This article was originally published on Common Edge.
In this week's reprint, author Jacob DiCrescenzo explores the Emotional Experience of architecture, after having tackled in a previous article the so-called "feeling architecture", focusing on the psychology and emotion of the built environment. Arguing that "architecture is a deeply emotional experience", DiCrescenzo talks also about the benefits of neuroscience-informed design.
This article was originally published on Common Edge.
In this week's reprint, Martin C. Pedersen talks with John Englander, author of Moving to Higher Ground: Rising Sea Level and the Path Forward, about the “unstoppable” sea-level rise. The article explores the importance of planning for this challenge right away. In fact, "we have some time, but not all the time in the world" states John Englander.
This article was originally published on Common Edge.
In this week's reprint, author Walter Jaegerhaus explores the U.S. housing challenge, drawing a timeline of the evolution of different architectural solutions, from around the world. Seeking to "inspire designers today to create new housing options", and hoping "that the U.S can again embrace its experimental origins and try out new ideas and methods", the article highlights examples from Europe and the Americas.
This article was originally published on Common Edge.
Martin C. Pedersen talks with Ron Rochon, managing partner at Miller Hull, about Carbon and the role of architectural firms in eliminating emissions. Discussing the EMissions Zero initiative, the current shortcomings of carbon offsets, and the way forward, the piece also questions the possibility of setting goals with the absence of an internationally, agreed-upon carbon cap.
This article was originally published on Common Edge.
Stefan Fuchs & Raphael Dillhof interview Adam Nathaniel Furman and discuss the role and importance of facades in today's urban fabric, "in the context of a broader range of social, economic, and political issues". Part of a more in-depth study examining the role of facades in the 21st century, this discussion also raises the question of why buildings always embody the values of their creators.
This article was originally published on Common Edge.
In this week's Common Edge piece, Duo Dickinson explores his personal journey from teaching to practice to teaching again, and the differences he perceived. Stating that "no one today believes that school can fully prepare students for what architecture will become in 10 years", the author explains how architectural education has been evolving and questions what could be the best ways to ensure that education remains relevant.
This article was originally published on Common Edge.
Martin Pederson interviewed this week Antonis Antoniou and Steven Heller, author of Decoding Manhattan, a new book that compiles over 250 architectural maps, diagrams, and graphics of the island of Manhattan in New York City, talking about the origin story of the book, the process of research, and the collaboration.
This article was originally published on Common Edge.
Exploring the question of slavery in Architecture, the building materials and the construction industry, Michael J. Crosbie interviews Sharon Prince, the women behind Design for Freedom, discussing the initiative's report "on the pervasive use of slavery in the design and construction industry, and how design professionals can respond".
This article was originally published on Common Edge.
Martin C. Pedersen discusses with Frank Stasiowski, the founder and president of PSMJ Resources, his take on AI and the future of the profession. The author explains that six years ago he "interviewed Frank Stasiowski, the founder and president of PSMJ Resources, a management consulting firm that specializes in architecture, engineering, and construction firms. In addition to advising firms on strategic and growth planning, leadership and succession plans, mergers and acquisitions, and a host of other issues, Stasiowski spends a lot of his time analyzing where the industry is likely to evolve in the future, especially as technology takes an increasingly important role". Finding him one of the keenest observers of the industry, Pedersen talked to Stasiowski to get his opinion on AI and the future of the architectural profession.
This article was originally published on Common Edge.
Dozens of neighborhoods in New York City have been upzoned based on contrived, and even false claims made by the city, which promised more diversity, affordable housing, minimum displacement, and other worthy goals. None of those projections materialized, but this is never acknowledged. Worse, the upzoning created the opposite conditions: less diversity, fewer affordable units, and whiter, wealthier neighborhoods. This, too, is never acknowledged. But the damage is done—and developers are having their way—following the new zoning. Then it’s onto the next neighborhood, with the same approach. Roberta Brandes Gratz explores in her article city planning and city promises in New Tork City, disclosing zoning regulations that lead to the opposite of what they preach.
This article was originally published on Common Edge
Two years ago, Nathaniel Rich published Losing Earth, his account of the pivotal decade from 1979 to 1989 when the political consensus around climate change somewhat miraculously formed and then collapsed, hardening into an impasse that’s now more than three decades old. Though not explicitly a sequel, Rich’s new book, Second Nature: Scenes From a World Remade, is a follow-up of sorts.
