As part of the Shenzhen Architecture Biennale, Finnish practice Lassila Hirvilammi Architects entered into a collaboration with Chinese architect Gigi Leung to explore the themes of copying, authenticity and knowledge transfer between cultures. Working with master craftsmen, they created two versions of the same space (each influenced by their respective cultures), intentionally blurring the line between copying and taking inspiration.
Read on for more on this lesson in sharing differing architectural understandings
Orproject, a London-based architecture practice, completed a room-sized, nature-inspired canopy titled, 'Vana,' for the India Design Forum exhibited in The Brick House in New Delhi.
Read what the architects' had to say after the break...
Akaran Architects, in collaboration with IRANBON, have been selected as one of four finalist for their proposal 'My Iran,' a pavilion representing the Islamic Republic of Iran in the Milan Expo 2015. The team will now join the other finalists to refine their ideas into a single proposal. The rectangular site (20 by 100 meters) is a 'resonant landscape,' aiming to showcase the central theme: feeding the planet, energy for life.
https://www.archdaily.com/463316/competition-entry-my-iran-expo-milan-2015-akaran-architects-and-iranbonJose Luis Gabriel Cruz
Hehas made his debut in the MAXXI piazza. As the winner of the Young Architects Program (YAP) in Rome, Turin-based studio Bam! Bottega di Architettura metropolitan has transformed the concrete facade of the Zaha Hadid-designed museum into a visual spectacular with the installation of a yellow, translucent and aerostatic prism.
Khao Mo, which translates as Mythical Escapism, is a reflective sculptural work by Sanitas Studio currently being exhibited at the Bangkok Art & Cultural Centre. The concept behind the work is based on city dwellers' desire for a moment of escape from everyday life, along with the concept of the Chinese garden: a scaled replicated universe expressed through nature in order to create a sense of tranquility. According to the artist, "the smell of earth, the moisture and vapour that evaporate from the earth, the ordinariness and the emptiness allow the audience time to imagine."
It’s been two year’s since the construction of the 42-story Museum Tower in Dallas. As many of you may recall, the luxury condo has been in dispute with the neighboring Nasher Sculpture Center over an intense “hot spot” caused by the tower’s highly reflective skin. Although Nasher has demanded that the Museum Tower cover its southwestern facade with an external louver system, thus blocking the glare from penetrating Nasher’s Renzo Piano-designed cast aluminum sunscreen, the developers have refused to oblige due to a fear of jeopardizing the project's profitability.
Negotiations have turned to squabbles and proposals have fallen on deaf ears. However, a team lead by REX and Front has been commissioned by the Dallas Police and Fire Pension Fund (DPFPF) - the Museum Tower’s developer - to explore a "third option," one that would not require changing the construction of either Museum Tower or the Nasher.
The Guardian's Oliver Wainwright documents the current trend of micro-scale installations spurring new life into the historic hutongs of Beijing and gaining support from the local communities, eager to reject the economic pressures of destroying/rebuilding. The local government’s endorsement, however, comes as a surprise - especially considering its fervent impetus to raze these areas just a few years ago. Read the full article here: Designers Use 'Urban Acupuncture' to Revive Beijing's Historic Hutongs.
https://www.archdaily.com/435775/reviving-beijing-s-hutongs-with-micro-installationsJose Luis Gabriel Cruz
Courtesy of Stewart Dodd and the Architectural Association
Marking the Forest, now in its second year, is a ten-day summer course by the Architectural Association. Set in a managed forest in central Oregon, it aims to engage students with the forest through thoughtful architectural intervention.
https://www.archdaily.com/435108/aa-students-amplify-the-forestKatherine Allen
Amsterdam's famous canal district celebrated its 400th birthday this year. And though the district has grown and evolved throughout the centuries, now, more than ever before, this UNESCO World Heritage site is struggling with how to ensure the past doesn't hold a vice-like grip on its future.
