Assemble: The Latest Architecture and News

An exploration of "post-war design for play," The Brutalist Playground by Assemble and artist Simon Terrill has opened to the public at RIBA's Architecture Gallery. The immersive installation draws on a number of historic London estates - Churchill Gardens, Pimlico; the Brunel Estate, Paddington and the Brownfield Estate in Poplar - where playgrounds were once made from concrete and cast into sculptural forms to offer children an abstract landscape for play. Now deemed unsafe, these playgrounds no longer exist. Thus, The Brutalist Playground was envisaged to explore play, "the Brutalist way."

Images of the complete installation, after the break.

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Starting June 10, the RIBA will present The Brutalist Playground - an exhibition that is part sculpture, part architectural installation, which invites people of all ages to come and play, the Brutalist way. Occupying the entire Architecture Gallery, the immersive landscape is a new commission by Turner Prize nominated design and architecture collective Assemble and artist Simon Terrill. It explores the abstract concrete playgrounds that were designed as part of Brutalist housing estates in the mid-twentieth century, but which no longer exist. They became playgrounds unsuitable for play.

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Assemble, a collective of artists, designers and architects based in London, have been shortlisted for the Turner Prize - the UK's foremost annual award for British visual artists. Much to the delight and surprise of members of the profession, this young collaborative team are the first spatial designers to be recognised by this prize in its three decade history, leading Sam Jacob to assert that they "represent something different: a validation of the belief that there are other ways of doing things." The four nominees for the award also include London artist Bonnie Camplin and German-born Nicole Wermers.

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The great schools of architecture have been around since time immemorial, or at least that's how it can often feel. In London, a city particularly dense with institutions of this calibre, this is perhaps felt more acutely. How, then, do you develop an entirely new school in this tightly packed environment which has the potency and capacity to compete? Will Hunter, former executive editor of the London-based Architectural Review, began a process to do just this with an article in 2012. Following this, he set up the ARFA—Alternative Routes For Architecture—in order to explore different models for architectural education, calling upon professionals and academics to contribute to a series of informal discussions.

“When the tuition fees in the UK escalated to around £9000 per year in 2013, it got me thinking about different models for architectural education,” Hunter recalls. The casual meetings held around this time gradually become more serious until, “at a certain point, we decided to test them: to make a school.” The project gathered momentum from that point on and now, two years later, the London School of Architecture (LSA) are preparing to take in their first ‘trailblazing cohort’ of postgraduate students.

The Cineroleum, a self-initiated project built in 2010 by London based practice Assemble Studio, transformed a derelict petrol station into a "hand-built" cinema on one of capital's busiest roads. Aimed at raising awareness to the wider potential for reusing the 4,000 empty petrol stations across the UK for public use, the adapted structure on Clerkenwell Road was "enclosed by an ornate curtain" strung from the "roof of the petrol station's forecourt. Described as an "improvisation of the decadent interiors that greeted audiences during cinema’s golden age," classic infusions of cinematic iconography were integrated into a space built from only cheap, reclaimed or donated materials.

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The shortlisted projects in the competition to design a new art gallery for Goldsmiths College at the University of London have been revealed. The project will see a new 400 square metre gallery created in the back of what was formerly a Victorian bath-house, and is now the college's Grade-II listed art studios. Six shortlisted practices were given six weeks to design a gallery which works with the existing industrial structures - including the building's old water tanks.

The designs will now be judged by Goldsmiths' competition jury, a panel which includes David Chipperfield and sculptor Antony Gormley.

Read on after the break for details of all six proposals

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The winners of the 2013 Interior Design Excellence Awards and the Great Indoors Awards have been announced, showcasing an innovative range of projects from around the world. We've rounded up some of the best of these award-winning interiors just for you, including: the origami-inspired, timber battens of Assemble Studio; the fantastic basketry of the Cinema Center in Matadero de Legazpi, by Churtichaga & Quadra Salcedo Architects; OHLAB's golden Relojería Alemana; El Equipo Creativo's PAKTA Restaurant of looms; and Breathe Architecture's rebellious metallic and wooden Captain Melville. Enjoy!