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Metropolis Mag: The Latest Architecture and News

Yasaman Esmaili’s Architectural Work Engages with Communities Around the World

07:00 - 17 July, 2019
Yasaman Esmaili’s Architectural Work Engages with Communities Around the World, Hikma Religious and Secular Complex. Image © James Wang via Metropolis Magazine
Hikma Religious and Secular Complex. Image © James Wang via Metropolis Magazine

Though born in Tehran and remaining deeply inspired by her native Iran, architect Yasaman Esmaili has worked on projects all around the world. These primarily include humanitarian and crisis intervention works that deeply engage the local communities in which they are situated. A recent article by Metropolis Magazine discusses these projects in depth, as well as Esmaili’s story and inspirations.

Olson Kundig's Innovative Office Renovation and Expansion

10:00 - 13 July, 2019
Olson Kundig's Innovative Office Renovation and Expansion, Olson Kundig's Pioneer Building office blends historical detailing with modern accents. Image © Andrew Pogue via Metropolis Magazine
Olson Kundig's Pioneer Building office blends historical detailing with modern accents. Image © Andrew Pogue via Metropolis Magazine

Olson Kundig is one of the quintessential Seattle-based architectural practices, with a focus on creativity, experimentation, and craftsmanship that has allowed them to expand on a global scale over the past few decades. This expansion has necessitated office improvements and renovations throughout the years, the most recent of which occurred in 2018. As explored in a recent article by Metropolis Magazine, this 2018 expansion reflected key values of collaboration and flexibility, expressed through the firm's unique visual and kinetic language.

Ian McHarg's Legacy Spurs "Design With Nature Now" Initiative 50 Years Later

10:00 - 29 June, 2019
Ian McHarg's Legacy Spurs "Design With Nature Now" Initiative 50 Years Later, McHarg promoting his book in 1969. Image Courtesy of the Architectural Archives, University of Pennsylvania
McHarg promoting his book in 1969. Image Courtesy of the Architectural Archives, University of Pennsylvania

Fifty years have passed since the publication of influential landscape architect Ian McHarg’s book, Design With Nature in 1969. Throughout the United States, an environmental movement was taking place, into the center of which McHarg’s book was thrust. The 1970s and ‘80s were a time of much landmark legislation surrounding ecological concerns, and McHarg argued that landscape architecture alone was able to integrate all the disparate fields involved.

The New York Botanical Garden Opens Expansive Show on Roberto Burle Marx

10:00 - 23 June, 2019
The New York Botanical Garden Opens Expansive Show on Roberto Burle Marx, The “Modernist Garden” section of the exhibition. Courtesy NYBG
The “Modernist Garden” section of the exhibition. Courtesy NYBG

This article was originally published on Metropolismag.com.

Material Artistry Meets Modern Forms with SO-IL

04:00 - 3 June, 2019
Material Artistry Meets Modern Forms with SO-IL, CTF Museum under construction within the existing KPF development. Image Courtesy of SO-IL
CTF Museum under construction within the existing KPF development. Image Courtesy of SO-IL

As a firm which has already won major awards, worked on culturally significant projects on a large scale, and generally achieved substantial success and recognition in just over 10 years, SO-IL seem to straddle a line between being an “emerging” and an “established” practice. Florian Idenburg and Jing Liu founded SO-IL (Solid Objectives-Idenburg Liu) in 2008 and have since gained a reputation for modern, clean-lined designs, but often with a unique material twist.

MINI LIVING - Breathe, SO-IL. Image Courtesy of SO-IL Kukje Gallery. Image © Iwan Baan Jan Shrem and Maria Manetti Shrem Museum of Art, SO-IL. Image © Iwan Baan The 30-foot-tall glass tubes in the CTF facade. Image Courtesy of SO-IL + 5

How Two Getty Initiatives Are Saving Global Modernist Heritage

10:00 - 2 June, 2019
How Two Getty Initiatives Are Saving Global Modernist Heritage, Courtesy Joe Belcovson for the Salk Institute for Biological Studies. ImageIn 2012, the Getty Conservation Institute founded its Conserving Modern Architecture Initiative (CMAI), with the Getty Foundation’s Keeping It Modern grant following two years later. Working synergistically, the two programs are dedicated to supporting new methods and technologies for the conservation of Modernist buildings. Louis Kahn’s Salk Institute for Biological Studies (1965) in La Jolla, California, has been the beneficiary of both CMAI and Keeping It Modern.
Courtesy Joe Belcovson for the Salk Institute for Biological Studies. ImageIn 2012, the Getty Conservation Institute founded its Conserving Modern Architecture Initiative (CMAI), with the Getty Foundation’s Keeping It Modern grant following two years later. Working synergistically, the two programs are dedicated to supporting new methods and technologies for the conservation of Modernist buildings. Louis Kahn’s Salk Institute for Biological Studies (1965) in La Jolla, California, has been the beneficiary of both CMAI and Keeping It Modern.

