwei, Beijing, China Client: Jiang Yuan Water Engineering Ltd, Inner Mongolia, ChinaConstructed Area: 1,000 sqm aprox
This proposal for a 1000 square meter villa in Inner Mongolia, China is part of a development of 100 villas to be designed by 100 architects from 27 different countries. The project is coordinated by Ai Wei Wei of FAKE Design, Beijing.
