Though born in Tehran and remaining deeply inspired by her native Iran, architect Yasaman Esmaili has worked on projects all around the world. These primarily include humanitarian and crisis intervention works that deeply engage the local communities in which they are situated. A recent article by Metropolis Magazine discusses these projects in depth, as well as Esmaili’s story and inspirations.
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Olson Kundig is one of the quintessential Seattle-based architectural practices, with a focus on creativity, experimentation, and craftsmanship that has allowed them to expand on a global scale over the past few decades. This expansion has necessitated office improvements and renovations throughout the years, the most recent of which occurred in 2018. As explored in a recent article by Metropolis Magazine, this 2018 expansion reflected key values of collaboration and flexibility, expressed through the firm's unique visual and kinetic language.
Fifty years have passed since the publication of influential landscape architect Ian McHarg’s book, Design With Nature in 1969. Throughout the United States, an environmental movement was taking place, into the center of which McHarg’s book was thrust. The 1970s and ‘80s were a time of much landmark legislation surrounding ecological concerns, and McHarg argued that landscape architecture alone was able to integrate all the disparate fields involved.
As a firm which has already won major awards, worked on culturally significant projects on a large scale, and generally achieved substantial success and recognition in just over 10 years, SO-IL seem to straddle a line between being an “emerging” and an “established” practice. Florian Idenburg and Jing Liu founded SO-IL (Solid Objectives-Idenburg Liu) in 2008 and have since gained a reputation for modern, clean-lined designs, but often with a unique material twist.
The Conserving Modern Architecture Initiative (CMAI) and Keeping It Modern grant are dedicated to supporting new methods and technologies for the conservation of Modernist buildings.
The story of architectural Modernism in New York City goes beyond the familiar touchstones of Lever House and the Seagram Building.
Eighty-five years on, the little white town house on East 48th Street by William Lescaze still startles. With its bright stucco and Purist volumes, it pulls the eye away from the do-nothing brownstones on one side and the noirish sub-Miesian tower on the other. The machined rectitude of its upper floors, telegraphed by two clumsily large spans of glass block, is offset by the freer plastic arrangement of the bottom levels. Le Corbusier’s five points are in evidence (minus the roof garden), suggesting an architecture ready to do battle. Built in 1934 from the shell of a Civil War–era town house, this was the first Modernist house in New York City, and its pioneering feeling for futurity extended to its domestic conveniences. (A skeptical Lewis Mumford noted its central air-conditioning.)
Perched Over 2,000-Year-Old Roman Mosaics and Ruins, This Hotel Takes a Bold Approach to Historic Preservation
This article was originally published on Metropolis Magazine.
Designed by EAA–Emre Arolat Architecture, the 199-room hotel in Antakya, Turkey, features prefab modules slotted into a massive network of steel columns.
The urban surfaces we walk on, planed sidewalks cleared of debris or asphalt streets kept in good repair, are simply the topmost layers of human-churned earth extending sometimes hundreds of feet belowground. In some cities, digging downward exposes dense infrastructure networks, while in others—Antakya, Turkey, for one—construction workers can’t turn over a rock without uncovering priceless relics. The newly opened Antakya Museum Hotel, designed by the firm EAA–Emre Arolat Architecture, has turned one such discovery into a bold new strategy for historic preservation.
Innovation and technology are often presented as inextricably linked ideas. Yet, when it comes to solving today’s urban problems, technology does not always represent the best way forward.
Innovation instead should come from a thorough understanding of the city’s functions and processes, including its municipal government and other local organizations. Technology can help, yes, but cannot be used as a panacea.
This article originally appeared in Metropolis Magazine's Point of View Blog as "Working at the Crystalline Level."
Los Angeles-based P-A-T-T-E-R-N-S is among the most intriguing and progressive firms working in architecture today. They seem relentless in pushing boundaries in areas like ultra-light-weight high-tech materials and immersive media. They are also very thoughtful and patient in the way they approach design.
This is good because what they are engaged in and the way they work takes time. By collaborating with engineers and innovators in different industries they are slowly changing the way architecture is carried out and conceived on material and ontological levels. They don’t do spec homes, they do what’s new, and sometimes try to do what hasn’t been done yet.
Founder and co-principal Marcelo Spina and co-principal Georgina Huljich both teach, he at SCI-ARC and she at UCLA, where they pursue research interests with students and then reflect that back into their small but energetic practice tucked away in one of Los Angeles’ rustic urban edges, Atwater Village.
One thing to recently emerge from this office is the experimental carbon fiber pavilion they call Textile Room.