For Jarrik Ouburg, an Amsterdam architect, the problem was more specific: in such a historic district, how do you keep urban transformations from slowing to a stop? This question eventually led him to his ongoing project, “Tussen-ruimte.” Tussen-ruimte (Dutch for ‘between space’) installs pieces of contemporary art and architecture in the hidden alleys and courtyards that have formed over years of building in the canal district.
https://www.archdaily.com/431720/between-the-buildings-of-historic-amsterdam-an-urban-interventionKatherine Allen
"Open House" is artist Matthew Mazzotta's latest invention: a compact, faded pink house that unfolds into a ten-piece outdoor theater that seats nearly 100 people. Facing a raised earthen stage, it's a public space made from the remnants of a privately owned blighted property. Reversing the loss of public space that the city of York, Alabama has experienced, Open House has transformed a wasted ruin of a house into an outdoor theatre open to various community events.
London-based United Visual Artists (UVA) has brought Sou Fujimoto’s “cloud-like” Serpentine Pavilion to life with an “electrical storm” of LEDs. With the intention of making the architecture “breathe” from within, UVA seamlessly integrated a network of LED lights into the latticed, 20mm steel pole structure that mimics the natural forms of an electric storm. In addition, carefully conducted auditory effects further enhance the experience, transforming Fujimoto’s “radical pavilion” into an electrified geometric cloud.
Text description provided by the architects. MIT’s Self-Assembly Lab has exhibited the Fluid Crystallization project as part of the 2013 Architectural League Prize Exhibition at the Parson’s Gallery in New York. The Fluid Crystallization installation - a collaboration between MIT Self-Assembly Lab director Skylar Tibbits and The Molecular Graphics Lab director Arthur Olson - investigates hierarchical and non-deterministic self-assembly with large numbers of parts in a fluid medium.
The Museum of Modern Art has kicked off the popular Warm Up Summer Music series in the courtyard of MoMA PS1 with the grand opening of Party Wall. The towering installation, designed by Ithaca-based studio CODA, was the winning proposal of the 14th annual Young Architects Program in which provides emerging architects a chance to construct an innovative project as long as shades, cools and seats visitors.
With a porous skin made of woven skateboard scraps, the experimental structure has successfully met the challenge by providing a shaded refuge for the crowds with refreshing cooling stations and detachable wooden seats.
Thanks to Alvaro Siza and Eduardo Souto de Moura, Portugal's two Pritzker Laureates, Sao Paulo will soon have its own temporary summer pavilion - a la the Serpentine Gallery - in the city's most important green space: Ibirapuera Park.
Built and exhibited at “Data Curation” in the Museum of Art at Seoul National University, ‘Mood Map’ visualizes the moods of Korean people in color and light through textual analysis of their Tweets on Twitter. Designed by E/B Office, they created a custom software program in Processing that will search and analyze Tweets in Korean language through the Twitter API. More images and architects’ description after the break.
Dorell.Ghotmeh.Tane / Architects recently completed their 'Frozen Time' Installation for a Japanese watch brand CITIZEN in Baselworld which is the largest watch and jewel industry exhibition in the world. This year, the main exhibition hall was fully renewed, therefore all the brands are intended to express their next 4 year’s vision. Instead of just renewing entire booth for next 4 years, CITIZEN reserved a large reception space to be opened and to present an installation every year as space to evolve and to express their fundamental identity of ‘Challenging spirits’. More images and architects' description after the break.
For this architect, there is an indiscernible line between art installation and building. Alexander Brodsky studied architecture in Moscow, while working on art installations and drawings both independently and in collaborations with other artists. Brodsky admits that his career path was unconventional, that he felt unready to take on the responsibility of building. Instead, Brodsky's approach to architecture is through the lens of art: occupiable, room-sized installations that test spatial and sensory boundaries.
Taking place at the Seoul Museum of Art, the 'Total Theatre: Interspace Dialogue' exhibition is featuring the Plushscape installation by Max Kuo of ALLTHATISSOLID. Curated by Regina Shin, the exhibition, which is also a film festival, borrows Gropius and Piscator’s concept of a new kind of theatre to realize a cinema inside of the white cube of a museum. In response to the curatorial agendas of Interspace Dialogue, Plushscape seeks to agitate and amplify the somatic conditions of the viewers’ bodies providing more spatial possibilities in their haptic response to the screening films. More images and architects' description after the break.
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