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This article was originally published on Common Edge as "Five Women Architects Revitalize a Giant Public-Housing Project in Rome."
Corviale is one of Italy’s biggest postwar public housing projects and, arguably, one of the most controversial. Both revered and abhorred, the complex remains a pilgrimage site for architectural schools from around the world. Il Serpentone (The Big Snake), as it is affectionately called, stretches nearly a kilometer in a straight line, a monolithic, brutalist building that hovers over the countryside on the outskirts of Rome. But there is nothing sinuous about a construction made up of 750,000 square meters of reinforced concrete condensed into 60 hectares. This hulking horizontal skyscraper is formed by twin structures, each 30 meters high, connected through labyrinths of elongated hallways, external corridors, and inner courtyards. Divided into five housing units, each with its own entrance and staircase, it contains 1,200 apartments and houses up to 6,000 people.
This article was originally published on Common Edge as "Living on the Edge."
I am on the edge. Not emotionally or psychologically—although this could be the case—but literally, physically, spatially, geographically. As I write this, I am sitting on the balcony of a hotel room in Miami Beach, overlooking the Atlantic Ocean. Behind me is the whole State of Florida and, indeed, the entire North American continent. In front of me: the boardwalk, a narrow beach, and then a lot of water—and not much else between here and Mauritania, a distance of more than 4,400 miles.
This article was originally published on Common Edge.
Dan Klyn, who teaches information architecture at the University of Michigan, is currently researching and writing a biography entitled Richard Saul Wurman’s 5 Lives. It’s an apt title, since the intellectually peripatetic Wurman has had several career incarnations: architect, author, publisher, designer, painter, sculptor, impresario (he created and thoroughly curated the early TED talks). “In a sense, I’m an amateur, a dilettante, I don’t do anything particularly well, but I see patterns between things,” he said to me in a recent interview, although his modesty here seems somewhat false: Wurman is a member of the Art Directors Club Hall of Fame; an AIA Fellow; has written, designed, and published more than 100 books; won a lifetime achievement award from the Cooper Hewitt; and is the recipient of the AIGA Gold Medal.
This article was originally published on Common Edge.
Few businesses in the United States are regarded with more fondness than mom-and-pop retailers. There’s an “all’s right with the world” quality about owner-run shops that meet a neighborhood’s everyday needs and, through repeated face-to-face exchanges, help people feel they’re members of a mutually supportive community. And yet for a long time, mom-and-pop stores have been under stress. In the half-century after 1950, cars shifted much of United States’s retailing to unwalkable roadside strips and winnowed the ranks of neighborhood-scale mom-and-pops. In the past two decades, the burgeoning of the internet has intensified the pressure on brick-and-mortar retail, a situation worsened by the pandemic.
This article was originally published on Common Edge as "Joan K. Davidson and the Fight for New York."
As income inequality has widened in recent years, the role of philanthropy has been called into question. Is charitable giving by wealthy individuals and powerful corporations always a positive force, or is that connection to wealth and power an inevitable compromise? Whose agenda does philanthropic giving really benefit, the grantees or the granters? These are complicated questions. But truly enlightened giving is a transformative force. It can not only fund worthy causes but if properly timed can sow the seeds of social change.
This article was originally published on Common Edge as "Kate Wagner on McMansion Hell, Criticism, and Her Love of Cycling."
Contrary to movie myth, there is no such thing as an overnight sensation. The moment when a cultural presence bursts upon the scene, seemingly fully formed, is almost always preceded by unwitnessed years of DIY training and single-minded obsession. Such is the case for Kate Wagner, who broke the architectural internet in 2016 with the introduction of McMansion Hell, a sharp and hilarious skewering of the bloated American home, in all its garish and desperate striving. A year later, the real estate listing site Zillow served the then-23-year-old Wagner with a cease-and-desist letter, claiming that her use of photographs violated copyright (even though they didn’t own the photographs either!). It was a clumsy move, resulting in an eventual corporate about-face and scads of free publicity for McMansion Hell.
This article was originally published on Common Edge.
My mother is a psychologist, so our family talks a lot about emotion. More specifically, we discuss the experience of emotion, because, as she likes to remind me and my sisters, “We don’t think our feelings—we feel them, in our bodies.” According to my mother, it’s this experience of emotion that gives our lives a sense of meaning and vitality; as a result, her work isn’t about intellectual insight or abstract theories, but rather about giving her patients a new experience of themselves in the world.