This Article was originally published on Metropolismag.com.

The Conserving Modern Architecture Initiative (CMAI) and Keeping It Modern grant are dedicated to supporting new methods and technologies for the conservation of Modernist buildings.

10 Buildings That Helped Define Modernism in New York City

08:00 - 18 May, 2019
211 East 48th Street, Midtown East, William Lescaze, 1934. Image © Mark Wickens
211 East 48th Street, Midtown East, William Lescaze, 1934. Image © Mark Wickens

Greater Refuge Temple, Harlem, Costas Machlouzarides, 1966. Image © Mark Wickens Monsignor Farrell High School, Staten Island, Charles Luckman Associates, 1962. Image © Mark Wickens The “Bubble House” (1969) on East 71st Street is one of the city’s most idiosyncratic Modern buildings. Its convex apertures are surprisingly operable, swiveling open from the side. Image © Mark Wickens Tribeca Synagogue, William N. Breger, 1967. Image © Mark Wickens + 12

This Article was originally published on Metropolis Magazine here.

The story of architectural Modernism in New York City goes beyond the familiar touchstones of Lever House and the Seagram Building.

Eighty-five years on, the little white town house on East 48th Street by William Lescaze still startles. With its bright stucco and Purist volumes, it pulls the eye away from the do-nothing brownstones on one side and the noirish sub-Miesian tower on the other. The machined rectitude of its upper floors, telegraphed by two clumsily large spans of glass block, is offset by the freer plastic arrangement of the bottom levels. Le Corbusier’s five points are in evidence (minus the roof garden), suggesting an architecture ready to do battle. Built in 1934 from the shell of a Civil War–era town house, this was the first Modernist house in New York City, and its pioneering feeling for futurity extended to its domestic conveniences. (A skeptical Lewis Mumford noted its central air-conditioning.)

Perched Over 2,000-Year-Old Roman Mosaics and Ruins, This Hotel Takes a Bold Approach to Historic Preservation

06:00 - 11 May, 2019
Perched Over 2,000-Year-Old Roman Mosaics and Ruins, This Hotel Takes a Bold Approach to Historic Preservation, As its name implies, the Antakya Museum Hotel is an unlikely hybrid in its program and architecture. As to the latter, the structure combines prefabricated concrete blocks with steel—a lot of it.. Image Courtesy Cemal Emden
As its name implies, the Antakya Museum Hotel is an unlikely hybrid in its program and architecture. As to the latter, the structure combines prefabricated concrete blocks with steel—a lot of it.. Image Courtesy Cemal Emden

This article was originally published on Metropolis Magazine.

Designed by EAA–Emre Arolat Architecture, the 199-room hotel in Antakya, Turkey, features prefab modules slotted into a massive network of steel columns.

The urban surfaces we walk on, planed sidewalks cleared of debris or asphalt streets kept in good repair, are simply the topmost layers of human-churned earth extending sometimes hundreds of feet belowground. In some cities, digging downward exposes dense infrastructure networks, while in others—Antakya, Turkey, for one—construction workers can’t turn over a rock without uncovering priceless relics. The newly opened Antakya Museum Hotel, designed by the firm EAA–Emre Arolat Architecture, has turned one such discovery into a bold new strategy for historic preservation.

Why Technology Isn’t The Answer for Making Cities Smarter

07:00 - 7 May, 2019
Why Technology Isn’t The Answer for Making Cities Smarter, via KENTOH/ISTOCK
via KENTOH/ISTOCK

Innovation and technology are often presented as inextricably linked ideas. Yet, when it comes to solving today’s urban problems, technology does not always represent the best way forward.

Innovation instead should come from a thorough understanding of the city’s functions and processes, including its municipal government and other local organizations. Technology can help, yes, but cannot be used as a panacea.

P-A-T-T-E-R-N-S' Latest Expressive, Experimental Pavilion: Textile Room

00:00 - 16 August, 2013
P-A-T-T-E-R-N-S' Latest Expressive, Experimental Pavilion: Textile Room

This article originally appeared in Metropolis Magazine's Point of View Blog as "Working at the Crystalline Level."

Los Angeles-based P-A-T-T-E-R-N-S is among the most intriguing and progressive firms working in architecture today. They seem relentless in pushing boundaries in areas like ultra-light-weight high-tech materials and immersive media. They are also very thoughtful and patient in the way they approach design.

This is good because what they are engaged in and the way they work takes time. By collaborating with engineers and innovators in different industries they are slowly changing the way architecture is carried out and conceived on material and ontological levels. They don’t do spec homes, they do what’s new, and sometimes try to do what hasn’t been done yet.

Founder and co-principal Marcelo Spina and co-principal Georgina Huljich both teach, he at SCI-ARC and she at UCLA, where they pursue research interests with students and then reflect that back into their small but energetic practice tucked away in one of Los Angeles’ rustic urban edges, Atwater Village.

One thing to recently emerge from this office is the experimental carbon fiber pavilion they call Textile Room.